Although he made a dazzling debut in his teens with the catchphrase “I’m an enka high schooler,” he didn’t immediately break through.
After persevering through several difficult years, Keisuke Yamauchi now enjoys top-tier popularity as the “Prince of the Enka World.” Since his first appearance in 2015, Yamauchi has been a regular on the NHK Kouhaku Uta Gassen, making him a familiar name in households across Japan.
He’s a versatile singer who not only excels in classic enka but also delivers glamorous kayōkyoku, pop, and even ballads.
Many of Yamauchi’s songs make you want to try them at karaoke, and today we’re highlighting some that are especially easy to sing.
If you’ve only recently discovered Yamauchi, be sure to check these out!
- The Most Idol-Like Star in the Enka World: Easy-to-Sing Songs by Kiyoshi Hikawa
- The Allure of Deep Vocals: A Collection of Yutaka Yamakawa’s Easy-to-Sing Songs [2026]
- [Enka 7th Generation] A Collection of Easy-to-Sing Songs by Yuto Tatsumi [2026]
- [Flower News] A Collection of Hiroshi Takeshima’s Easy-to-Sing Songs [2026]
- [Enka] Songs That Are Easy to Sing Even for the Tone-Deaf [Male Singer Edition]
- Queen of Enka: A roundup of Aki Yashiro’s easy-to-sing songs
- From Comic Songs to Enka: Easy-to-Sing Songs by Ikuzo Yoshi [2026]
- [People・Songs・Heart] A Collection of Miyuki Kawanaka’s Easy-to-Sing Songs [2026]
- [Japan’s Best Vocalist] Fukuda Kohei’s Easy-to-Sing Karaoke Songs
- [For Beginners] Recommended Enka Masterpieces for Karaoke — Male Singers Edition
- 【2026】Recommended Enka by Male Singers with Captivating High Notes
- [2026] Easy Enka Songs Recommended for Karaoke – Male Singers Edition
- [Enka Hattori-kun] A Collection of Easy-to-Sing Songs by Hiroko Hattori [2026]
[Prince of Enka] Keisuke Yamauchi’s Easy-to-Sing Songs [2026] (1–10)
A street corner in loveYamauchi Keisuke

Released in 2008, Koisuru Machikado is one of Keisuke Yamauchi’s signature songs and a fan favorite.
With an upbeat sound that sits between enka and kayōkyoku, its catchy melody showcases Yamauchi’s sultry, husky vocals and has become a staple at his concerts.
It was also performed on the NHK Kōhaku Uta Gassen, so it’s widely known by the general public and is sure to get people of all ages excited at karaoke.
The characteristic enka kobushi (melismatic ornamentation) is almost absent; as long as you can handle a smooth, expansive vibrato, the melody is easy to learn and approachable even for beginners to enka.
The vocal range is relatively wide, so try to sing with clear contrasts and dynamics!
Kokoro KaleidoscopeYamauchi Keisuke

It’s no exaggeration to call this a new signature song for Keisuke Yamauchi born in the Reiwa era! “Kokoro Mangekyo,” released in 2023, marked a new challenge for Yamauchi as it’s a song from the year he entered his forties.
It’s a dynamic kayōkyoku that skillfully fuses orchestral and Japanese flavors, and if you nail it, it will definitely liven up any karaoke session.
The spot where the melody shifts at the end of the final chorus while applying vibrato requires particular practice, but overall the key is on the lower side and it doesn’t rely much on traditional enka techniques, so it’s also recommended for beginners to enka.
AfterglowYamauchi Keisuke

It’s a moody masterpiece of kayōkyoku built on a 6/8 rhythm, with an impactful drum sound in the intro and an impressive slap bass line.
For Keisuke Yamauchi, it’s also a song commemorating his 20th debut anniversary, and it fully showcases the charm of his distinctive voice—powerful, sensual, and uniquely his.
He does use the characteristic kobushi of an enka singer, of course, but since the song leans more toward kayōkyoku, the kobushi itself is restrained, making it a great choice even for those not used to straight-up enka.
The A melody section is also good practice for singing low notes carefully, so try performing it while being mindful of the contrast with the soaring chorus!
Kushiro AirportYamauchi Keisuke

When it comes to enka, you can’t ignore the “airport” theme.
Keisuke Yamauchi’s 2013 single Kushiro Airport is the third installment in his “Silver Screen Kayō” series following the masterpiece The Withered Viola of Winter, and its filmic quality shines through in the man’s regret and lingering attachment as he sings of memories of the woman he parted with, steeped in melancholy.
It’s a grand-scale song, so fully conveying its theme is quite challenging; however, the characteristic enka kobushi ornamentation is relatively restrained, and those accustomed to mood kayō (mood pop) may find it surprisingly approachable to sing.
One of Yamauchi’s charms is his rich low-register vibrato—be sure to practice so you can bring that out well!
Crimson ButterflyYamauchi Keisuke

A single released in the same year by Keisuke Yamauchi, whose name recognition among the general public rose even further after he performed it at the 75th NHK Kōhaku Uta Gassen in 2024.
Blending genres like Latin and jazz while retaining a distinctly Japanese flavor, it embodies a Reiwa-era kayōkyoku vibe.
Yamauchi’s commanding vocals carry the grand scale of the piece—truly impressive.
That said, it’s also the kind of song that really heats up at karaoke, and since Yamauchi approaches it with a J-pop-leaning delivery without enka-style vibrato flourishes, you might find it surprisingly singable if you lock into the rhythm.
a desperate gambleYamauchi Keisuke

The single “Ichikabachika,” used as the ending theme for the TV anime Hanakappa, is a lively track packed with a flashy rock vibe.
Hearing Keisuke Yamauchi’s signature vibrato delivered through a rock-style song—radiating a power distinct from enka—feels fresh and undeniably cool.
The melody is easy to remember, and since it unexpectedly retains an enka-like atmosphere, it’s a great challenge both for beginners to enka and for those who already count enka as a mainstay of their karaoke repertoire.
The final high-pitched shout is tough, but if you start by projecting powerfully from your diaphragm and let it out, it’s also a great stress reliever!
Your sakeYamauchi Keisuke

“Kimi no Sake” is an early signature song released in 2004, the year Keisuke Yamauchi—who debuted as an enka singer while still in high school—turned 21.
With lyrics of just four lines per verse, it exudes the classic feel of mainstream enka.
Yet, even within a genre where singers often portray a variety of characters, including female roles, Yamauchi himself describes “Kimi no Sake” as a song that reflects his true, unembellished self.
It’s a piece that fully showcases Yamauchi’s appeal as a skilled enka vocalist who delivers each word with care and precision.
As a quintessential enka number, experienced enka singers will likely find it straightforward to perform, while those new to the genre may need a bit of practice.
Try singing it with attention to the contrast between the calm first half and the soaring, expansive chorus.


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