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Japanese karaoke songs that excite men in their 20s

Have you ever gone to karaoke with friends, only to run through all the classics or end up overlapping on the same songs, making it hard to pick the next one?

In times like that, here’s a selection of Japanese songs that are sure to hype up guys in their 20s.

With these, you might just be able to take control of the vibe in the room (lol).

Karaoke Songs in Japanese that Hype Up Men in Their 20s (41–50)

don’t say “lazy”Hōkago Tī Taimu

This is the ending song from season 1 of the anime K-On!.

It’s such a popular show among people of the same generation who like anime that almost everyone has seen it, so this song is guaranteed to get everyone hyped.

It’s just a shame that there’s little chance the anime visuals will be shown.

water lily blossomShonan no Kaze

Shonan no Kaze “Suirenka” MUSIC VIDEO
water lily blossomShonan no Kaze

Beloved as a classic summer anthem and a go-to karaoke crowd-pleaser with friends, this song was released in June 2007 as their sixth single and went on to win Best Reggae Music Video at the MTV Japan Music Video Awards the following year.

More than just a cheerful summer tune, it carries a deeper message: like a water lily blooming into a grand flower from the mud, it mirrors the strength to live on by overcoming pain and tears.

Let its passionate sound and ode to life fill you with the courage to face any adversity.

It’s the perfect track to lift your spirits when you’re feeling down or to fuel you for tomorrow.

Nihon no Mikata – I Came Because I’m from NevadaYajima Biyōshitsu

This is a song by the three members of Tunnels and DJ OZMA.

Because it was created for a segment on the show “Tunnels no Minasan no Okage deshita,” it’s well-known and gets people excited at karaoke not only among those of the same generation but also across different age groups.

I think the lyrics and the music video are funny.

Rhyme Wave Phrase DisciplesCHEHON

Osaka reggae anthem “Inbakuto.” I think it’s rare for people who were in their 20s to have enjoyed it in real time when it was released, but there are probably many who discovered it through CHEHON’s participation in MC battles.

Although the track is structured with few break points, its vocal range is narrow, so as long as you memorize the lyrics and flow, you should be able to sing it without any issues.

It’s a sure-fire hit for guys’ karaoke, so definitely add it to your repertoire.

HabitSEKAI NO OWARI

SEKAI NO OWARI’s hit song “Habit.” Many listeners were likely astonished by this track, which departs from their usual fantastical worldview and instead delivers somewhat caustic, realistic lyrics.

As the groove is emphasized throughout, the song sits within a generally standard vocal range for a SEKAI NO OWARI track, from mid1 C to mid2 F.

However, since the highest note (mid2 F) appears fairly frequently, it may be better to lower the key slightly depending on the singer’s range.

While it’s overall on the easier side, there are several rap-like sections, so it’s recommended to firmly memorize the flow that matches the lyrics.

RPGSEKAI NO OWARI

SEKAI NO OWARI’s classic song “RPG.” This work, which could be called the culmination of the band’s fantastical musical style from their early days, is something anyone born in the Heisei era has probably heard at least once.

Surprisingly, the song’s vocal range is quite narrow, spanning from mid1 C# to hi A.

Since the frequently used notes are also on the lower side, even men with lower voices can sing it without issue if they drop the key.

If you want to boost the quality, try mixing in breaths like Fukase does—doing so will really liven things up at karaoke.

together; along with; bothWANIMA

WANIMA – Together (OFFICIAL VIDEO)
together; along with; bothWANIMA

WANIMA’s hit song “Tomoni.” While many of its lyrics are negative, the chorus suddenly shifts to a highly positive message, and that strong contrast made the track popular with many listeners.

In this piece, the lowest note is mid1 F and the highest is hi C#, which is a relatively wide range for a male vocal song.

However, the hi C# only appears twice in the first verse’s A section; the song is basically structured with hi A# as the top note, so with key adjustment it can be quite singable.

Since it tends to have fewer natural breakpoints, lowering the key by one step from your optimal key may work better when actually singing.