Masterpieces by Spitz: A list of recommended popular songs and signature tracks
Let me introduce songs by Spitz, one of Japan’s most iconic national rock bands.
Spitz is a four-member band that has been active since 1987, and they’ve continued with the original lineup since their formation.
The band originally grew out of a group that Masamune Kusano, the vocalist and guitarist, played in during his student days.
Interestingly, that earlier band was a punk rock band, quite different from what they’re known for now.
They also have roots in heavier genres like metal.
Given their strong association with gentle, ballad-like songs such as “Robinson” and “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”), that might come as a bit of a surprise.
With that, please enjoy Spitz’s music—where the quiet leaves a strong impression precisely because of the intensity they keep beneath the surface.
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- That all-girl band covered it too! Popular cover versions of Spitz’s “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”)
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- Spitz Love Songs and Popular Songs Ranking [2026]
Spitz’s classic songs: A list of recommended popular and signature tracks (41–50)
an ordinary lifesupittsu

One of the tracks on the album “Souvenir,” which includes Haru no Uta and Masayume.
It’s a song with a pop feel that captures Spitz’s essence; the strings and the arpeggio in the intro are beautiful, and the lyrics are very concise, conveying what they want to say in a straightforward, honest way.
Spitz’s classic songs. List of recommended popular and signature tracks (51–60)
New Moonsupittsu

This is a song included on the album “Togemaru.” There’s a well-known rumor that Spitz associates round things with “death,” and if you connect that idea to this song’s interpretation of the new moon…? The moon is still invisible at this stage, and many people seem to think of that as death being unseen.
Spitz’s unique view of life and death—how do you interpret it?
thrushsupittsu

Released on June 23, 2010, this 36th single was featured in a commercial for “Music.jp TV.” The jacket photo uses a picture by Miho Kakuta, and the music video stars Yuri Ishizaka and Yuya Toyoda.
For Spitz, it presents a simple and easily understood message of love.
Tokimeki Part 1supittsu

A gem of a love song released in the 37th year of Spitz’s career.
Also chosen as the theme song for the film “My So-Called Love” (starring Suzu Hirose), it appears on the album “Himitsu Studio.” Masamune Kusano’s vocals, which evoke fresh first-love feelings and complex emotions, intertwine with a crystalline melody.
It beautifully captures the flutter of a first crush and the growing feelings each time you meet someone.
Brimming with the timeless appeal of a love song that brings you back to a fresh state of mind every time you listen.
A perfect track for anyone nursing a one-sided love or who loves romantic films!
honeysupittsu

One of Spitz’s signature songs, it sings of bittersweet, aching love.
Included on the 1995 album “Honey,” the track helped the album become a massive hit, selling over 1.5 million copies.
Masamune Kusano’s clear, translucent vocals and the distinctive 4+4+2 beat leave a strong impression.
The lyrics, which portray the emotional changes sparked by meeting someone special in everyday life, resonate with many listeners.
This work strongly reflects Spitz’s musical identity and has been cherished by fans for years.
With an afterglow like a sweet fragrance, it’s a song that gently soothes the listener’s heart.
It’s especially recommended for those troubled by love or when you want to look back on memories with someone important.
Hanemonosupittsu

It was the 26th single, released on August 7, 2002, and it was written specifically as a song for a Calpis commercial.
The songwriter, Masamune Kusano, said he didn’t know it shared a name with a part used in pachinko machines and thought it was a coined word meaning “a creature like a feather.”
Lark’s Heartsupittsu

This exhilarating, fast-paced song is the debut single released on March 25, 1991.
It’s been part of their repertoire since their indie days and is performed at almost every tour.
The vocals are still fresh and innocent, but this track marks the beginning of a legend that would go on to produce countless masterpieces!


