From Old-School Hits to Trends: A Collection of Vocaloid Songs Recommended for People in Their 20s
The voice library “Hatsune Miku” was released in 2007, and since then the Vocaloid scene has steadily expanded.
Because of that, the age range of Vocaloid fans is quite broad.
There are all kinds of cases: “I got into it in elementary school,” “I still enjoy it as a working adult,” or even “my parents’ generation listens to it.”
In this article, we’re picking out Vocaloid tracks recommended for people in their 20s.
From nostalgic classics to the hottest current hits, we’ve selected a wide range.
If you haven’t listened to Vocaloid songs recently, let this be your cue to dive back in!
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- [Nostalgic] A Collection of Early Masterpieces from the Vocaloid Scene
- [Karaoke] A Special Feature on Vocaloid Songs That Are Easy for Women to Sing!
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- [Standard] Vocaloid masterpieces, recommended popular songs, god-tier tracks
- [Easy to Sing] A Compilation of Recommended Vocaloid Songs for Karaoke
- [From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!
- [Carefully Selected] A Special Feature on Hidden Vocaloid Masterpieces
From Nostalgic Hits to Trends: A Curated List of Vocaloid Songs Recommended for People in Their 20s (251–260)
Viva HappyMitchie M

Music producer Mitchie M, who has drawn attention with tracks inspired by J-POP and dance music, created “Viva Happy” in 2013—a song that makes full use of Hatsune Miku’s versatile vocals.
The spoken-style lines and rap sections give a sense of spatial breadth, while the sound featuring colorful synth tones adds to the excitement.
Paired with lyrics that teach the importance of living cheerfully and energetically, it’s a Vocaloid track where Hatsune Miku’s singing truly shines.
It’s also fun to try dancing along with some nostalgic choreography.
[From Nostalgic Hits] A Roundup of Vocaloid Songs Recommended for People in Their 20s [Up to Current Trends] (261–270)
Qiu & Kagepiinata

Conflicting concepts—math problems and life’s questions, faith and dependence, frenzy and nihilism—come rushing in atop a high-speed beat.
It’s a track featuring Kasane Teto by Piinata, released in December 2025.
The tightly punched kick and snare, together with a distorted synth bass, create a sound that’s aggressive yet somehow pop-leaning and easy on the ears.
The lyrics juxtapose the sensation of chest pain without any specific diagnosis with words that label oneself as “junk,” despite having emotions.
If you’re carrying a haze that defies rational explanation, this song might hit home.
TomedonaiOzon

A rock number that detonates the feeling of a brain-crash impulse and an unstoppable thought loop.
Created by Vocaloid producer Ozone and featuring Kasane Teto, this track was released in October 2025 as part of the album “In:Side.” The arrangement is addictive, blending EDM-style build-ups with the rawness of a live band sound.
And the lyric’s question—“What lies beyond these meaningless days?”—overlaps with Teto’s uniquely husky, resolute voice, piercing the listener’s heart.
When you’re carrying feelings with nowhere to go, give it a listen.
Goodbye, heaven; come again to hell.john

It’s a highly addictive electropop track where heaven and hell whirl and swap in rapid succession.
Created by Vocaloid producer john, it was released in September 2025.
It’s an original piece written for the Project SEKAI COLORFUL STAGE! feat.
Hatsune Miku unit, Wonderlands×Showtime.
As the event title “Deep Dark For Light” suggests, it expresses the theme of discovering a single ray of light within darkness.
The song condenses an intense story where despair and hope vie against each other, leaving a powerful afterglow once you finish listening.
When you’re feeling down, it’s the kind of track that, mysteriously, gives you strength.
Watashi Co., Ltd.Chinozo

This is a Vocaloid track with a unique concept that likens oneself to a company.
Known for the smash hit “Goodbye Declaration,” Chinozo features Hatsune Miku NT on vocals and released the song in December 2025.
The central keyword is the stark term “dismissal,” but by setting it to a catchy melody, the piece achieves a curious mix of chilliness and addictiveness.
If you’re grappling with murky feelings about social evaluation or your self-image, this will likely hit home.
AvertSatsuki

This is a song written as the theme for Merunya Lancherna, a character from the mobile game “#Compass: Combat Providence Analysis System.” Created by Satsuki, it was released in December 2025.
Hiromoto Hiraishin plays guitar, Akita Horie handles bass, and Dagashi O-gata is on piano.
The blend of programming and live performance intertwines exquisitely, resulting in a sound that’s weighty yet races forward at high speed.
The lyrics alternate between a desperate longing to see the other as a one-and-only existence and an inexpressible frustration.
Let yourself be overwhelmed by the sheer depth of this sound!
Exit 8EO

This is a song with a distinctive worldview, inspired by the game “The Exit 8.” Created by EO, it was released in December 2023.
Sung in Kagamine Rin’s voice, the lyrics capture strange disturbances within everyday routines, making it unforgettable after just one listen.
Through the protagonist’s journey down an underground passage, themes of life’s goals and self-exploration are artfully expressed.
Despite carrying doubts and confusion, the will to move forward, paired with Rin’s clear voice, conveys the emotional shifts of each scene beautifully.
Highly recommended for people in their twenties, especially those questioning their daily lives.
You’ll likely discover something new each time you listen.


