RAG Musicartist
Lovely artist

A special feature on Mariya Takeuchi’s best songs: a must-hear collection of masterpieces for both longtime fans and first-time listeners.

Mariya Takeuchi has been at the forefront of Japan’s pop scene for over 40 years since her 1978 debut.

Her songs—led by sophisticated melodies and an urban sound that have captivated countless listeners—continue to be loved across generations.

Around 2017, she saw a resurgence in international recognition through “Plastic Love.” Another major appeal is how her lyrics naturally evoke vivid scenes and her warm musical style offers comfort to the heart.

Here, we feature a selection of Mariya Takeuchi’s exquisite masterpieces!

Mariya Takeuchi Best Songs Special: A must-listen collection of masterpieces for both fans and first-time listeners (21–30)

Let’s go home (My Sweet Home)Takeuchi Mariya

Mariya Takeuchi – Let's Go Home (My Sweet Home) [Live Version / 2000 @ Nippon Budokan]
Let's go home (My Sweet Home)Takeuchi Mariya

It’s her 21st single, and it has been used as a drama theme song as well as in various commercials over many years.

That alone shows how widely the lyrics resonate with people, and its pleasant sound has won broad popularity.

There’s no doubt it’s a classic.

Rainy driveTakeuchi Mariya

Mariya Takeuchi / Rainy Drive [cover]
Rainy driveTakeuchi Mariya

This is a masterpiece that resonates deeply, weaving an urban, sophisticated rain sound with jazz piano into a mature love story.

Mariya Takeuchi, often called the queen of city pop, paints an evening drive in the rain.

The lyrics delicately capture the twilight scenery reflected in the car window and the subtle shifts of the heart, gently stirring the listener’s senses.

Featured on the album “Miss M,” released in December 1980, this gem from the Tokyo recording sessions stands out with an evocative piano solo by Nobuyuki Shimizu.

It’s a work of passion, with both lyrics and music by Takeuchi herself.

Perfect for a rainy-day drive date or a quiet night by the window lost in thought.

A heartfelt recommendation for those who savor a lingering adult mood or are interested in Japanese ballads with a jazz-inflected touch.

Lonely WomanTakeuchi Mariya

Released on November 18, 1996 (Heisei 8).

Featured in the TBS drama “Gimu to Engi” (“Duty and Performance”).

Based on Makiko Uchidate’s novel and starring Yuko Asano, it followed the popular pattern of the time: dramas watched by working women.

The lyrics vividly portray the emotional push-and-pull between men and women.

It peaked at No.

13, with sales of 166,000 copies.

Angel’s SighTakeuchi Mariya

Mariya Takeuchi – An Angel’s Sigh (Official Music Video)
Angel's SighTakeuchi Mariya

A song released in 1999 that served as the theme for the film “Himitsu.” It explores the loneliness people carry and was also composed as a requiem for her late best friend.

Its wistful, solitary, hymn-like sound is especially striking.

Storm of LoveTakeuchi Mariya

A song released in 1986.

Although the lyrics depict an extramarital affair, the bright rhythm keeps it from feeling heavy.

The light chorus at the beginning is striking, and even though it’s a painful love, it somehow makes your heart dance…

It’s a quintessential song of hers that captures the feelings of a woman in that situation.

ReplyTakeuchi Mariya

Mariya Takeuchi – Reply (Official Music Video)
ReplyTakeuchi Mariya

This is the song that became the theme for the 2006 film “Sea Without Exit,” with the arrangement handled by her husband, Tatsuro Yamashita.

Its wistful melody and heartrending lyrics tighten the chest and move the listener’s heart.

Reading the lyrics carefully stirs even deeper emotions.

Silent LegendTakeuchi Mariya

Mariya Takeuchi – Quiet Legend (Official Music Video)
Silent LegendTakeuchi Mariya

Mariya Takeuchi’s new song “Shizukana Densetsu (Legend)” is built around acoustic guitar, with touches of folk and blues here and there.

That said, the vocal line is classic J‑pop.

There aren’t any particularly difficult parts, so even those who can’t hit high notes or aren’t confident in their singing can relax.

Although it’s a brand‑new track, it’s wrapped in a nostalgic melody, so women in their 40s should definitely give it a try.