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[Easy to Sing] A Compilation of Recommended Vocaloid Songs for Karaoke

The Vocaloid scene is getting more and more exciting—Vocaloid tracks are going viral on social media, and artists who started as Vocaloid producers are filling up the Japanese music charts!

With that, more people are singing Vocaloid songs at karaoke.

But many of you might be thinking, “I want to sing Vocaloid songs too, but so many of them are hard…”

It’s true—Vocaloid songs often have high keys and fast tempos, so it can be tough to find ones that suit you.

So in this article, we’ll introduce some popular Vocaloid tracks that are easier to sing, perfect for karaoke and more!

You’re sure to find one that fits you!

[Easy to Sing] Recommended Vocaloid Songs for Karaoke (11–20)

Yi-Er Fan ClubMikito P

Mikito-P “Yi-er Fan Club” MV
Yi-Er Fan ClubMikito P

A Chinese-style song that felt new for Vocaloid at the time, featuring things like gongs and steamed buns in the music video and Chinese words in the lyrics—something that seemed like it should exist but didn’t yet.

It has been covered by many singers.

When sung in a girlish style, the melody—though it comes across as sharp—actually reveals its gentle softness.

Try it while dancing.

Second Enmayomitan akane

A song sung by Kasane Teto with the theme of judgment in hell.

It’s a work released by Akane Yomitan in December 2024.

The lyrics depict the feelings of a protagonist who, as Enma, must pass judgment, unfolding into an ironic story where they end up being judged themselves.

The electronic sound, tinged with a somewhat oriental atmosphere, is incredibly addictive.

There aren’t that many high notes, so I think it’s quite easy to sing.

Happy SynthesizerEasy Pop

[Megurine Luka, GUMI] Happy Synthesizer [Original Song]
Happy SynthesizerEasy Pop

It’s a love song that expresses straightforward feelings over a catchy, pop dance beat.

As the title includes “synthesizer,” it features distinctive, heavily effected electronic sounds.

The overall tone is bright, truly matching the title.

The vocal difficulty is on the lower side.

Venomkairiki bea

[Official] Venom / Kairiki Bear feat. flower
Venomkairiki bea

The 17th original Vocaloid song by Kairiki Bear, “Venom.” Perhaps thanks to the four-on-the-floor rhythm, it has such a light, upbeat feel that your body naturally starts to move.

The melody seems to intertwine with the rhythm, giving it a great groove.

It’s in a typical female key, so try singing along and have fun.

SenbonzakuraKurousa-P

"MV" Senbonzakura WhiteFlame feat. Hatsune Miku
SenbonzakuraKurousa-P

This song consistently ranks near the top in the Vocaloid/anime song karaoke charts among teens.

It also drew attention when a famous enka singer performed it on the NHK New Year’s Eve Music Show (Kōhaku Uta Gassen).

Since the overall key is on the lower side, as long as you get through the slightly tight breath between the A and B sections and nail the high note at the end of the chorus, it’s quite easy to sing.

Highly recommended for older fans who enjoy enka!

Chururira Chururira Daddadda!Wada Takeaki

Chururira Chururira Daddadda! – Takeaki Wada (KurageP) / Chururira Chururira Daddadda! – KurageP
Chururira Chururira Daddadda!Wada Takeaki

An MV that grabs attention with its cute illustrations.

It uses tattling in the classroom as a motif, and the slightly horror-tinged lyrics and mischievous tone stand out in contrast to the illustrations’ cuteness.

The chorus melody has a subtle Japanese flair that’s really stylish.

The call-and-response in the interlude is super fun.

[Easy to Sing] A Roundup of Recommended Vocaloid Songs for Karaoke (21–30)

LokiMikito P

With a gritty, hard-driving bass and crisp, punchy guitar! It’s an undeniably cool, rock-heavy sound—a Vocaloid track by Mikito-P.

Released in 2018, it quickly became a hot topic.

It’s also a popular choice for cover videos, so there’s plenty of derivative content you can use as reference when singing it yourself.

Be sure to look for versions that match your taste and vocal tone.

It tends to get flat, so pay special attention to the dynamics of the melody.