A collection of Western songs with titles starting with 'T'
In this article, I’ll be introducing a bunch of Western songs with titles that start with “T”! When it comes to English words beginning with “T,” there are lots—like “To,” “Top,” and “Tender,” to name a few.
Many of these are actually used in song titles, and if you’re a fan of Western music, you might already have a few tracks in mind.
You might not usually search for songs that start with the same initial, but doing so could lead you to new music or fresh discoveries.
Let’s dive into the article and see what songs are out there!
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Compilation of Western songs with titles starting with “T” (91–100)
The Wound and the Weapon (Feat. Guy Kozowyk of The Red Chord)Still Remains
Still Remains, hailing from Michigan, made their mark in the mid-2000s with melodic metalcore.
With emotive, keyboard-forward arrangements and twin guitars inspired by Scandinavian melodic death metal as their weapons of choice, they went on hiatus in 2008 but reunited in 2011.
In October 2025, they released their first new song in 12 years.
Featuring The Red Chord frontman Guy Kozowyk as a guest vocalist, the track strikingly weaves together the band’s signature emotive clean vocal melodies with Guy’s ferocious death growls.
Its lyrics, depicting people who keep fighting by turning their scars into weapons, resonate with the band’s name and its theme of “what remains.” The song is a lead single from the five-track EP Spirit Breaker, and it’s one that every fan hoping for a resurgence of 2000s metalcore will want to hear!
Track A- Solo DancerCharles Mingus
Charles Mingus, highly regarded not only as a bassist but also as a visionary composer ahead of his time, was a great artist who continually projected Black pride and a complex identity into his music.
Released in 1963, The Black Saint and the Sinner Lady is considered his masterpiece.
Conceived as music for ballet, the work unfolds as a grand suite that explores the duality of saint and sinner, fusing elements of gospel, blues, and classical music.
The meticulous ensemble work and improvisation by the eleven-piece band are breathtaking, making it an artistic achievement that transcends the boundaries of jazz.
The fact that Mingus’s own psychoanalyst contributed to the liner notes further underscores the work’s deep introspection.
For anyone wishing to experience the profound depths of jazz, this is an essential album.
The SidewinderLee Morgan
Hailed as a prodigy in Philadelphia and tapped for Dizzy Gillespie’s big band at 18, Lee Morgan rose to become a flagship artist for Blue Note Records as a trumpeter who navigated hard bop and soul jazz with effortless command.
Recorded in December 1963 and released in 1964, The Sidewinder is a towering masterpiece in jazz history.
Its title track, where a 24-bar blues progression intertwines with a Latin beat and a funky bass line, became so popular it was even used without authorization in a Chrysler commercial, reaching No.
25 on the Billboard Pop chart.
The album was such a smash that it’s said to have rescued Blue Note from financial trouble.
The ensemble—Joe Henderson’s tenor sax and Barry Harris’s piano—captures a club’s raw heat and vibrancy, conveying the appeal of jazz in the most direct, exhilarating way.
Take FiveThe Dave Brubeck Quartet
Led by pianist Dave Brubeck, a leading figure of West Coast cool jazz, the quartet’s 1959 release Time Out is a masterpiece that rewrote jazz history through its experimental use of odd time signatures.
Inspired by the rhythms of folk music encountered on tours around the world—including Turkey and India—the album boldly incorporates meters like 5/4 and 9/8, which were unusual in jazz at the time.
Despite the label’s concern that it “wouldn’t sell,” it became the first jazz album to achieve million-seller status.
Paul Desmond’s composition Take Five was also a major hit single, and is known as a miraculous classic that swings comfortably despite its complex meter.
Its intelligent, refined sound—blending the harmonic sensibilities of classical music with the rhythms of world folk traditions—makes it a must-hear, especially for those just getting into jazz.
The First TimeDamiano David
Damiano David, who achieved worldwide success as the frontman of the Italian rock band Måneskin, began his solo career in 2024.
This track from his album “Funny Little Fears,” released in May 2025, centers on first encounters and the rush of rising emotions.
He sings that the exhilaration of meeting someone for the first time surpasses drugs or thrills, making the song relatable even for middle schoolers.
Unlike the rock sound he’s known for with Måneskin, this is crafted as an ’80s-style pop song, making it an easy, pleasant listen in the morning.
If you play it before heading to school with friends, it’s sure to help you start the day feeling refreshed.
The Edge of GloryLady Gaga
As we welcome the new year, how about a grand song that celebrates life itself? Released in May 2011 from the album Born This Way, this Lady Gaga track is a moving number born from her final moments with her late grandfather, depicting the instant that stands on the boundary between life and death.
Its sound fuses the sweeping scale of 1980s stadium rock with contemporary electro-pop, and is elevated by a legendary saxophone solo from Clarence Clemons of the E Street Band, resonating as an anthem for those who have fought their way through life.
Charting in the top 10 in more than 19 countries and debuting at No.
3 on the Billboard charts, this piece will deliver courage and hope to everyone who wants to step into the new year as a winner.
This Will Be Our YearThe Zombies
Many of you may remember the song released in April 1968 on the masterpiece Odessey and Oracle by The Zombies, the UK-born masters of baroque pop, as it was used in Japan as the theme for the wedding magazine Zexy’s TV commercial.
Written by bassist Chris White, the song gently comforts a lover who has overcome a painful past, saying, “The sadness is over; good years lie ahead,” carrying a warm message that celebrates a fresh start.
Its sound—delicate piano tones, a horn section, and Colin Blunstone’s refined vocals—makes it a perfect track to ring in the New Year.
It was also featured in a holiday commercial by the American brand FIGS and continues to be cherished across generations as a song that symbolizes hope.