1990s J-Pop to listen to in summer: classic and hit summer songs
The 1990s were a time when million-selling hit songs kept coming one after another, and music clearly served as a common topic across generations.
Naturally, there were plenty of summer-themed hits as well.
In this article, we’ve picked out 90s summer songs that have continued to be loved across eras—not only by those who listened to them in real time back then, but also to the extent that people of all ages have probably heard them at least once.
Younger music fans might even discover, “So this song was sung by this artist?” Be sure to check them out!
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90s J-Pop to listen to in summer: Classic and hit summer songs (21–30)
HOT LIMITT.M.Revolution

This is the eighth single from T.M.Revolution, the solo project of Takanori Nishikawa, who has made his presence felt in a variety of fields beyond music.
With catchy melodies and lively electronica sounds layered under witty, humorous lyrics, it’s a track brimming with T.M.Revolution’s musicality and playful spirit.
Its passionate yet exhilarating arrangement perfectly suits the summer season, where heat and freshness coexist.
Along with its strikingly impactful music video, it’s widely known across generations and stands as a quintessential summer song from the 1990s J-pop scene.
Only You ~Summer Heartbreak~Sazan Ōrusutāzu

A poignant classic that colored the summer of 1995.
This exquisite heartbreak ballad portrays lingering feelings for a summer romance that has ended, set against the backdrop of a beautiful seaside scene.
Released as a single in July 1995, it became a major hit as the theme song for the drama “Itsuka Mata Aeru” (Someday We’ll Meet Again).
It was later included on the acclaimed album “Young Love,” and has become a special number—so much so that Keisuke Kuwata has called it “one of my favorite songs” among his own works.
The rich, weighty sound and Kuwata’s voice, which gives full voice to helpless, aching emotion, truly resonate in the heart.
Island SongTHE BOOM

Released in 1993, this signature song by THE BOOM became a classic, selling over 1.5 million copies.
In fact, the song exists in several versions; the one known nationwide is the Tokyo-dialect “Original Version.” Moreover, “Shima Uta” originally refers to folk songs sung in the Amami Islands, and at the time there were negative reactions to the fact that THE BOOM—whose core members are from Yamagata Prefecture—had a hit incorporating Okinawan music.
Even so, after Kazufumi Miyazawa, who wrote and composed the song, learned about Okinawa’s painful past and poured his soul into the work, the piece has come to transcend the boundaries of a mere hit and continues to be loved as a Japanese standard.
As you reflect on the profound meaning behind “Shima Uta,” be sure to listen to this masterpiece under the blazing midsummer sun.
Et cetera related to the seashorePUFFY

Puffy is a female duo born in the ’90s whose unpretentious, natural vibe and laid-back atmosphere make them uniquely distinctive.
Top-tier creators have written and produced songs for them, resulting in a string of major hits, and in 2004 they even achieved the remarkable feat of inspiring the animated series Hi Hi Puffy AmiYumi, which became a smash hit across the U.S.
Speaking of their quintessential summer track, it has to be Nagisa ni Matsuwaru Et Cetera.
Released in 1997, it topped the Oricon chart and went on to sell 1.1 million copies.
The lyrics, penned by Yosui Inoue, are strikingly memorable—just hearing the chorus, which somehow makes you crave crab, is enough to put you in a summer mood anytime!
Summer Days of 1993class

When it comes to the theme of Japanese summer songs, you can’t leave out this classic, released in 1993 just as the title says! It was the debut single of the male duo class, known for the compelling contrast created by the harmony of their two distinct vocal timbres, and it became a million-seller right out of the gate.
I fondly remember how it seemed to be playing from every in-store broadcast wherever you went around town back then.
The lyrics, which deftly capture a summer moment shared by an urban man and woman, were written by the renowned lyricist Kazuto Matsumoto, who penned many hits.
Even though it’s tied to the specific year 1993, it continues to be loved to this day as the perfect companion for midsummer drives and a karaoke staple—that’s precisely what makes it a timeless masterpiece.
Goodbye, Summer DaysYamashita Tatsuro

Tatsuro Yamashita’s 21st single, released in May 1991, is a classic inspired by his own high school experience of being caught in a sudden shower at an amusement park pool and seeing a rainbow after the rain.
It beautifully captures the bittersweet feeling at summer’s end and the tender emotions of first love before adulthood.
The song was also used in a commercial for Dai-ichi Life and released as an advance single from the album “ARTISAN.” It reached No.
12 on the Oricon Weekly Chart and was certified Gold.
It’s a quintessential summer ballad recommended for those who want to relive their youthful memories or nostalgically revisit the delicate romances of those days.
Summer DayMoritaka Chisato

Chisato Moritaka, who never seems to age.
The 54th birthday photos she posted on Instagram even caused a mini buzz with comments like, “She hasn’t changed at all since her younger days!” Her song “Natsu no Hi” (Summer Day) is a natural, true-to-herself track that sings about an ordinary day.
The lyrics are by Chisato Moritaka, the composition by Hideo Saito—the golden duo behind her string of hits.
The lyrics—“A summer after a breakup, alone on the beach at dusk, stars, waves, all I can think about is you…”—feel so real they make you wonder if they’re drawn from her own experience.
It’s a summer song by Moritaka that forgoes the Japanese-style Eurobeat for a gentle, heartfelt listen.
If you haven’t heard it yet, definitely give it a try!
summer festivalJITTERIN’JINN

Summer festivals are filled with faint hopes and an indescribably wistful nostalgia, aren’t they? The older we get, the stronger that latter feeling seems to become.
JITTERIN’ JINN’s 1990 release Natsu Matsuri distills those memories of distant summer days into a truly brilliant classic.
Its poignant melody and lyrics rich with skillful imagery never lose their luster.
The unique two-beat rhythm also gives it a distinctive character that’s quintessentially JITTERIN’ JINN.
A decade after its release, Whiteberry covered the song and achieved an even bigger hit, so depending on your generation, the cover version might be the one that first comes to mind.
Nagisasupittsu

Released in 1996, this smash hit by Spitz topped the Oricon charts.
There’s even an anecdote that its working title was “Tanabata,” and along with “Namida ga Kirari☆,” which was released on Tanabata in 1995, it can be seen as a quintessential Spitz-style summer song.
That said, Masamune Kusano’s characteristically dreamy lyrics evoke not a straightforward summer, but a mystical world—just like the “phantom summer” described in the lyrics.
As you can see in the music video, the alternating use of monochrome and color footage further heightens that dreamlike atmosphere.
Unusually for them, the track is built around electronic sounds; the rhythm section handles the essentially looping rhythm pattern with supple finesse, the guitar adds delicate hues, and the band’s superb ensemble shines throughout—truly a classic.
GOING GOING HOMEH Jungle with T

The second single by H Jungle with t, a music unit formed by Masatoshi Hamada of the now-legendary comedy duo Downtown and music producer Tetsuya Komuro.
This track was used as the image song for the music variety show HEY! HEY! HEY! MUSIC CHAMP, and, alongside its predecessor WOW WAR TONIGHT ~Toki ni wa Okose yo Movement~, became a million-selling hit.
With its offbeat, reggae-inspired rhythm and catchy melody, it’s a superb ensemble that perfectly suits the midsummer sun.
A classic summer song that showcased the unit’s potential and depth to J-pop fans.



