A roundup of Vocaloid songs with titles that start with numbers
In this article, I’ll be introducing lots of Vocaloid songs whose titles start with numbers!
Some songs have titles that are just numbers, while others have words following the number.
If you’re a Vocaloid fan, you might already have several tracks in mind.
Numbers in the titles carry all sorts of meanings—dates, times, percentages, counts, and more—so keep an eye out for how each song uses them.
I’ve selected a wide range from famous hits to hidden gems, so I hope you enjoy discovering new tracks as you take your time exploring them.
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Compilation of Vocaloid songs with titles starting with numbers (51–60)
Responsibility at 18Kasamura Tōta
When it comes to emotional songs that capture the anxieties of youth, “Responsibility at Eighteen” stands out.
Created in 2019 by the Vocaloid producer Tota Kasamura, known for resonating especially with teens through music that lays bare bittersweet feelings, the track leaves a strong impression with its youthful lyrics depicting the struggles of life.
GUMI’s clear, translucent vocals ring out over a classical piano tone.
If you’re someone who “has honest feelings you can’t usually say out loud,” using a lyric surprise could be a good way to share them.
It’s a piece that can bring you closer to someone important.
Rebellion at 22Kasamura Tōta
Vocaloid producer Tota Kasamura sublimates the stinging parts within the heart into beautiful melodies.
The 2019 song “22-year-old Rebellion” is a track that sings about feelings on what it means to become an “adult.” True to Kasamura’s style, the delicate choice of words pairs beautifully with the piano accompaniment.
The highest note in this piece is hihiA, A5.
Because the range is quite high, it’s safe to say this is a difficult song.
It will likely be right on the edge of whether you can hit the notes or not.
Please give it a try.
The light of March 5Kasamura Tōta
This is a Vocaloid song I can recommend to anyone looking for a choral piece to sing at a graduation ceremony.
It’s a track by Vocaloid producer Tota Kasamura, known for beautiful choral-work ballads, released in 2018.
Although the arrangement is simple—just piano and vocals—the depth and expansiveness are remarkable, and it feels as if the sound gently seeps into the very core of your body.
The lyrics carry a message that’s truly moving: even if something painful happens, it’s okay—I’m on your side.
Please take your time and listen closely.
It’s 161 cm.gedou×756
It’s a poignant song in many ways.
As someone who’s 161 cm myself, I really related to the idea of wondering whether a girl being 161 cm is somehow good or bad—like, is she seriously not a romantic option just because of her height? Some people might think, “Is this really a thing?” but I bet it’s more common than you’d expect.
Compilation of Vocaloid Songs with Titles Starting with Numbers (61–70)
440Hzyonabe P
This song is set from the perspective of a child singing inside their mother’s womb.
The lyrics describe their longing to see the outside world soon.
The relaxed melody line is striking, and the ambient sound creates a mysterious and distinctive atmosphere.
Perhaps you felt the same way when you were in your mother’s womb.
42737kawamoto makoto × hatsune miku
“1/2” strikes the heart with its unique, poppy sound and lyrics that sing straightforward feelings.
Makoto Kawamoto released it in 1997, and it was featured in the anime Rurouni Kenshin: Meiji Swordsman Romantic Story.
Its one-of-a-kind melodic development makes it an addictive track.
This collaboration between Makoto Kawamoto and Hatsune Miku overflows with rhythmic performance and Miku’s cuteness! Her vocals blend seamlessly into the band sound, making you want to see it performed live.
My 3-Meter-Tall GirlfriendKaiko P
While evoking the feel of “Minna no Uta,” it portrays a thoroughly warped world.
As the title suggests, the lyrics feature a “me” with a lover, calmly describing her, but the atmosphere grows increasingly ominous, making it impossible to stop listening.
The lyrics are distinctive, of course, but Miku’s pure voice is also a highlight.
The tone of the low brass is pleasant as well.