[Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
“I love bass that resonates in my ears and body.” If you’ve found your way to this article, that’s probably you.
Once you get hooked on bass, its charm is impossible to escape.
It supports the whole track, yet sometimes steps forward to nail the moment—welcome to the mesmerizing world of low end.
In this article, we’ve gathered a rich selection of Japanese songs—from the latest releases to timeless classics—where bass takes the spotlight, including tracks that feature bass solos and tunes where the bass holds the key throughout.
Take your time and savor the allure of bass.
And if you play bass yourself, this is the perfect chance to try covering these songs!
- Packed with slap groove vibes! A collection of songs with cool bass
- [Low End] A collection of Japanese songs with high-difficulty bass parts [Cool]
- [2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
- [J-Pop] A Compilation of Songs with Awesome Drums [2026]
- [2026] A compilation of Japanese songs/J-pop with cool guitar solos
- Western songs with cool bass lines: classic and popular tracks recommended for bassists
- [J-Pop] A compilation of popular songs with irresistible guitar cutting [2026]
- 【2026】A Roundup of Japanese Bassists: From Big Names to Rising Stars
- [2026] A Collection of Masterpieces of Japanese Progressive/Prog Rock
- [2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register
- [J-Pop/Rock] A roundup of bands with cool singing bassists
- Love at first sight with a bass girl! The female bassist of a popular band
- Practice songs for beginner electric bass players
[Bass] A collection of Japanese songs where the bass solos shine [2026] (21–30)
FULL HOUSEGIRLFRIEND
GIRLFRIEND was a four-piece band made up entirely of Gen Z women that was active from 2015 to 2021.
I’d especially like to highlight that MINA, who is now highly recognized both as a solo artist and as a technical bassist, was a member.
Her playing, backed by advanced technique, is showcased to the fullest among GIRLFRIEND’s technically demanding songs.
“FULL HOUSE,” from their second album HOUSE released in 2020, features an aggressive slap bass that is seriously cool.
The bass lines are so intense and continuous throughout the track that it almost feels like a solo for the entire song.
If you love technical bass tones, this is a must-listen!
huge nuisanceMY FIRST STORY
If you’re craving a hard-hitting, energetic slap bass, this is for you! “Dai Meiwaku” by the rock band MY FIRST STORY is included on their sixth album, “V,” released in 2020.
It’s a thrilling rock tune that turns the raw, tossed-off feeling of “Just leave me alone” directly into sound.
The thick, crackling tone, boosted with compression, is irresistible for low-end lovers.
Definitely give it a listen!
[Low-end] A collection of Japanese songs where the bass solos shine [2026] (31–40)
A Beautiful LieTHE ORAL CIGARETTES
A song by THE ORAL CIGARETTES, known for its lyrics that express raw emotions and its catchy melodies.
Featured on their 4th album, Kisses and Kills, it captivates with an ear-catching ensemble, including a tricky guitar riff intro and mysterious melodies that have an addictive quality.
The bass phrase in the intro—combining slapping and tapping—could be described as a masterful blend of technical bass playing.
It’s a modern rock number where every part stands out while still forming a cohesive band sound.
MECHANICAL DANCELUNA SEA
There was a time when the image of a rock band bassist was that of a quiet player steadily laying down eighth notes, but many bassists who debuted in so-called visual kei bands overturned that notion.
At the forefront is J from LUNA SEA.
His charismatic appearance and aggressive yet melodic bass inspired countless kids to pick up the instrument.
If there’s a track where you can really enjoy J’s original bass solo, it’s Mechanical Dance.
The solo showcases J’s sensibility, incorporating chords within phrases that play off the backbeat.
The song and its solo were so influential that similar types of bass solos began appearing frequently in tracks by various visual kei bands afterward.
Be sure to check it out.
Racing into the NightYOASOBI
YOASOBI is a unit consisting of composer Ayase and singer ikura that has now leapt beyond Japan to achieve global popularity.
Based on the concept of creating songs inspired by novels, YOASOBI has produced numerous hits, and their debut track, “Yoru ni Kakeru,” is one I’d especially like to recommend to bassists.
Released in 2019 and based on Mayo Hoshino’s short story “Thanatos no Yuuwaku” (The Temptation of Thanatos), YOASOBI’s debut also features a highly memorable music video by Ai Nina.
From a bass-playing perspective, the main approach is octave technique, building a danceable groove, but in the middle section there’s a bass-solo-like phrase that appears alongside an intense piano solo.
90’S TOKYO BOYSOKAMOTO’S
Resonating with a muscular low-end, “90’S TOKYO BOYS” is a work that could be called the crystallization of OKAMOTO’S creative power.
Among the interwoven sounds of each instrument, the role of the bass stands out.
The bass solo is a moment where the allure of slap technique truly shines.
Wrapped in a groove-rich rhythm, the sound blends an urban sensibility with a striking, refreshing clarity—packed with elements that captivate the ear.
It’s a perfect gateway into music as well as a must-hear for bass enthusiasts.
Why not immerse yourself in the sound and enjoy this track to the fullest?
The Five-Minute World HypothesisYūkei Ranpeiji
A track by the rock band Yukei Rampage, formed to embody in the flesh the world of sasakure.UK—a Vocaloid producer highly acclaimed for chiptune-style sounds.
The song is included on the album “Yukei Sekai Reconstruction” and is a progressive rock number featuring female singer-songwriter marina as a guest vocalist.
The bass delivers a high-level performance centered on slap playing throughout, but the especially intricate solo phrases convey a kind of thrill that only the bass can express.
Unlike the more common slap-based bass solos, this piece offers a melodious yet eccentric bass performance to enjoy.