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Vocaloid songs that start with 'E'

How many songs with titles that start with “E” can you think of?

It feels like there should be tons, but when you’re actually asked, you go, “Wait, what was it again…?” Relatable, right?

And then when someone gives an example, you’re like, “Ahh!! That one!!” and it gets exciting.

So this time, I’d love for you to enjoy music in exactly that way!

Here’s a roundup of Vocaloid songs whose titles start with “E.”

Be sure to check them out to the end!

Vocaloid songs starting with 'E' (41–50)

M.S.S.PlanetFB777

[Hatsune Miku & GUMI] M.S.S.Planet [Original PV] with Chinese Subtitles
M.S.S.PlanetFB777

This is a song composed by FB777 of the popular game commentator group MSSP.

The lyrics have a chuunibyo vibe, but the style and melody are cool and really stick in your head.

The key is a bit high for men, so I recommend lowering it a few steps when you sing.

As an aside, turning on the “Techno Voice” effect available in karaoke gives it a great atmosphere, so I recommend that too.

M.S.S.PlanetM.S.S Project

[Hatsune Miku] M.S.S. Phantom [Original PV]
M.S.S.PlanetM.S.S Project

This is a work by M.S.S Project, who are also well-known as a group of gaming streamers.

The heaviness of the intro guitar gets you excited about what kind of song you’re about to hear.

As always, the lyrics are an unabashed explosion of chuunibyo flair, but that’s exactly why they resonate so deeply.

FPSNeru

Neru – FPS feat. Kagamine Len
FPSNeru

A song by the Vocaloid producer Neru, who debuted as a Vocaloid P at 16 and has created numerous million-view videos.

It’s a shuffle-beat rock number that opens with a catchy intro featuring a striking guitar arpeggio phrase and tight backing.

The buoyant beat’s sense of drive and the bittersweet mood create a unique atmosphere that, combined with Kagamine Len’s vocals, draws you into the world of the song.

It’s a piece you’ll want to replay again and again, where Kagamine Len’s voice—imbued with powerful expressiveness amid a certain mechanical quality—fits perfectly with the lyrical narrative.

To You Who Won’t Be in the End CreditsbuzzG

To You Who Won’t Be in the End Credits / buzzG feat. Hatsune Miku
To You Who Won’t Be in the End CreditsbuzzG

Vocaloid producer buzzG.

The song “To You Who Won’t Be Listed in the End Credits” is included on his album IFREET.

It’s a rock-style track, and the lyrics portray overcoming feelings of loneliness.

The song is rich in message, featuring lines that suggest a relationship between the listener and the work itself.

Why not watch it together with its blue-themed music video?

banquetjohn

Banquet / Hatsune Miku
banquetjohn

Since 2019, John has been active as a Vocaloid producer and has gained popularity with his unique stance.

On September 17, 2020, he launched his solo project “TOOBOE,” declaring that he would expand his activities into the mainstream J-pop scene—making him an artist whose future endeavors are highly anticipated.

His eighth release as a Vocaloid producer, “Utage” (Banquet), has earned Hall of Fame status on Niconico.

Sung over an electropop-style track reminiscent of early Vocaloid songs, the lyrics mix playful spirit with occasional provocative expressions, inviting multiple layers of interpretation.

Along with illustrations that seem to contain hidden tricks, it’s a track that fans of this kind of atmosphere will find irresistible.

egonomyت

I think you’ll be hooked within the first 10 seconds! It’s a track by the Vocaloid producer ت, who drew attention with their debut song “Alma,” released in February 2022.

The relentless sound arrangement and melody throughout are absolutely overwhelming.

The lyrics, filled with irony and clever wordplay, are another major draw.

Kafu’s razor-sharp vocals fit perfectly.

Just like what’s expressed in this song, I can’t help but feel I might be a bundle of ego myself… You might be left with something stirring in your chest after you finish listening.

EgoistŌnuma Paseri

For those who love dark worldbuilding, I especially recommend “Egoist.” This piece was released by Paseri Onuma in 2018.

The first thing that catches your ear is a low voice whispering the title phrase.

Then, in a sharp turn, the singing shifts to a rhythmic, high-pitched delivery.

In the latter half, a death growl cues a key change, and low-register vocals begin.

This brilliant structure is likely one reason it’s so widely praised.

If you also look up the meanings of the words that appear, you’ll be able to immerse yourself even more deeply in its world.