Lovely Vocaloid

[From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!

A Vocaloid producer who is also a music writerAraki Jakkan
I’ve worked in a variety of roles—regardless of pro or amateur settings—including live event PA, cameraman for video and photography, restaurant staff, and logistics center staff. I now spend my days as a part-time writer. I’ve contributed to music and manga websites with feature/review articles, and wrote the liner notes included as a bonus for 1st PLACE Inc.’s “IA SUPER BEST.” As for my music background, I started playing guitar in junior high and focused on band activities during my school years. For over 15 years since then, up to the present, I’ve continued releasing original tracks as a Vocaloid producer. My areas of expertise are Japanese rock, Vocaloid, and manga.

Vocaloid songs that are popular with younger generations and big hits at karaoke!

In this article, we’ll introduce famous “god-tier” tracks for anyone thinking, “I want to get into Vocaloid, but I don’t know where to start!”

The Vocaloid scene kicked off around 2007, and since then countless masterpieces have continued to emerge up to today.

So we’ve picked out a whole lot of standout songs!

We’re also updating this article regularly so more people can discover the world of Vocaloid.

Even if you’ve read it before, be sure to check back again!

[From Classics to the Newest] A Special Feature on Vocaloid Masterpieces and God-tier Songs! (541–550)

clicking one’s tonguesyudou

[Hatsune Miku] Tsk [syudou]

clicking one’s tonguesyudou

This is a Vocaloid song that shines with a sense of humor, using a couple’s quarrel as its theme.

Created by syudou, the track is included in the album “Aizou” and will have its music video released in February 2025.

It vividly depicts a man and woman hurling their frustrations at each other, and from there, the growing fear and loneliness of losing the other person gradually come to the surface—an emotional arc that’s sure to resonate with listeners.

Watching the two characters in the music video makes you naturally wonder what kind of story they share.

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Magicyanagamiyuki

Magic / Hatsune Miku

Magicyanagamiyuki

Yanagamiyuki, who continues to craft a one-of-a-kind worldview.

His new track that seems poised to become a signature song is “Mahō” (“Magic”).

Set to a downtempo, EDM-style sound, it features rapid-fire vocals.

The lyrics have sparked various interpretations, but it appears to treat VOCALOID as a magical presence, singing of its limitless possibilities.

It’s not only beautiful, but also a piece that prompts reflection on the future of the Vocaloid scene.

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UndermarchCommand High Drink

Andermarch / ⌘ Hiyama

Undermarch⌘Hainomi

Its appeal lies in a unique worldview that feels like a fresh reinterpretation of Latin rhythms.

Released in February 2025 by ⌘Hainomi as the official demo song for AHS’s singing voice synthesis software “Synthesizer V AI Kiyoteru Hiyama,” this piece delves into Kiyoteru Hiyama’s inner emotions in a way that’s sure to resonate with any creator.

It’s a high-quality Kiyoteru track whose climactic sense of release will steal your heart.

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Undercover.abaraya

Undercover. / Hatsune Miku, Gekiyaku

Undercover.abaraya

It’s a Vocaloid track with a unique worldview.

Released by Abaraya in November 2024, it features an edgy soundscape woven by the vocals of Hatsune Miku and Gekiyaku.

The lyrics depict the desire for approval and inner contradictions, which may especially resonate with younger listeners.

Built on a rock foundation, the song is incredibly addictive.

It might be the perfect track for those who want to face the complex emotions hidden deep within their hearts.

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Petals, and the sounds associated with themabaraya

Petals, and the sounds that come with them / Hatsune Miku

Petals, and the sounds associated with themabaraya

A razor-sharp slice of synth-pop infused with a keen perspective on the digital society.

Released by Abaraya in February 2025, it took first place in the VOCACOLLE Winter 2025 TOP 100 ranking.

Centered on themes of feelings toward the very existence of synthetic voice libraries and the loss of identity, its philosophical message really hits home.

I suspect many people feel this way about Vocaloid culture—and by extension, internet culture.

Why not listen to this track and sink into a bit of contemplation?

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