A compilation of Western songs with titles starting with 'N'
When it comes to songs with titles that start with “N,” do any come to mind?
We don’t usually pay much attention to the first letter of a song title, so you might not think of one right away.
That said, there are plenty of English words that start with “N,” like “New,” “No,” “Night,” and “Need,” all of which sound like they’d make great song titles.
In this article, I’ll introduce lots of songs with titles that start with “N,” regardless of era or genre.
By exploring music from a perspective you haven’t tried before, you might discover some new favorites.
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A Collection of Western Songs with Titles Starting with “N” (61–70)
No Loss, No LoveSpiritbox
This is a track released in February 2025 by Spiritbox, a metal band from Victoria, Canada.
It fuses heavy guitar riffs with electronic sound design, creating an enticing blend where destructive heavy metal intersects with hypnotic electronic textures.
Courtney LaPlante’s versatile vocals shift effortlessly from clean singing to ferocious screams, unfolding from an ominous tension into a whirling chaos.
Produced as an advance single from the album “Tsunami Sea,” it distills the band’s genre-crossing approach into a single song.
With its pounding beats and energetic performance, it’s the perfect number to boost your mood—ideal for powering through a big weekend clean-up.
Not Sorry (ft. Jill Scott & Rapsody)MOON CHILD
Known for their refined sound, Moonchild released a new track in September 2025 featuring Jill Scott and Rapsody.
Centered on the theme of establishing the self free from others’ expectations, it delivers a powerful message about choosing to live authentically—not as someone’s mother, sister, or partner, but as an individual.
Warm production that fuses neo-soul and alternative R&B intertwines with Jill Scott’s soaring vocals and Rapsody’s incisive rap, creating a pleasing, conversational feel.
As the first installment of their 2026 project, this piece will bring elegance and a poised atmosphere to a quiet evening at the dinner table.
Nothin’ But A Good TimePoison
This track by Poison, the glam metal band that lit up the rock scene of the 1980s, appears on their 1988 album Open Up and Say… Ahh! and carries a message about breaking free from everyday stress and having a blast.
The music video—where a young man stuck washing dishes suddenly dives headfirst into the world of rock—is also memorable.
Reaching No.
6 on the U.S.
charts and getting heavy rotation on MTV, the song features a catchy guitar riff and call-and-response chorus.
It’s been used in various works, including the film Harold & Kumar Escape from Guantanamo Bay and the series Cobra Kai.
With its bright, liberating sound, it’s the perfect track for getting together with friends and turning up the fun.
No Cell Phones in Rehabmgk
It’s been five years since the 2020 album Tickets to My Downfall hit No.
1 on the U.S.
charts, and starting in October 2025, Machine Gun Kelly has launched an exciting campaign to mark the milestone by releasing previously unreleased tracks daily.
The first installment is a pop-punk track that was held in reserve during the album’s production period.
Using the setting of a rehab facility where cell phones aren’t allowed, it portrays isolation and confronting oneself, cut off from everyday life, reflecting the turmoil and instability Kelly experienced as he transitioned from hip-hop to guitar-driven rock.
The track is produced by his longtime collaborator Travis Barker, making it a rare piece that lets you experience the sessions exactly as they were.
If you want to tap into the raw emotions of a pivotal turning point in his career, don’t miss this one!
Night Before ChristmasSam Smith
Singer-songwriter Sam Smith, known for his distinctive high-tone voice, originally focused mainly on ballads, but his musical style has evolved since around “Unholy,” and he’s now exploring a variety of genres.
His Christmas number “Night Before Christmas” is a piece imbued with a soulful vibe.
Because it’s in 3/4 time, the rhythm can be hard for Japanese listeners to feel, but the tempo is very slow and the melodic leaps aren’t extreme, so if you’re comfortable with Black music, definitely give it a try.
