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A roundup of songs with titles that start with “bu.” Handy for shiritori or playlist-making.

In this article, we’ll introduce a whole batch of songs whose titles start with “bu.”

We hope this will be useful for those looking for tracks for various situations—like playing “song title shiritori,” linking songs karaoke-style in a shiritori chain, or creating playlists themed around the Japanese syllabary.

When it comes to words that start with “bu,” there are plenty of songs that begin with terms like “Black” (burakku) or “Blue” (burū).

There are also words like “bun” (writing/text) and “bouquet” that appear in song titles.

Use this article as a reference to discover your new favorite songs that start with “bu.”

A roundup of songs with titles that start with “bu.” Great for shiritori or making playlists (281–290)

Boom-Pow-Wow!SixTONES

SixTONES – Boom-Pow-Wow! [YouTube ver.]
Boom-Pow-Wow!SixTONES

“Boom-Pow-Wow!” is a track included on SixTONES’ 2023 album Koe (“Voice”).

Riding a beat that evokes a glamorous dance floor, the song showcases the group’s cool vocals.

In the passionately soaring chorus, an irresistibly catchy phrase unfolds.

The lyrics, which urge everyone to raise their voices and enjoy singing and dancing, convey an infectious, high-energy vibe.

It’s a dance number that’s sure to get a crowd going—perfect for karaoke, road trips, and singing along together.

bluemoonStrange Octave

nowisee “bluemoon” #03/24 (Full Version)
bluemoonStrange Octave

nowisee is a unit that keeps their appearance and identities hidden, driven by a desire to compete solely on the strength of their music.

Within the group, vocalist Strange Octave has a breathy, husky singing voice! In the high parts, they deliver clear, airy high tones, while in whisper-like passages—and conversely, in the powerful mid-to-low range often heard in choruses—you can feel a husky quality.

They delight listeners with vocals that convey different impressions in each section of a song, which shows just how broad their expressive range is.

Blackside In The MirrorTAKUI

TAKUI Blackside In The Mirror PLUGGLESS
Blackside In The MirrorTAKUI

A super stylish R&B track! Highly recommended for anyone who keeps reliving those anxious autumn nights.

The lyrics, depicting someone who kept moving forward no matter how tough the times, make this a song that can serve as one way to survive the small “wars” that lie ahead.

Book-end, Happy-endTECHNOBOYS PULCRAFT GREEN-FUND feat. Takano Hiroshi

TV Anime “Skull-faced Bookseller Honda-san” Ending Theme “Book-end, Happy-end” MV Full Size / TECHNOBOYS PULCRAFT GREEN-FUND feat. Hiroshi Takano
Book-end, Happy-endTECHNOBOYS PULCRAFT GREEN-FUND feat. Takano Hiroshi

It’s a catchy number where nostalgia and novelty blend perfectly.

A collaboration between the technopop unit TECHNOBOYS PULCRAFT GREEN-FUND and musician Hiroshi Takano, it was released in 2018 and used as the ending theme for the anime “Skull-face Bookseller Honda-san.” Its lively rhythm, vocals, and sparkling synthesizer tones are all very appealing—listening to it is truly fun.

With a relatively narrow melodic range, it should be easy to sing.

Brave Love Galaxy Express 999THE ALFEE

This is the 45th single, released in 1998.

It was used as the theme song for Toei’s animated film Galaxy Express 999: Eternal Fantasy.

It’s a grand, large-scale piece that evokes the expansive world of Galaxy Express 999.

BRILLIANT WORLDTHE YELLOW MONKEY

Released on November 1, 2000, just before the hiatus announcement, this is THE YELLOW MONKEY’s 23rd single.

A song of hope that conveys a strong feeling—pure and achingly poignant—toward a boundless future.

It’s a masterpiece by THE YELLOW MONKEY that makes you feel it was connected to a future that would shine again, and that this hopeful light will continue to connect from here on out.

BRAIN WASHTHREE LIGHTS DOWN KINGS

THREE LIGHTS DOWN KINGS 「BRAIN WASH」 Music Video
BRAIN WASHTHREE LIGHTS DOWN KINGS

A rock band from Aichi Prefecture that fuses digital sounds like electro and EDM with a robust, full-bodied band sound at a high level.

Their catchy melodies—driven by the lead vocalist’s easy-to-listen-to voice—are contrasted by death-voice choruses that add tension as an accent.

With a musical style that is neither merely catchy nor simply heavy, they’ve become so popular that people say, “When you think Nagoya, you think San-El,” and they’re an artist that suggests new possibilities for pop punk.