[Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
“I love bass that resonates in my ears and body.” If you’ve found your way to this article, that’s probably you.
Once you get hooked on bass, its charm is impossible to escape.
It supports the whole track, yet sometimes steps forward to nail the moment—welcome to the mesmerizing world of low end.
In this article, we’ve gathered a rich selection of Japanese songs—from the latest releases to timeless classics—where bass takes the spotlight, including tracks that feature bass solos and tunes where the bass holds the key throughout.
Take your time and savor the allure of bass.
And if you play bass yourself, this is the perfect chance to try covering these songs!
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[Low End] A Collection of Japanese Songs Featuring Shining Bass Solos [2026] (1–10)
MethodKroi
Kroi’s “Method,” with its strikingly stylish sense of speed and a light, agile bass line that accentuates it, was released in 2025 and also drew attention as the opening theme for the anime SAKAMOTO DAYS.
The notes bustle within the chord progressions, and by overlapping with the vocals and keyboard timbres, they create a feeling of lightness.
The bass solo resonates gently, once again clearly highlighting the mood of the track.
KICKBACKYonezu Kenshi
When it comes to this track, it’s no exaggeration to say the bass takes center stage—the bass tone drives the entire groove! Kenshi Yonezu’s mega-hit “KICK BACK” was co-produced by Daiki Tsuneta, the central figure of King Gnu and millennium parade, who also played guitar and bass.
He unleashes a series of unapologetically aggressive phrases that perfectly suit the track’s attack, and it’s seriously cool.
The distinctive slap in the intro is so crucial that it practically defines the song’s character, so if you’re a bassist, you should approach it with the same mindset as a guitar solo.
There’s also a brief but memorable section in the middle that combines slap with a more melodic line—definitely give it a close listen.
Marunouchi SadisticShiina Ringo
Ringo Sheena, who also fronts Tokyo Jihen and is celebrated for songs shaped by her one-of-a-kind worldview, is a popular singer-songwriter.
Despite never being released as a single, Marunouchi Sadistic—featured on her debut album, Muzai Moratorium—is known as one of her signature tracks.
The bass solo, which holds its own against the piano-centered, glamorous ensemble, has a distinctive depth and presence unique to the low register.
It’s a stylish number that highlights the compatibility between jazzy arrangements and a hard-edged bass sound.
[Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026] (11–20)
The refuse-strewn room sinks into a rust-colored gloom.Kitanitatsuya
With its piercing, razor-sharp sonic image, “Akuta no Heya wa Sabiiro ni Shizumu” is a track by Tatsuya Kitani, released in 2016.
It’s an addictive rock tune that makes you want to clap along from the very first beat.
The song’s style pairs perfectly with the brooding, pent-up mood of the lyrics.
The bass solo comes right after the second chorus, just as it transitions into the interlude—delivering a powerful slapped line left gloriously distorted.
It’s an aggressive performance that always sends the crowd into a frenzy live.
Monkey DanceRyokushokushakai
Ryokuoushoku Shakai’s “Monkey Dance,” released in 2025 and included on the album “Channel U,” is a track distinguished by its light, buoyant groove.
The bass features mainly slap technique, with a bouncy slap line ringing out from the intro.
The rest of the arrangement also emphasizes crisp articulation, so it’s recommended to listen closely to how this rhythm layers with the vocals.
Savor the sense of fun through the slap bass phrases that highlight the dance element referenced in the title.
SUPER SUNSHINEBAND-MAID
SUPER SUNSHINE by BAND-MAID—the one-of-a-kind band that delivers fierce heavy metal to hard rock while fully embracing a maid aesthetic and enjoys high popularity overseas—is set for release in 2025.
Included on the mini-album SCOOOOOP, the track stands out for its aggressive yet danceable rhythm.
In the intro and chorus, the four-on-the-floor beat is particularly prominent, with the bass laying down light, nimble phrases that accentuate this pulse.
Rather than focusing on flashy technical runs, the playing seems more intent on firmly articulating each note; listen closely to how the notes sustain and how they blend with the other parts.
The solo features crisp, sprightly tones that build anticipation for how the final chorus will unfold.
pineapple!Chilli Beans.
The hugely popular trio Chilli Beans.’s “pineapple!” is a lively, refreshing summer-feel track included on their fourth EP, “the outside wind.” The bass resonates in call-and-response with the guitar’s cutting, creating an overall sense of groove.
While the bass line is structured to steadily mark the notes at a relaxed pace, it delivers light, crisp tones at the ends of measures and during the solo section.
This contrast between laid-back warmth and sharp precision is the bass’s key charm in this song.