[Standard] Vocaloid masterpieces, recommended popular songs, god-tier tracks
The “VOCALOID” project emerged in 2003, and the sound library “Hatsune Miku” was released in 2007.
Since then, over a long period of time, Vocaloid culture has spread and has now taken root as a music genre in its own right.
Some people who first heard it when they were in elementary school are now working adults.
In this article, we’ll introduce famous and classic songs that have colored the Vocaloid scene!
You’re sure to find a track you were obsessed with back then, and it’s also recommended for those who are just starting to dive into Vocaloid music.
We’ve included picks from across the years, so be sure to check it out to the end!
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[Classics] Vocaloid masterpieces: recommended popular songs and god-tier tracks (131–140)
DIVAAiobahn & TAK
A track by Aiobahn and TAK, released in November 2025.
It’s Aiobahn’s first fully fledged Vocaloid song, with lyrics by Namigure.
Said to embody the “image of Hatsune Miku from 10 years ago,” it portrays a worldview where technology and a spirit of adventure intersect.
The message from a songstress connecting past and future is sure to stir your heart.
It’s an anthem-like work that bridges new and longtime Vocaloid fans.
Nyu! Carol the RulerFujiwara Hagane
This is an eldritch-god-style magical-girl song, with the catchphrase “Love and courage are infinite” seared into your mind.
Composed by Hagane Fujiwara, it was released in December 2025.
Featuring the UTAU voicebank Rishi Yuka, the track appears as Episode 7 on the album “Re: Mahō Shōjo.” Its densely layered synths over a four-on-the-floor beat create an irresistible precariousness that sways between festivity and madness.
And the lyrics—proclaiming the singer as a champion of justice even as that blessing mutates into an omnipotent dominion—send shivers down your spine.
Highly recommended for fans of darker worlds!
Help me! Futon Manyukopi
This work humorously portrays the feeling of not wanting to get out of bed on a cold morning.
Created by Yukopi, it was released in December 2024, with the music video handled by manga artist Bukubu Okawa.
Set to a poppy, catchy melody, the song depicts the protagonist squirming under the covers.
The lyrics, which call out for help from the “Futon Man,” might just make you laugh.
Many people will probably relate to this feeling all too well.
See you in the next life!Satō Naiko
It’s a Vocaloid track that conveys resignation toward the present world and a sense of nihilism, and I find myself irresistibly drawn to it.
Co-created by Noko Sato and Utsunoki, “Best Regards to the Next Life!” is slated for release in January 2026.
The innocent vocals of Kaai Yuki and the UTAU voicebank Wakana’s chorus blend seamlessly into the polished electro sound.
Living while wishing for an end… it’s sure to resonate deeply with anyone worn down by daily life.
On nights when you want to forget everything, why not listen closely and let it sink in?
Butterfly on the Right Shouldernori P
A signature song of Kagamine Len created by Nori-P, released in 2009.
The lyrics portray a rather mature romance and are quite sultry.
There’s also a version sung by Kagamine Rin, and both versions are popular, each with over 2.5 million views.
Spring-driven Girl Clockotogibako
This song was used as the theme for Coclico Blanche, a character from the mobile game “#Compass.” It was produced by the creator unit Otogibako—formed by Vocaloid producer Drop and others—and released in 2018.
It’s a majestic dance track with an enchanting, fantastical sound arrangement.
Highly recommended for fans of gothic atmospheres! By the way, Coclico Blanche’s character design itself was handled by Ittomaru, a member of Otogibako.
slowdownerrokuro
A rock number that’s irresistibly catchy and addictive within the first 30 seconds.
Vocaloid producer Rokuro’s signature track “Slow Downer” was released in 2018.
With its rhythmic melody line, razor-sharp guitar phrases, surging bass, and bouncing drums, there’s no reason fans of band-driven sounds wouldn’t get hooked.
The chorus explodes brilliantly, contrasting effectively with the verse and pre-chorus to deliver a refreshing rush.
It’s a Vocaloid song that keeps your eyes—no, your ears—glued right up to the very end.