A compilation of Vocaloid songs with titles starting with 'Da'
Can you think of any Vocaloid songs with titles that start with “da”? There are plenty of famous ones like “Darling Dance,” “Dappou Rock” (Outlaw Rock), and “Dareka no Shinzou ni Nareta Nara” (If I Could Be Someone’s Heart)! There are lots of titles that begin with “da,” such as “Double,” “Dare” (Who), and “Dai—” (Big/Great + …).
In this article, I’ll introduce songs that start with “da.” I hope it helps you discover new tracks or makes you think, “Oh right, that one too!”—and enjoy it like a little game.
Please take your time and have a read.
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Compilation of Vocaloid Songs Starting with 'Da' (21–30)
Darling Dancekairiki bea

If you’re feeling anxious about your unrequited love, I recommend listening to “Darling Dance.” It’s a song that portrays the struggles of a woman who can’t get the attention of the man she likes.
With its very high tempo and intense melody, it naturally lifts your spirits as you listen.
The track is by the Vocaloid producer Kairiki Bear and uses Hatsune Miku.
Incidentally, the song also became a hot topic when Ado covered it.
It’s fun to compare the versions.
The dance room does not drown in dreams yet unseen.mada, dare mo shiranai shōsetsu no tōsaku

This stylish Vocaloid track features a funky bassline complemented by release-cut piano.
Created by the Vocaloid producer “Madamada, Dare mo Shiranai Shōsetsu no Tōsaku” and released in November 2022, its urban sound approach is chic and cool.
The contrast between Flower’s solid, core-driven vocals and Yuki Kaai’s innocent tone really stands out.
Lyrics that cry out for self-existence are likely to resonate especially with younger listeners.
Don’t miss this danceable number that will have your body moving on its own!
A Compilation of Vocaloid Songs Whose Titles Start with “Da” (31–40)
Because it’s broken, you know.Amerika min’yō kenkyūkai

A song by Haniwa of the American Folk Song Research Society, released on February 9, 2024.
The crystalline vocals of Chifuyu Hanakuma blend with innovative musical experiments using VOICEPEAK and VOICEVOX to deliver a fresh experience to listeners.
I can’t help but be captivated by the sound arrangement—at once noisy and beautiful with an ambient atmosphere—and the steadily unfolding poetry reading.
It’s a highly artistic Vocaloid track that makes you want to unravel every single word of the lyrics.
It’s okay.usushio shisū

From Vocaloid producer Usushio Shisuu’s album “DAIJOBU SUITE” comes a track that strikes listeners’ hearts: “DAIJOBU desu.” Released as a video on January 12, 2024, the song sharply portrays the wavering feelings of “How am I supposed to keep living from here?” In the midst of unstable days, emotions keep welling up—and Usushio Shisuu’s musical worldview stays close to them.
The sound, which nimbly leaps over the boundary between pop and rock, is a must-hear.
Give it a listen when you’ve hit rock bottom or when you want to fire yourself up.
I’m a hopeless person!usushio shisū

There are times when you just hate how hopeless you are, right? This song by Vocaloid producer Usushio Shisū was released in 2019.
As the title suggests, it’s a piece that sings and shouts about one’s own uselessness, with an upbeat band sound that really stands out.
The rolling, tinkling tone of the electric piano sticks in your ears, too.
It’s cute, and the down-to-earth lyrics are so relatable! Ruko Teto’s innocent voice fits perfectly.
By the time it’s over, it’s a rock tune that blows everything away! Highly recommended when you need a boost!
I die in someone’s songfuro maisou P

The VOCALOID is Yuzuki Yukari, and although the song sounds like it blends a languid vibe with an erotic feel—giving it a kind of sluggish allure—the final scream feels like an expression of emotions bursting forth.
It’s a short track at 2 minutes and 35 seconds, but it’s very satisfying to listen to.
Daraku-chan¿?shimon

A downer electro tune with a heavy, sinking beat that gets under your skin.
It’s a piece by Vocaloid producer ¿?shimon, released in August 2025.
The song rides a repetitive rhythm to portray a sense of powerlessness toward an unchanging self and a nihilistic urge to escape a languid everyday life.
The gloomy sound and melody synchronize with the protagonist’s inescapable sense of suffocation.
It’s something I want you to listen to on those nights when you’re sick of everything and just want to drown in music.


