Lovely Vocaloid

From Old-School Hits to Trends: A Collection of Vocaloid Songs Recommended for People in Their 20s

A Vocaloid producer who is also a music writerAraki Jakkan
I’ve worked in a variety of roles—regardless of pro or amateur settings—including live event PA, cameraman for video and photography, restaurant staff, and logistics center staff. I now spend my days as a part-time writer. I’ve contributed to music and manga websites with feature/review articles, and wrote the liner notes included as a bonus for 1st PLACE Inc.’s “IA SUPER BEST.” As for my music background, I started playing guitar in junior high and focused on band activities during my school years. For over 15 years since then, up to the present, I’ve continued releasing original tracks as a Vocaloid producer. My areas of expertise are Japanese rock, Vocaloid, and manga.

The voice library “Hatsune Miku” was released in 2007, and since then the Vocaloid scene has steadily expanded.

Because of that, the age range of Vocaloid fans is quite broad.

There are all kinds of cases: “I got into it in elementary school,” “I still enjoy it as a working adult,” or even “my parents’ generation listens to it.”

In this article, we’re picking out Vocaloid tracks recommended for people in their 20s.

From nostalgic classics to the hottest current hits, we’ve selected a wide range.

If you haven’t listened to Vocaloid songs recently, let this be your cue to dive back in!

From Nostalgic Hits to Trends: A Compilation of Vocaloid Songs Recommended for People in Their 20s (271–280)

It was all a dream!kuro usagi

It was all a dream! – Kasane Teto SV

It was all a dream!kuro usagi

Despite its simple structure, the melody leaves a striking impression that somehow pierces the heart.

It’s a track by Vocaloid producer Kuro Usagi, released in September 2024.

Teto Kasane’s vocals heighten the sense of poignancy, making it an emotional piece.

The lyrics honestly convey feelings of self-denial and regret, while portraying a desire for escapism—wishing that “it was all just a dream.” It can be seen as a work that fantastically elevates the universal wish to “start over.” I hope people who’ve been feeling unsettled lately will give it a listen; you’ll surely find something to relate to.

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Comet of the Seafloormakyavyeri

Comet on the Seafloor / Kagamine Rin, Len

Comet of the Seafloormakyavyeri

An emotional piece that portrays the space between conflict and hope using the metaphors of the sea and a comet.

It’s a Kagamine Rin/Len track released by MakyaVery in September 2025, submitted to the 30th Project Sekai NEXT.

It repeatedly questions the meaning of happiness and engages in self-dialogue searching for a place to put one’s feelings.

Then in the final act, it’s deeply moving as it ascends into a proof of existence—sounding the comet longed for on the ocean floor.

Be sure to listen to this dramatic Vocaloid tune.

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Dreamlandmizuna

Dreamland / Hatsune Miku

Dreamlandmizuna

This is the eighth track by Vocaloid producer Mizuna, released in September 2025.

Driven by a thick bassline, its stylish sound brings a buoyant sense of joy just by listening.

The lyrics, which introspectively trace emotional ups and downs, resonate as if beckoning you into a dreamlike world.

Combined with illustrations by Suama Suga, the result is a wonderfully fantastical, floating atmosphere.

Perfect for soothing a tired heart.

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crying intimidationwiroha ringo

Iroha Ringo – Crying Threat ft. Yudoke & Kazehiki

crying intimidationwiroha ringo

A song by Iroha Ringo that explodes with an emotional worldview.

Released in September 2025, this work is sung by Yukige and Kazehiki V.

Its lyrics focus on dependence, obsession, and the madness of love.

Every word carries weight, and before you know it, you can’t escape this world it creates.

Experience its dark yet pop-tinged sound for yourself!

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MonitoringDECO*27

DECO*27 – Monitoring feat. Hatsune Miku

MonitoringDECO*27

Released by DECO*27 in November 2024, this song depicts a world seen through a door scope.

Riding a unique groove that fuses Showa-era kayōkyoku with bass house, Hatsune Miku’s vocals resound.

The lyrics, which speak as if they know the other person’s actions and feelings, seem devoted yet carry a yandere-like essence.

Enjoy the catchy sound that blends coolness with an eerie atmosphere!

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