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Hit and popular songs by T.M.Revolution

T.M.Revolution is Takanori Nishikawa’s solo project, and he’s become a household favorite thanks to his appearances on variety shows and in commercials.

His biggest draw is, above all, his exceptionally strong vocal ability.

The project also features a technically skilled, star-studded backing band, making it an artist highly recommended for those who play instruments as well.

T.M.Revolution’s Classic and Popular Songs (31–40)

Magic BulletT.M.Revolution

T.M.Revolution – Madan ~Der Freischütz~ | Official Music Video
Magic BulletT.M.Revolution

T.M.Revolution’s 14th single, “Madan ~Der Freischütz~,” released in 2000.

The song is a fast-paced number that really feels like classic T.M.Revolution, but the music video has an indescribable charm—and it’s absolutely wild.

The visuals use intentionally dated techniques, and the setting plays out like a Showa-era drama.

The lip-syncing to match the lyrics is fun in itself, but what’s really great is how, toward the end, the story suddenly veers off in a completely outrageous direction.

DOUBLE-DEALT.M.Revolution

T.M.Revolution “DOUBLE-DEAL” SPOT 120-second ver.
DOUBLE-DEALT.M.Revolution

It’s a powerful number infused with a vision for the future and unwavering determination.

It appeals to the importance of moving the times with your own hands and possessing the power to change the world.

Released in May 2015, this work is included on the album Ten.

T.M.Revolution’s overwhelming vocal prowess and Daisuke Asakura’s synth sound blend magnificently.

It portrays the resolve to face the trials encountered in the pursuit of dreams and wishes, conveying the importance of holding fast to one’s convictions.

It’s the perfect track when you want to push toward a goal or embark on a new challenge—a powerful anthem that gives you courage every time you listen.

Dictatorship -monopolize-T.M.Revolution

T.M.Revolution – Dictatorship -monopolize- | Official Music Video
Dictatorship -monopolize-T.M.Revolution

This is the debut single of the solo project T.M.Revolution, launched with Takanori Nishikawa—who had made his major debut as the vocalist of the visual kei band Luis-Mary—under the production of music producer Daisuke Asakura.

The song was used as the opening theme for the variety show “Shukan Stamina Tengoku,” and despite being a debut track, it already exudes a fully formed presence with its powerful vocals and crystalline synth sound.

Moreover, the release date—May 13, 1996—fell on a “Butsumetsu” day and on the 13th, considered unlucky in the West, further underscoring its defiant stance.

A thrilling number that marked the beginning of Takanori Nishikawa’s journey as a solo artist.

Revolutionary DualismT.M.Revolution

Nana Mizuki × T.M.Revolution “Kakumei Dualism” Music Video (Full ver.)
Revolutionary DualismT.M.Revolution

Released in 2013, this collaborative single with Nana Mizuki was used as the opening theme for the second season of the TV anime Valvrave the Liberator.

The powerful blend of male and female vocals creates a unique soundscape you won’t hear anywhere else.

dictatorshipT.M.Revolution

T.M.Revolution – Dictatorship -monopolize- | Official Music Video
dictatorshipT.M.Revolution

T.M.Revolution, led by Takanori Nishikawa, is now active as a solo act, but it seems he was involved in a band before his debut.

It was only for a short period, but they unfortunately disbanded, and his solo career began.

His dynamic vocals left a strong impression.

T.M.Revolution’s classic and popular songs (41–50)

oh! my girl oh! my godT.M.Revolution

If you listen to this song with the usual image of T.M.Revolution’s outlandish outfits and over-the-top performances, you’ll be floored.

The lyrics are built around the theme, “I’m a girl who can’t do anything, but I love you,” and it’s a track that makes you think, “Wow, he can sing a song like this, too.”

SWORD SUMMITT.M.Revolution

The theme song of the anime Sengoku BASARA Two.

The lyrics use Sengoku-era terms and expressions.

It’s filled with the passionate spirit of warlords from the Warring States period, and it reportedly features Japanese instruments like the shamisen.

There are moments of silence here and there that really bring out a sense of speed.