A roundup of karaoke songs perfect for teenage girls
When it comes to how teens discover music these days, social media platforms like TikTok and YouTube have become the main sources.
Some teenage girls might be wondering, “What should I sing at karaoke when I’m going with someone I’m interested in?”
In this article, we’ve picked a wide range of Japanese songs that we’d love teenage girls to try singing.
We’ll introduce tracks that can spark conversation when you go to karaoke with a guy, including songs popular on short-form video platforms and anime themes.
From high-energy rock and pop to soothing ballads, check out your favorites and give them a try at karaoke!
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- Recommended karaoke songs for teenage girls: classic and popular J-pop hits.
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- Songs you'd like women to sing at karaoke: a roundup of tracks popular with men in their 20s.
- [Teens] Easy-to-Sing Karaoke Song Rankings [2026]
- Karaoke songs that are easy for middle school students to score high on
Karaoke songs for teenage girls to sing (41–50)
Orihime and BABY feat. Shio Leilaneguse.
This is Neguse’s first duet, a bittersweet song that overlays the Tanabata tale of Orihime and Hikoboshi onto modern romance.
With a range of G#3 to D#5, it’s an easy key for a male-female duet, and it’s also great for two women to trade lines—highly recommended! It’s a heart-fluttering song to sing with someone you like.
In Reira Shio’s female part, the low notes are key.
Lower tones tend to get stuck in the throat and sound muffled, so make sure to let them resonate.
Try raising your eyebrows, take more air than you think you need, and sing as if you’re releasing the voice slowly right in front of your eyebrows.
That way, the resonance shifts from the throat to the head, making it easier to hear yourself and sing comfortably.
In general, when you sing, it helps to focus less on “producing sound” and more on “resonating through the body,” so keep that in mind!
ShuraYorushika
This song was released as a digital single on August 8, 2025, and became the theme song for the drama “We Still Don’t Know the Rules of That Star.” It’s a song that validates the “vague uneasiness inside” and the “overwhelming feelings” many teen girls experience, making it a track that truly stays close to adolescent emotions.
Rather than aiming to “sing it perfectly,” it’ll feel refreshing if you sing it as a way to “let your feelings out.” The overall vocal range is A#3–D#5, with the high notes sung in falsetto.
The key point is switching between chest voice and falsetto.
Use a bit more breath to transition smoothly.
Breathe in slowly through your mouth, staying calm so it becomes diaphragmatic breathing.
If you tense up, it turns into chest breathing and you won’t inhale as much as you think, so be careful not to let your shoulders rise!
Good luck to me tomorrow.Nanawo Akari
Akari Nanawo is a pop singer who has risen to prominence in recent years.
She’s especially popular among teenage girls, winning fans with her catchy lyrics and bright, pop vocals.
Among her works, the one I particularly recommend is “Ashita no Watashi ni Sachi Are” (Best Wishes to Tomorrow’s Me).
The chorus includes a brief, noticeably higher passage, but it stays within chest voice range, so as long as you can track the pitch accurately, it shouldn’t pose a challenge.
Definitely consider adding it to your repertoire.
Star‑mineHatsuboshi Gakuen
Gakuen Idolmaster is popular among teens and people in their twenties.
Many of my students play this game, and a lot of them have sung its songs in lessons.
This time, Star‑mine isn’t a solo track but a unit song! Overall, the key is comfortable for female voices, but the highest note is a high G# (G#5), which appears at the end of the chorus.
Hitting a high G# after continuous singing is quite challenging, but aim to produce it entirely in head voice—imagine sending the sound thinly upward, as if from above your head straight up—and make sure to support it with solid breath flow.
If it’s hard to do within the song, first practice producing just this note on its own.
Since it’s an idol song, it could be fun to gather fans of Gakumasu and split the parts! Enjoy singing it!
A hundred flowers in full bloomIkuta Rira
Lila Ikuta, a female singer-songwriter known as the vocalist of YOASOBI, is characterized by impeccably precise pitch control reminiscent of a Vocaloid, and she excels at dynamic vocal lines with steep ups and downs.
However, this song she performs, “Hyakka Ryoran,” is, unusually for her repertoire, a piece with relatively gentle pitch movement.
The phrasing isn’t overly dense either, so there are rests that let you prepare for the next section, making it a comparatively easy song to sing.
I want to become a ghost.Yuika
This is the opening theme song for the TV anime “Wataru-kun’s XX Is on the Verge of Collapse,” which began airing in July 2025.
It’s especially popular among students, and some of my students who like Yuika have been singing it too! When I listened to the song, my impression was that the rhythm in the chorus is tricky.
If you try to sing before memorizing the melody, you might not know where to break phrases or where to breathe.
If you hum along while listening, you can memorize the melody, and once you can hum it lightly, you’ll be able to relax and sing more easily.
The chorus uses the same melody with only slight changes to the lyrics, so once you get past that part, it should be easier to sing.
Also, if breathing is difficult, don’t try to sing everything at 100%; try easing your voice in little by little.
When you hit a spot where you can think, “I can breathe here!” take a deep breath!
Caramel PainHoshimachi Suisei
Right now, one of the most active VTubers in the music scene is Suisei Hoshimachi.
She’s a vocalist who needs no introduction as a representative of hololive.
Her songs are typically known for their smooth, high-speed switches between falsetto and chest voice, but Caramel Pain is different.
There is some falsetto, but it only appears at key moments, and there are no phrases that rapidly alternate between chest voice and falsetto.
On top of that, the chorus sits in a fairly narrow range, so even those who can’t sustain high notes continuously should be able to sing it without any trouble.