[2026] Gori-gori! Feel the deep bass! Intense Western EDM
These days, even within EDM there are plenty of literally poppy, melodic tracks like future pop, and top producers in the EDM world are exploring genres beyond EDM, putting out numerous hit songs.
That said, if you want to feel the primal pull of EDM’s earth-shaking low end with your whole body, this article rounds up and researches the latest EDM tracks that are especially focused on heavy bass.
From ferocious, skull-rattling sub-bass that hits you right between the eyes to tracks with slowly encroaching, weighty basslines, enjoy every flavor of “EDM’s signature low end.”
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[2026] Crunchy! Feel the deep bass! Intense Western EDM (101–110)
We Like To PartyShowtek

A powerful track by Showtek, the top Dutch EDM unit, that hits you right in the head with heavy bass.
Released as the memorable first title on their label “Skink Records,” launched in December 2013 by the brother duo from Eindhoven, the song is characterized by its energetic beats and catchy synthesizer riffs.
As a signature work marking their evolution from hardstyle to electro house, it achieved chart success in multiple countries, including reaching No.
32 on the Dutch Top 40.
A staple that fires up party scenes and maintains enduring popularity, this track is highly recommended for anyone who wants to experience EDM’s primordial groove with their whole body.
The Power Of NowSteve Aoki

A powerhouse track that wraps your whole body in waves of deep bass, born from the formidable tag team of global EDM stars Steve Aoki and Headhunterz.
Aoki’s razor-sharp electro house, as one of America’s leading DJs, blends seamlessly with the hefty sound of hardstyle, creating an overwhelming groove that makes you want to experience it at festivals and clubs.
Featured on the album Neon Future Odyssey, the song was also included on the Point Break movie soundtrack, becoming a striking piece that colors its action scenes.
One of Aoki’s signature works—he was named America’s Best DJ by DJ Times in 2015—it also sparked buzz with a remix by Crystal Lake.
With energetic beats and an exhilarating drop, this track is perfect not only for hyping up the party scene but also for refreshing your mood during workouts.
Lies (Otto Knows Remix)Burns

Released as a digital download in 2012 by British DJ and producer Burns, the track samples the vocals from Deborah Cox’s “It’s Over Now.” This version is a remix by Swedish DJ and producer Otto Knows.
IncredibleCarnage & Borgore

The masterpiece “Incredible” by Israeli EDM producer Borgore and fellow EDM producer Carnage.
As a track crafted by top-tier EDM producers, it’s constructed to pack the genre’s appeal into every detail.
Beyond its strengths as EDM, the low end hits hard, and the beat in the chorus generates vibrations so powerful that your hair will literally sway when played on a high-quality sound system.
9 (After Coachella) feat. MØ & SOPHIE [KRANE Remix]Cashmere Cat
![9 (After Coachella) feat. MØ & SOPHIE [KRANE Remix]Cashmere Cat](https://i.ytimg.com/vi/-Y-Y3yr8HJ4/sddefault.jpg)
Cashmere Cat is a music producer from Norway.
He’s known as one of the country’s leading producers and has provided tracks for global artists like Kanye West, The Kid LAROI, Selena Gomez, Camila Cabello, and The Weeknd.
Among his works, a track I particularly recommend is “9 (After Coachella) feat.
MØ & SOPHIE [KRANE Remix].” The drop includes a high-pitched synth, so it might be hard to notice at first, but if you listen closely, you’ll hear that the low end hits hard.
[2026] Gori-gori! Feel the deep bass! Intense Western EDM (111–120)
Beam Me UpCazzette

A track by the Swedish EDM duo Cazzette, consisting of Alexander Björklund and Sebastian Furrer.
The title “Beam me up” is a slang phrase that originated on American campuses in the 1960s, meaning “save me from this” or “get me out of here.”
All Of My TimeFirelite

It has a vibe close to trance, but the beat sits lower and hits harder than typical trance.
It feels like drum and bass while also carrying trance-like elements, creating a curious sensation of being between the two genres.
It moves freely across genres without feeling out of place, and can be enjoyed as a new kind of EDM.
If you’re looking for EDM that’s a bit different from the usual, I recommend this track, “All Of My Time.”



