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“Song of War”: A classic that sings of the tragedy and folly of war

Songs of war that are etched deeply into the human heart.

Within those voices lie prayers for peace, love for family, and memories that should be passed down across generations.

Living in the present, we can reflect anew on the horrors of war and the preciousness of peace through these songs.

In this article, we introduce moving songs themed around “war” that have left their mark on the history of Japanese music.

Shall we take a fresh look—through music—at the importance of a peaceful, conflict-free everyday life that we must protect?

[Song of War] Masterpieces that sing of the tragedy and folly of war (71–80)

NO ~The Flower That Bloomed in the Aftermath of Life~sutoreitenaa

Straightener, a four-piece rock band whose name means “one who makes things straight,” was formed mainly by childhood friends from junior high school.

Their 19th single, “NO ~The Flower That Bloomed in the Wake of Life~,” the second installment in their 2015 “Emotional Trilogy,” is a lyrical rock tune that reaffirms a break from war on the 70th anniversary of the end of World War II.

Even the beautiful scenery we see has a story of how it came to be, and the message that we must not repeat the mistakes of the past reminds us of history that fades with time.

It’s a dramatic number that teaches us the importance of leaving a peaceful world for the future.

The way homefrom00, Yuki., Misu

Yuki., Misu – The Way Home – [Artistic short film]
The way homefrom00, Yūki., Mitsusu

This piece was released in October 2024 by from00, a music project that brings together creators born in the Reiwa era.

The clear, translucent vocals of Yuki resonate with the emotive melodies composed and written by Misu.

While it carries the sense of powerlessness felt by a generation facing war and poses questions to society, it was created with the desire to speak to those who have resigned themselves to being powerless.

Even as it grapples with the inescapable conflicts of reality, the work is likely to speak deeply to those who do not want to let go of their prayers for peace.

Poem of the Frontier Guardssadamasashi

Poem of the Border Guards / Masashi Sada (3333 in Budokan)
Poem of the Frontier Guardssadamasashi

This is a moving song that portrays the eternity of nature and the fragility of human existence, questioning the very roots of life.

Inspired by the Manyoshu, its lyrics philosophically express the suffering and sorrow of living, as well as the pain of losing what we love.

Released in July 1980 as the theme song for the film “The Battle of Port Arthur (203 Kōchi),” it reached No.

2 on the Oricon charts.

Precisely because it depicts the impermanence of life fading away amid the tragedy of war, it brings the preciousness of peace all the more powerfully to the fore.

It is a soul-stirring work that we hope everyone will listen to—so that we do not forget a sorrowful history, and so that we can more deeply cherish the lives we have now.

No.9ASIAN KUNG-FU GENERATION

Asian Kung Fu Generation No.9 Fansubbed
No.9ASIAN KUNG-FU GENERATION

With a title that evokes Article 9 of the Japanese Constitution, this ASIAN KUNG-FU GENERATION song carries a powerful message for peace.

Its exhilarating sound seems to voice dissent against the folly and absurdity of war.

The rapid shifts between stillness and intensity evoke both the anxiety of a peaceful everyday life being shattered and a heartfelt cry to hold on to ideals nonetheless.

The album that features this track, World World World, was released in March 2008 and reached No.

1 on the Oricon charts.

It’s a song that makes you reflect on how precious ordinary life truly is—and what we can do to protect it.

decoy (sacrificial pawn)THE BLUE HEARTS

[Official] THE BLUE HEARTS “Sutegoma (Live Version)” [Included on the 6th album ‘STICK OUT’ (1993/2/10)] THE BLUE HEARTS / Sutegoma (Live)
decoy (sacrificial pawn)THE BLUE HEARTS

This classic song powerfully portrays the absurdity of war—where individuals are discarded by those in power—set against a driving punk sound.

Released by THE BLUE HEARTS in February 1993, it opens the album “STICK OUT,” which topped the Oricon charts.

Hiroto Kōmoto, who wrote the lyrics and composed the music, is said to have expressed his discomfort with a society that treats voiceless individuals as expendable “pawns” for a larger cause.

The perspective of a victim who can do nothing but cry—so at odds with brave-sounding rhetoric—strikes listeners to the core.

When you find yourself questioning social structures and the “justice” being proclaimed, this song may give voice to the cry in your heart.