From Old-School Hits to Trends: A Collection of Vocaloid Songs Recommended for People in Their 20s
The voice library “Hatsune Miku” was released in 2007, and since then the Vocaloid scene has steadily expanded.
Because of that, the age range of Vocaloid fans is quite broad.
There are all kinds of cases: “I got into it in elementary school,” “I still enjoy it as a working adult,” or even “my parents’ generation listens to it.”
In this article, we’re picking out Vocaloid tracks recommended for people in their 20s.
From nostalgic classics to the hottest current hits, we’ve selected a wide range.
If you haven’t listened to Vocaloid songs recently, let this be your cue to dive back in!
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- Vocaloid songs recommended for people in their 30s. Classic and popular Vocaloid tracks.
- Summary of Popular and Classic Songs That Colored the Vocaloid Scene of the Heisei Era
- A Collection of Classic Vocaloid Masterpieces Released in 2010 [Nostalgic]
- [Latest] A roundup of Vocaloid songs recommended for teens [Classics]
- [Nostalgic] A Collection of Early Masterpieces from the Vocaloid Scene
- [Karaoke] A Special Feature on Vocaloid Songs That Are Easy for Women to Sing!
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- [Standard] Vocaloid masterpieces, recommended popular songs, god-tier tracks
- [Easy to Sing] A Compilation of Recommended Vocaloid Songs for Karaoke
- [From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!
- [Carefully Selected] A Special Feature on Hidden Vocaloid Masterpieces
[From Nostalgic Hits] A Roundup of Vocaloid Songs Recommended for People in Their 20s [Up to the Latest Trends] (211–220)
spring stormjohn
This is a highly sophisticated Vocaloid tune that draws you in with its speedy beat.
The track is by John, who also works under the solo project name TOOBOE, and it was released in December 2019.
Even the video uploaded to YouTube alone has surpassed 10 million views, making it an immensely popular song.
Its brisk tempo, razor-sharp melodic lines, and lyrics about parting—all of these are captivating.
It’s bright and refreshing on the surface, yet somehow tinged with sadness… a work with a mysterious atmosphere.
White WorldGESO
An immersive Vocaloid track where palpable, breath-close intimacy intersects with a sterile, inorganic timbre.
Released by GESO in January 2026, this piece features a duet between Kazehiki β and GUMI whose harmonies possess a beauty that blurs the line between reality and dreams.
The lyrics, which lay bare the emotions swirling within, are compelling as well.
Perfect for a quiet night when you want to sink alone into a sea of thought.
Unhappiness cultkantewi ku
You feel as if, though you sought salvation, you’ve somehow ended up being controlled.
This work by Vocaloid producer Kanteiku was released in January 2026.
It begins with words that seem to comfort sorrow, then gradually transforms into a lyrical world of inescapable dependence—truly overwhelming.
Its highly addictive phrases seize the listener’s heart and won’t let go.
It makes you want to be alone in the darkness and immerse yourself completely.
Nightmare Dinner TimeHitoshizuku P × Yama △
You’ll be overwhelmed by an immersive feeling, as if you’ve wandered into a mysterious world.
Created by Hitoshizuku and Yama△, this work was released in January 2026.
Written specifically for the empathy-driven drama content “We, Night After Night,” it was released as a counterpart to a version sung by a vocalist.
Is forgetting unpleasant memories a path to happiness, or is it losing yourself? That question is explored through familiar motifs like tables and food.
Please immerse yourself fully in this bittersweet yet beautiful story.
Working VoicesShanon
A work with a curious texture that shines a light on the “announcement voices” that sound in the gaps of everyday life.
It’s a track by Vocaloid producer Shannon, released in January 2026.
Created around the theme of the voices that keep the city running—like elevator announcements and train conductors’ calls.
Featuring asa, a new Yamaha voicebank, alongside Hatsune Miku and Otomachi Una, the interplay of their contrasting timbres is a key highlight.
You can’t help but sense a story in what should be impersonal audio.
Try listening to it overlaid with the sounds of the city you catch during your commute to work or school.
You might find it hard to escape this world the piece creates!
See you in the next life!Satō Naiko
It’s a Vocaloid track that conveys resignation toward the present world and a sense of nihilism, and I find myself irresistibly drawn to it.
Co-created by Noko Sato and Utsunoki, “Best Regards to the Next Life!” is slated for release in January 2026.
The innocent vocals of Kaai Yuki and the UTAU voicebank Wakana’s chorus blend seamlessly into the polished electro sound.
Living while wishing for an end… it’s sure to resonate deeply with anyone worn down by daily life.
On nights when you want to forget everything, why not listen closely and let it sink in?
Tinplate DanceHinata Denkō
Addictive rock tunes are a specialty of Vocaloid! Vocaloid producer Hinata Electric’s signature song “Buriki no Dance” was released in 2013.
From the intro, it’s a catchy dance-rock track that pulls you in, and its stylish, high-sense soundscape makes your body start keeping rhythm on its own.
The word choice in the lyrics is quintessentially Hinata Electric.
The melody is so snappy you’ll want to sing it yourself.
If it’s your first time, be sure to crank up the volume and give it a listen!