Latest Western music releases [October 2025]

Dying To LoveBAD OMENS

BAD OMENS – Dying To Love (Official Music Video)

Bad Omens, the band drawing the most attention in today’s metalcore scene, have released a new single in October 2025 that further deepens the sound they honed on their 2022 album “THE DEATH OF PEACE OF MIND,” balancing dramatic heaviness with pop sensibilities.

Centered on a protagonist consumed by love—self-destructing yet obsessively yearning for it—the track showcases Noah Sebastian’s staggering range, from angelic falsettos to ferocious roars.

A companion visual set in a Brutalist architectural space was released simultaneously, visualizing the song’s dark world through the story of a man wandering a labyrinthine darkness.

Highly recommended for those who want to immerse themselves in Bad Omens’ uniquely shadowed sound where delicacy and violence intersect.

Cash RulesBlack Gold

Cash Rules

Blackgold, a London-based five-piece nu metal band who conceal their faces with masks, formed around 2020.

They pay homage to 90s nu metal acts like Limp Bizkit and Slipknot while drawing attention with a distinctly UK sound that weaves in grime and DJ-driven elements.

Released in September 2025, this track centers on sarcasm and frustration toward money worship, portraying the raw reality of young people navigating a surveilled society and the criminal underworld.

Its fusion of heavy guitar riffs and rap epitomizes classic nu metal.

Set to appear on the EP “Phone Home” in October, it’s poised to be a live “killer tune” that sparks mosh pits.

History (Ft. James Blake)Dave

History

As a standard-bearer of UK rap, Dave commands a singular presence with socially conscious lyrics and overwhelming skill.

On the opening track of his October 2025 album, The Boy Who Played the Harp, he welcomes James Blake as a guest and quietly interrogates his own calling through themes of divine will and destiny.

Set against a transparent soundscape of minimalist piano and falsetto, the interplay between viewing success not as coincidence but as revelation from above and an ethics rooted in the streets is striking.

Serving as the entry point to a concept album modeled on King David of the Old Testament, the piece shines with a narrative voice that moves between spirituality and everyday reality.

Epic in scope yet accessible, it’s a track I highly recommend to anyone seeking a serene, contemplative listen.

Crawl Back To My CoffinDayseeker

Dayseeker – Crawl Back To My Coffin

Dayseeker is a post-hardcore/metalcore band formed in 2012 in Orange County, California.

With Rory Rodriguez’s emotive clean vocals and expressive shifts into screams, along with a melodic sound that incorporates elements of ’80s synth-pop, they’ve earned support that transcends genre boundaries.

This track, a lead single from their album “Creature In The Black Night,” released in October 2025, uses the allegory of resurrecting from an emotional death only to crawl back into the coffin again to depict a cycle: someone with emotional defenses is briefly revived by love, but after the pain of the outcome, regrets it, feeling “it would have been better to have stayed in the grave.” It begins with restrained piano and clean guitar, then builds thickness in the drums and guitars toward the finale, delivering a striking contrast between quiet and loud that bursts open in the chorus.

Let You GoDemi Lovato

Demi Lovato – Let You Go (Live)

Demi Lovato, the singer who got her start on the Disney Channel, released a new song in October 2025 as part of her album “It’s Not That Deep.” Marking a major shift from the rock direction of her previous work, this track is a dance-pop number that voices a resolve to actively step away from a draining relationship.

Rather than blaming the other person, it carries a mature message about drawing boundaries for oneself, with simple phrases and layered harmonies creating a sense of release.

The four-on-the-floor beat and shimmering synths feel effortless, and producer Zedd’s refined sound design shines through.

It’s a perfect song for anyone who wants to move forward lightly without getting too serious.

In the EndDepeche Mode

In The End (from the Memento Mori Sessions)

Formed in 1980, Depeche Mode stands as a towering figure in electronic music, fusing synth-pop with dark lyricism.

A track recorded during the sessions for their 2023 album Memento Mori but left unreleased has now been digitally released in October 2025.

Co-written by Martin Gore and Richard Butler of The Psychedelic Furs, it features lyrics that calmly depict the impermanence of human existence and a quiet resignation toward the end.

Weaving in fixation on the past and skepticism toward religious salvation, it distills the album’s themes of loss and mortality into an even more minimal form.

The song was used over the end credits of the documentary film DEPECHE MODE: M, which premiered in New York in June 2025.

The film received a worldwide release in October, and a physical package—paired with a live recording—is slated for December.

With its restrained production and Dave Gahan’s low-register vocals, the track leaves a serene afterglow.

A perfect listen when you want to contemplate life’s transience.

scratch his face up BASQUIATEdward Skeletrix

scratch his face up BASQUIAT

Based in Atlanta, Georgia, Edward Skeletrix straddles rap and visual art.

He’s known for conceptual works that critically interrogate the music industry itself, and he deftly navigates genres like experimental rap and rage.

Dropped in October 2025, this track is a collaboration with producer Cavitnuck.

Its title inscribes the name of New York’s legendary artist Basquiat, and the song shines with an experimental approach that overlays the visual metaphor of scratching one’s face with sonic carving and distortion.

Anchored by hard-edged 808s and plug-inspired minimal beatwork, the piece entwines distorted vocals to deliver a provocative cut that unsettles the boundaries between art and street culture.