A collection of Western songs with titles that start with “O”
When it comes to English words that start with “O,” there are plenty that sound like they could be song titles, such as “Open,” “One,” and “Only.” In this article, we’ll introduce classic Western songs whose titles begin with “O.” You probably don’t often search for songs by their initial letter, but once you try, you may discover tracks that hadn’t really caught your eye before.
In that sense, this article is something music lovers in particular will want to read.
Let’s dive in!
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Compilation of Western songs with titles starting with 'O' (441–450)
October GreyThe Screaming Jets
It’s a classic autumn song steeped in melancholy and regret.
Released as a single in August 1997 by the Australian rock band The Screaming Jets, it’s included on the album World Gone Crazy.
Centered on themes of lost love and reflections on the past, it skillfully conveys the protagonist’s powerlessness and loneliness, making its melancholic mood a perfect match for the solitude of autumn.
Although it peaked at No.
55 on the ARIA chart and wasn’t a major commercial hit, it has become a deeply cherished track among the band’s fans.
A remastered version of the music video is also available on YouTube, offering visual enjoyment as well.
It’s an ideal song to listen to at autumn dusk while gazing out the window.
On My RadioThe Selecter
One of the most famous bands in the 2 Tone ska movement is The Selecter.
Not only were they racially mixed, but they also had the innovative lineup—especially for the time—of having a female lead vocalist, Pauline Black, front and center.
In that sense, they could be seen as the band that most fully embodied the ideals held by 2 Tone ska groups.
They debuted in 1979 with Gangsters, released as a split single with The Specials, and quickly drew attention when their single On My Radio, released the same year, reached No.
6 on the UK charts.
Their debut album the following year, Too Much Pressure—famous for its cover featuring a gentleman leaning against a wall—performed strongly, peaking at No.
5 on the UK chart.
Although their second album, Celebrate the Bullet, released in 1981, failed commercially and the band broke up, they reunited in 1991 and have since released new material.
Beyond their sound—which, even compared to other bands, is firmly rooted in classic ska beats—their greatest appeal lies in Pauline’s expressive soprano vocals and their lyrics that tackle social issues.
If you like their sound, be sure to check out the lyrics as well, ideally alongside Japanese translations.
A compilation of Western songs with titles starting with “O” (451–460)
Oh, Mother of MineThe Temptations
The Temptations were active on Motown Records from the 1960s through the ’70s.
This American vocal group left a dazzling legacy, including hits like “My Girl” and ranking 68th on Rolling Stone’s list of the 100 Greatest Artists of All Time.
Their debut single, “Oh, Mother of Mine,” released in 1961, is a poignant song about a son who has made mistakes and begs his mother for forgiveness.
Backed by a performance from the Funk Brothers, the rich vocals of Paul Williams and Eddie Kendricks resonate deeply.
Portraying the bonds of family, profound affection, and the power of forgiveness, this masterpiece is a wonderful recommendation to listen to with family—especially on Mother’s Day.
Obscurity KnocksThe Trash Can Sinatras
When asked to name the most famous neo-acoustic band since the 1990s, many would cite the Trashcan Sinatras.
Perhaps because they’re also from Scotland, expectations were high enough that they were even compared to Aztec Camera, and some say they revived the early neo-acoustic brilliance of the ’80s in the ’90s.
Unusually for a group within the so-called neo-acoustic genre, they’re still active in the 2020s.
Their debut album, Cake, released in 1990, was highly praised in the United States as well, along with its debut single included on the album, Obscurity Knocks.
As is often noted, when this record came out, the UK was at the height of the so-called “Madchester” movement, where rock sounds with danceable beats and a psychedelic feel were all the rage.
With that context in mind, you can really sense how clearly they understood the sound they were meant to make.
Anchored by acoustic guitar yet driven by unexpectedly strong beats, blessed with wonderfully earnest melodies, gently seasoned with a hint of jazz, and touched by a homespun folkiness—everything comes together through the fresh sensibility unique to a debut to form a truly superb work.
While there’s no doubt this is their signature album, I personally also recommend their quietly released third album from 1996, Happy Pocket!
Oi To the WorldThe Vandals
Songs that everyone can shout along to are great, aren’t they? So my recommendation is “Oi to the World.” It’s a track by the punk rock band The Vandals, and it’s also known as the title song of their Christmas album.
The lyrics tell a story of “what if God showed up at Christmas.” It’s a bit extreme, but it’s crafted to be funny.
When you sing it, I hope you get hyped with the chant parts.
One DayThe Verve
The reason The Verve’s music captures people’s hearts and doesn’t let go is likely because their songs have the power to strike a chord with listeners.
This track is a romantic wish, singing of reuniting with a loved one under a beautiful sky someday.
It appears on the album Urban Hymns, released in September 1997, and is on the same record as the band’s signature song, Bitter Sweet Symphony.
Offering the courage to overcome hard times and embrace the beauty of life, this song is a perfect anthem for anyone ready to take a new step forward.
Often (Kygo Remix)The Weeknd
His urbane, sophisticated, and instantly recognizable emotional vocals are as compelling as ever! It’s a track by The Weeknd, one of the most popular artists in the modern R&B scene, but in Kygo’s hands it instantly transforms into a chilled, tropical house vibe.
There’s a somewhat sorrowful, bluesy feel, showcasing a sensibility Kygo doesn’t typically possess that comes fully to life through this collaboration with The Weeknd.
If you focus on the beat alone, the structure is heavily influenced by hip-hop and leans toward trap.