Recommended karaoke songs for women in their 20s — Heisei/Reiwa hits and the latest tracks
Here are some recommended karaoke songs for women in their 20s.
If you’re heading to karaoke with friends or coworkers and aren’t sure what to sing, this is for you!
From Heisei-era hits to the latest Reiwa tracks, we’ve carefully selected songs popular among women in their 20s.
You might even find songs that make you think, “I used to sing this a lot back in my school days,” and feel a wave of nostalgia.
Sing these at karaoke with people your age, and all sorts of memories are sure to come flooding back.
Be sure to check them out!
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Recommended Karaoke Songs for Women in Their 20s: Heisei and Reiwa Hits & Latest Tracks (91–100)
I love youuu!HoneyWorks feat. chū-tan
This track, Suki-cchew no!, which could be considered a sequel to HoneyWorks’ smash hit I’m Sorry, I’m So Cute, once again features voice actor–artist Saori Hayami performing as “Chu-tan.” From the chorus that repeatedly chants the title to the hook that sticks in your head after just one listen, its addictive appeal is fully intact.
At the same time, the midsection is captivating too, revealing the inner conflict you can sense beneath Chu-tan’s confident persona.
When you sing it at karaoke, try fully becoming Chu-tan and deliver it with a deliberately cutesy yet endearing vibe!
fortnighteill
Singer-songwriter eill, who has gained popularity for her sophisticated musicality, draws influence from overseas music and is known for her smooth vocal lines that are uncommon in J-pop.
Among her works, the track I especially recommend is “fortnight.” Since it incorporates elements of Western music, it takes a bit of skill to lock into the groove; however, the vocal line itself has a narrow range and gentle contours, making it undeniably easy to sing.
The dust on the shade extendszutto mayonaka de ii no ni.
ZUTOMAYO is a band that enjoys overwhelming support from listeners in their teens and early twenties.
They specialize in songs that blend catchiness with emotional depth, and among those, the track I especially recommend is Shade no Hoko-ri wa Enchō (The Dust of the Shade Extends).
It features a large number of mixed-voice sections and very few rests, so it demands strong stamina and precise pitch control in the high range.
Definitely consider adding it to your repertoire.
Last live showBurandē Senki
Brandy Senki is a girls’ rock band that has gained popularity for its diverse musicality.
While they sometimes incorporate Black music styles like R&B and neo-soul, their new track “Last Live” unfolds as an orthodox rock number.
The loud performance can be misleading, but the vocal line is gentle—with no extreme leaps in pitch or intense phrases—so simply following the pitch accurately is enough to aim for a high score.
On nights when cherry blossoms fallaimyon
While inheriting the sound that could be called the golden age of Heisei-era J-POP, Aimyon continues to release songs with a timeless, universal appeal.
“Sakura ga Furu Yoru wa” was released in 2021 as the theme song for “Koi to Ookami ni wa Damasarenai,” and it’s a masterpiece brimming with Aimyon’s signature style—comforting yet somehow bittersweet, with melodies and lyrics that resonate deeply.
Overall, although the pitch sits relatively high, the range is narrow and the melodic leaps are modest, so those with lower voices should be able to sing it well by adjusting the key.
For the chorus’s falsetto lines, try to project from your diaphragm to avoid your voice breaking.