A Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score High
Wouldn’t you like to sing your favorite nostalgic songs with even more enjoyment? Many adults probably feel the same way.
For those in their 60s who spent their youth during the period of rapid economic growth and the bubble economy, the hit songs of that era are priceless treasures.
Yet even with familiar tunes, you may feel frustrated when the range or phrasing doesn’t quite fit, making it hard to sing comfortably.
That’s why this time, we’re introducing songs that tend to score well—carefully selected from well-known classics with a focus on ease of singing.
You’re sure to find that one special song filled with memories!
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Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score Well (1–10)
interaction; friendly contact; bondingNakamura Masatoshi

Masatoshi Nakamura has been active across a wide range of fields as an actor and singer.
As a singer, his main profession is acting, so it’s not that he possessed exceptionally high technical skill, but his expressive vocals did help him establish a place for a time.
Among Nakamura’s songs, one I especially recommend as an easy pick for aiming high karaoke scores is Fureai.
Its vocal range is quite narrow, spanning from mid1 A to mid2 D#, the tempo is a moderate BPM 123, and the melodic movement is much gentler compared to contemporary songs, so it should be quite feasible to target a high score.
If the end of the chorus is difficult to project, instead of using mixed voice, another option is to raise the key by one or two steps and sing it in falsetto.
KISS MEHimuro Kyosuke

Among men in their 60s—especially those in the early half—many were likely deeply impacted by Kyosuke Himuro.
Of all his songs, the one I particularly recommend is KISS ME.
It’s a great choice for achieving a high score when singing.
The biggest reason is its vocal range: from mid1 C to mid2 G, which is exceptionally narrow even among male vocal tracks.
While the way Himuro sings—slightly muffling the sound through the nose—isn’t exactly the orthodox method, it’s an easy-to-sing technique.
Simply emulating the original performance should be enough to aim for a high score.
ChinatownYazawa Eikichi
Eikichi Yazawa has produced many classic songs over the years.
There are likely many men in their 60s who have been fans since the Carol era.
Among his tracks, one I especially recommend is Chinatown.
The song’s vocal range is relatively narrow, from mid1 B to mid2 G#.
If you’re just following the pitch, it should be quite manageable.
However, because Yazawa employs a shout-infused singing style, trying to imitate that can make the difficulty skyrocket.
So, rather than sticking too closely to the original, aim to sing it in a comfortable key for you.
Must-See for Men in Their 60s: Karaoke Songs That Score High—Easy-to-Sing Classic Hits (11–20)
Oh, sake!Yoshi Ikuzo

Men in their 60s are the generation that experienced the dawn of kayōkyoku, rock, and folk music, and they can also be said to be very familiar with enka.
In particular, many have deep knowledge of modern enka, which differs from those based on traditional folk songs.
The song I recommend is Yosh Ikuzo’s “Sake yo.” As an enka piece, it is very easy to sing, with no kobushi that require complex pitch ornamentations.
The vocal range is also not wide—mid1 C# to mid2 F—so even men in their 60s, an age when projecting the voice can become difficult, should be able to sing it comfortably.
unconsciously / without realizing itUzaki Ryūdō

For men in their 60s, when it comes to no-nonsense male singer-songwriters, Ryudo Uzaki is likely the first name that comes to mind.
He has many classic songs, but the one I especially recommend for aiming for a high score is Shira zu Shira zu no Uchi ni.
This piece is set within a relatively narrow range of mid1 B to mid2 C#, and the vocal line maintains a gentle, even contour.
However, because it calls for expressive elements like shouts and breath control, if you want to show appeal beyond just scoring points, I recommend mastering overtones that are effective in the low to low-mid range.
Dramatic RainInagaki Junichi

Junichi Inagaki is a male singer with a distinctive and memorable vocal tone.
Known for his unique musical style that blends city pop and AOR into Japanese kayōkyoku, he has produced many classic songs.
Among them, the one I especially recommend for aiming for a high score is Dramatic Rain.
With a relatively narrow vocal range of mid1 D# to hi A and a gently undulating vocal line, it should be manageable for men in their 60s who are accustomed to kayōkyoku melodies.
Be sure to check it out.
RunawayRATS&STAR

When it comes to the groups that laid the foundation for soul music and R&B in Japan, Rats & Star surely comes to mind.
As their black-coated appearance suggested, they had deep respect for Black music.
Their song “Runaway” is one of their signature tracks, blending elements of Black music with kayōkyoku and J-pop into a very singable style.
The vocal range is relatively narrow, from mid1 D# to mid2 G, so as long as you focus on the groove, you should be able to aim for a high score.


