Latest Western music releases [December 2025]

When And WhyArchy Marshall

Archy Marshall – When And Why

Archy Marshall, who continues to depict the darkness and lyricism of South London with a sound all his own.

Also known under the name King Krule, he has left a distinct mark on the UK indie scene since the 2010s with a one-of-a-kind style that fuses jazz harmony and post-punk chiaroscuro with the spatial sensibilities of hip-hop and dub.

In December 2025, he released this single under his real name—an unreleased track long spoken of among fans—timed to the 10th anniversary of his 2015 project “A New Place 2 Drown.” In just over two minutes, his grainy voice, dampened guitar, and muffled sonics are distilled into something that feels as intimate as a letter sent from the past.

It’s a song that quietly accompanies nighttime walks or solitary moments, recommended for those who want to delve deeper into his world of work.

FingerBoy Throb

Finger

Boy Slob is a boy band that began attracting rapid attention around fall 2025, especially on TikTok.

The Los Angeles–based group consists of four members—Evan Papia, Anthony Key, Zachary Sobania, and Darshan Magdum—known for their cohesive look in pink tracksuits and their catchy sound reminiscent of 1990s–2000s boy groups.

Even the situation in which member Darshan has been unable to enter the United States due to visa issues, continuing to participate remotely, has been shared as a story of overcoming challenges together with their fans, drawing further buzz.

Their debut single, released in December 2025, is a pop anthem themed around self-affirmation in the face of criticism and ridicule.

It delivers with classic key changes and layered choruses while also offering the instant impact suited to today’s streaming environment.

The work stands as their declaration that this is no joke—they’re serious.

Highly recommended for anyone seeking new talent.

BMGConway the Machine

Conway the Machine – BMG (Official Music Video)

Conway the Machine, a rapper from Buffalo, New York.

Together with his brother Westside Gunn and his cousin Benny the Butcher, he launched the label/crew Griselda Records, and he’s known as a key figure in reviving the gritty ’90s NY boom-bap sound for the modern era.

After being critically wounded in a 2012 shooting, he made a comeback, and the distinctive flow born from those aftereffects has become his trademark.

In December 2025, he released the album “You Can’t Kill God With Bullets.” This track appears early in the project, and over weighty, low-slung drums and a soulful loop, it lands a heavy blow filled with the pride of surviving the streets and a defiant stance toward those around him.

While adhering to the classic grammar of hip-hop, the work is a no-frills, hard-edged piece that overpowers listeners on the strength of its words alone.

Heads who love the lineage of East Coast underground should definitely check it out.

LETTER TO MY YNDababy

DABABY – LETTER TO MY YN (OFFICIAL VIDEO)

In December 2025, DaBaby released a track packed with a message for the younger generation—confronting the real-life weight that comes with success.

Drawing from his own experiences, the song vividly portrays the street realities of money, relationships, and trouble, taking the form of a letter-like cautionary tale.

Over an uptempo trap beat by Bandplay and DremLahDram, his crisp, relentless flow drives the narrative forward.

Rather than glorifying flashy exploits, he lays out the costs—legal issues, reckless spending, and betrayal by those around him—offering a concrete warning to the youth.

The track was released via South Coast Music Group and Interscope Records.

It’s a must-listen for heads chasing success and for anyone who craves raw, realistic lyricism.

KISS MEEddie Benjamin

Eddie Benjamin – KISS ME (Official Audio)

Eddie Benjamin is an Australian-born, Los Angeles–based singer-songwriter and producer.

In addition to vocals, he plays multiple instruments—including piano, guitar, and bass—and is a multitalented creator who handles everything from composing and arranging to production.

He has toured with Justin Bieber, and as a co-producer on the album SWAG, he was nominated for Album of the Year at the 68th Grammy Awards, rapidly raising his profile behind the scenes.

Released in December 2025, this track melds the grit of rock with the supple groove of R&B.

Sinuous guitars intertwine with driving bass to create an intimate, body-warm sound.

The lyrics express an urgent desire to connect physically rather than through words, crafting a delicate world where sweetness and unease coexist.

It’s the perfect song for a nighttime drive or those moments when you want to get closer to someone.

Satisfaction SkankFatboy Slim & The Rolling Stones

Fatboy Slim & The Rolling Stones – Satisfaction Skank – Official Video

A truly historic moment has been realized in the form of a collaboration between Fatboy Slim and The Rolling Stones.

A mashup born around 1999 has finally received an official release after more than a quarter of a century.

This track layers the legendary Stones guitar riff over the big beat of Fatboy Slim’s signature song, “The Rockafeller Skank,” and for years it’s been spoken of in club circles as something “only those in the know” possessed.

Its official release after years of rights hurdles marks a rare moment where the histories of dance music and rock intersect.

An extended club-ready version has been released simultaneously, perfect for those who want to feel it on the dancefloor.

It’s recommended for anyone who wants to experience the magic of music that transcends generations.

I Luv UFred again.. & Wallfacer

Fred again, Wallfacer – I Luv U (Mexico City, 12th December 2025)

A boundary-crossing producer from London, Fred again.., has released a collaborative track in December 2025 with Wallfacer, a live drum and bass duo based in Bonn, Germany.

Fred again..

became the youngest ever recipient of the BRIT Awards’ Producer of the Year in 2020, and in 2024 he took home multiple Grammys, cementing his reputation.

This track sits near the conclusion of his “USB” project and serves as a culmination of an ambitious experiment: gradually unveiling music in tandem with a 10-week tour.

Sonically, distorted kicks and a weighty bass dominate the space, yielding a hard-edged club track that shifts between four-on-the-floor and breaks.

Despite its sweet title, the track’s aggressive, pressure-packed approach shakes the body—highly recommended for those who want to bathe in it on a loud, full-throttle dancefloor.