Beginner to Intermediate: Recommended Bach Pieces You’ll Want to Play on Piano
Johann Sebastian Bach, also known as the “Father of Music,” was active during the Baroque era—before the piano became widespread.
In other words, Bach himself did not compose pieces for the piano, and most Bach works performed on the piano today were originally written for the harpsichord!
Baroque polyphonic music, built from overlapping melodic lines, is often avoided because it seems difficult at first glance.
However, many of Bach’s works are actually quite approachable and relatively low in difficulty.
In this article, we’ve selected Bach pieces recommended for beginner to intermediate pianists.
If you love Bach’s music or want to try your hand at Baroque music, be sure to check them out!
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[Beginner to Intermediate] Must-Play Bach Pieces on Piano: Recommended Selection (11–20)
French Suite No. 5, BWV 816: SarabandeJ.S.Bach
For those who want to take on classical music or try playing an elegant dance, how about a beautiful sarabande excerpted from a Baroque suite? The third movement of the French Suite No.
5 in G major, BWV 816, is one of the most approachable works among the six suites composed between 1722 and 1725.
Written in a gentle triple meter, it features an ornate right-hand melody interwoven beautifully with a left-hand accompaniment.
Although originally a dance of Spanish origin, it exemplifies the sarabande as a refined form that took shape in France and Germany during the Baroque era.
With its deep expressiveness and serene beauty, this movement is recommended for those looking to refine their musicality, as it calls for thoughtful interpretation of ornaments and careful phrasing.
French Suite No. 2, BWV 813: Menuet IJ.S.Bach
Beloved as an elegant dance in triple meter, this piece is part of a C minor suite composed around 1722–1725.
Its simple yet refined melody, set in binary form, is captivating, and its inclusion in the Notebook for Anna Magdalena Bach suggests it was intended for domestic performance.
While adopting a French-style dance form, it also conveys the distinctive beauty of Baroque-era polyphony.
With its relaxed tempo and absence of difficult passages or virtuosic demands, it is recommended for those wishing to try Baroque music or savor the depth of classical traditions.
By paying attention to tone color, expression, and dynamics, performers can enjoy its graceful world all the more.
French Suite No. 2, BWV 813: GigueJ.S.Bach
Enveloped in a light, dance-like rhythm, this piece serves as the brilliant finale to the French Suite No.
2.
Its lively 3/8 meter and contrapuntal structure are exquisitely interwoven, creating a beautiful musical dialogue through the interplay between the right and left hands.
Composed around 1722, the work is also included in the music notebook compiled for his wife, Anna Magdalena, conveying the warmth of music-making in the home.
While the key of C minor lends depth and tension, the characteristic vitality of a dance is never lost.
It is recommended for those wishing to take on Baroque music or experience the beauty of counterpoint.
Though it presents technical challenges, it also demands musical expressiveness, making it a compelling work that offers the joy of performing as well as the pleasure of listening.
French Suite No. 1, BWV 812: Minuet IIJ.S.Bach
Among the French Suites, this dance is especially approachable and perfect as an introduction to Baroque music.
Composed around 1722, it is also included in the Notebook for Anna Magdalena Bach, making it a warm, home-oriented piece.
It has an elegant yet introspective atmosphere, with Bach’s characteristic counterpoint woven throughout, but the technical demands are kept moderate, making it comfortable to play.
It is usually performed together with Minuet I, and its gentle yet profound expressiveness resonates quietly with listeners.
It’s a recommended piece for those who want to try Baroque music or hone their expressive skills.
French Suite No. 2, BWV 813 – Minuet IIJ.S.Bach
This is an elegant dance from the French Suites, brimming with the beauty of Baroque music.
Composed around 1722, it masterfully fuses the solemnity of the key of C minor with the dignified rhythm characteristic of the minuet, allowing you to fully savor the polyphonic world Bach constructed.
Because the technical difficulty is relatively modest, it serves as an ideal piece for those wishing to venture into Baroque repertoire or learn the expressive use of ornamentation.
The work is structured in ABA form and reveals a wide range of character depending on the performer’s interpretation and phrasing choices.
You can also enjoy exploring tonal colors when playing the original harpsichord piece on the piano.
French Suite No. 6, BWV 817: SarabandeJ.S.Bach
This is a gem of a movement that infuses the strict form of a French dance with Bach’s characteristic spiritual depth.
Composed around 1722–1725, the piece is built on a stately triple-meter dance of Spanish origin, and its serene, introspective world is shaped by delicate ornamentation and flowing harmonic progressions.
Because it proceeds at a relaxed tempo, it is accessible even to those approaching Baroque music for the first time, allowing players to develop fundamentals while refining tone and expressive nuance.
Rather than dazzling technique, richly emotional expression is prized, making it an excellent choice for those who wish to practice with patience and care.
[Beginner to Intermediate] Pieces You’ll Want to Play on Piano! Recommended Bach Works (21–30)
French Suite No. 5 in G major, BWV 816: AllemandeJ.S.Bach
The French Suites are pieces that many beginner pianists tackle before they start practicing the Inventions.
The Allemande from No.
5 in G major is a charming and gentle piece with an inviting character.
It’s also recommended as an entry point to Baroque repertoire that requires distinguishing between voices.
In addition to practicing each hand separately, try further separating the voices within each hand; this will help you more clearly understand how Bach’s works are built from overlapping multiple voices.
