[Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
“I love bass that resonates in my ears and body.” If you’ve found your way to this article, that’s probably you.
Once you get hooked on bass, its charm is impossible to escape.
It supports the whole track, yet sometimes steps forward to nail the moment—welcome to the mesmerizing world of low end.
In this article, we’ve gathered a rich selection of Japanese songs—from the latest releases to timeless classics—where bass takes the spotlight, including tracks that feature bass solos and tunes where the bass holds the key throughout.
Take your time and savor the allure of bass.
And if you play bass yourself, this is the perfect chance to try covering these songs!
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[Bass] A collection of Japanese songs where the bass solos shine [2026] (21–30)
90’S TOKYO BOYSOKAMOTO’S
Resonating with a muscular low-end, “90’S TOKYO BOYS” is a work that could be called the crystallization of OKAMOTO’S creative power.
Among the interwoven sounds of each instrument, the role of the bass stands out.
The bass solo is a moment where the allure of slap technique truly shines.
Wrapped in a groove-rich rhythm, the sound blends an urban sensibility with a striking, refreshing clarity—packed with elements that captivate the ear.
It’s a perfect gateway into music as well as a must-hear for bass enthusiasts.
Why not immerse yourself in the sound and enjoy this track to the fullest?
RRoselia
A mixture rock track that blends grandeur and power with a driving sense of speed.
It’s a song by Roselia, a band from the multimedia project “BanG Dream!”, released as a single in 2018.
The lyrics, which convey their determination to move forward with pride in their hearts, fit the musical style perfectly.
A cool, mature bass solo is showcased in both the intro and the interlude.
It’s a recommended rock number for when you want to boost your energy!
[Low-end] A collection of Japanese songs where the bass solos shine [2026] (31–40)
A Beautiful LieTHE ORAL CIGARETTES
A song by THE ORAL CIGARETTES, known for its lyrics that express raw emotions and its catchy melodies.
Featured on their 4th album, Kisses and Kills, it captivates with an ear-catching ensemble, including a tricky guitar riff intro and mysterious melodies that have an addictive quality.
The bass phrase in the intro—combining slapping and tapping—could be described as a masterful blend of technical bass playing.
It’s a modern rock number where every part stands out while still forming a cohesive band sound.
Mythology Five Minutes After the WorldYūkei Ranpeiji
Formed in 2011 by songwriter, DJ, and Vocaloid producer sasakure.UK, Uchigata Rampage is a rock band founded under his own direction.
Their concept is to perform Vocaloid tracks—typically considered difficult for live bands—entirely by human players, which means their music is highly technical, packed with odd meters, and challenging even for skilled musicians.
The track introduced here, “Sekai Gobungo Shinwa” (World Five Minutes Later Myth), is no exception: it features complex song structures that demand advanced technique from every instrument.
Focusing on the bass, you’ll notice an active, constantly moving line throughout the piece, along with a technical slap-based solo.
It’s a performance that showcases the possibilities of the bass—definitely worth a listen.
MECHANICAL DANCELUNA SEA
There was a time when the image of a rock band bassist was that of a quiet player steadily laying down eighth notes, but many bassists who debuted in so-called visual kei bands overturned that notion.
At the forefront is J from LUNA SEA.
His charismatic appearance and aggressive yet melodic bass inspired countless kids to pick up the instrument.
If there’s a track where you can really enjoy J’s original bass solo, it’s Mechanical Dance.
The solo showcases J’s sensibility, incorporating chords within phrases that play off the backbeat.
The song and its solo were so influential that similar types of bass solos began appearing frequently in tracks by various visual kei bands afterward.
Be sure to check it out.
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While letting yourself be carried by the bass’s pulsing rhythm, the atmosphere transforms the moment the solo begins.
Natori’s “Shokutaku” brilliantly captures the power the bass can wield.
The crisp, dynamic performance never betrays the listener’s expectations—if anything, it delivers a pleasantly startling surprise.
The slap-technique solo is truly overwhelming in the best way.
It’s more than just playing; it stands as proof of the song’s dynamism.
It’s a track that will also inspire those learning to perform.
KINGMAKERsutoreitenaa
Formed mainly by childhood friends since their middle school days, Straightener is a four-piece rock band performing under a name that means “one who makes things straight.” Their song “KINGMAKER,” included on their major 7th album STRAIGHTENER, is striking for its waltz-time beat featuring edgy guitar sounds.
Along with a bassline that moves throughout the entire track, the slap-driven solo showcases just how cool the bass can be as an instrument.
It’s a powerful rock tune whose low end, supporting the hysteric sound, lingers in your ears.