Aimyon songs that are easy to sing. Songs you can score high with at karaoke.
Aimyon is a singer-songwriter who represents the 2020s.
She has created numerous hit songs to date, including “Marigold” and “Naked Heart.”
Her songs are known for their familiar, accessible melodies and are often said to be easy to sing.
At the same time, many people feel that quite a few of her songs are hard to sing because of the low range that is one of her charms.
So in this article, we’ll introduce some of her songs that are easy to sing, focusing on factors like the familiarity of the melody lines and the breadth of the vocal range.
Practice the songs we’re about to introduce and show them off with confidence at karaoke!
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Aimyong’s easy-to-sing songs: Tracks that can score high in karaoke (31–40)
Marshmallowaimyon
“Marshmallow,” included on the 3rd album ‘Oishii Pasta ga Aru to Kiite’ (“I Heard There’s Delicious Pasta”), features lyrics inspired by an erotic novel the artist was reading—once you catch the meaning, it’s easy to see.
The key is generally low and the range isn’t wide, so even those who aren’t confident with high notes can sing it comfortably.
With a brisk, exhilarating arrangement that livens up any karaoke session, it’s a pop number whose sexiness you might not notice at first listen.
Say you like me.aimyon
Aimyon’s hidden gem “Say You Love Me.” Around the time this track was released, she began solidifying her style, and this work strongly showcases the hallmarks of her current folk-music approach.
Because folk music prioritizes lyrics over melody, this song follows suit with a simple melodic structure.
In particular, the vocal range is very narrow, making it recommended for those who struggle with high notes.
Give it a try.
I don’t want to turn 19.aimyon
Aimyong’s masterpiece “I Don’t Want to Turn 19” beautifully captures the hearts of young people.
While she had many aggressive lyrics in her early days, starting around this work her expressions became more emotional.
One of the most singable aspects of this song is the scarcity of long sustained notes.
Since it’s not a track that requires belting, it’s welcoming to a wide range of singers.
If the chorus feels a bit high, this song doesn’t have many low parts, so don’t hesitate to lower the key.
Until I know loveaimyon
“Until I Know Love,” the 11th major single, was chosen as the theme song for the TV drama “Konto ga Hajimaru.” Released as a double A-side with “Sakura ga Furu Yoru wa,” it features a striking, dramatic arrangement that begins with piano.
The A-melody is particularly intricate, and while the overall key is high, the vocal range itself isn’t wide, so it becomes easier to sing at karaoke if you adjust the key to suit your voice.
With its relaxed tempo yet refreshing atmosphere, it’s a pop tune you’ll want to add to your karaoke repertoire.
imposteraimyon
The work “Nisemono” stands out for its calm, emo-tinged musicality.
While it’s a bright, major-key song, the lyrics are somewhat pessimistic, and that contrast is part of its appeal.
The most singable aspect of the piece is, above all, the rhythm.
There are no complex rhythms, and the melody doesn’t rise and fall dramatically, so it’s basically easy to sing.
However, there are a few long notes and some simple falsetto parts in places, so you’ll need to pay attention to those sections when singing.
Aimyong’s easy-to-sing songs: Karaoke tracks where you can aim for a high score (41–50)
Poplar Cafe at the Station Frontaimyon
A refreshing yet warm melody makes Aimyon’s song “Ekimae Kissa Poplar” especially memorable.
Featuring guitar that evokes a bottleneck-slide style, the performance has a distinctive tropical feel.
The vocal line in this piece is very simple: there are no dramatic leaps in pitch, the range is somewhat narrow, and the rhythm is easy to follow.
It’s a song that anyone—regardless of gender—can sing with ease.
If you like tracks that evoke the evening or a tropical atmosphere, consider adding this one to your repertoire.
Persona’s Memoryaimyon
Aimyon’s hidden gem “The Memory of Persona.” Unlike the folk songs she’s known for, this piece leans more toward a rock-influenced melody.
Of course, it’s not full-on rock—the foundation is pop—so there aren’t any parts that are hard to sing.
There’s a brief high note in the chorus, but it’s within range even without falsetto, so those who aren’t confident in their vocal range should be able to sing it without issue.
The spoken-word section shortens the sung portion as well, which is a nice touch for people who aren’t comfortable with singing.