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B’z’s Popular Songs: Introducing Hit Tracks and Hidden Gems Beloved by Fans!

B’z, a band that continues to carve a brilliant path in Japanese music history.

The overwhelming guitar sound crafted by Takahiro Matsumoto and the extraordinary vocal prowess of Koshi Inaba create music that keeps moving people’s hearts across generations.

In this article, we’ve gathered some of B’z’s most popular tracks from among their many hits.

It’s a playlist full of captivating songs that will draw you in—even if you’re not a hardcore fan! From hard rock to ballads, enjoy B’z’s masterpieces and their diverse musicality to your heart’s content.

[B’z’s Popular Songs] Introducing Hit Tracks and Beloved Hidden Gems for Fans! (21–30)

The day it stops being loveB’z

B’z / The Day It Stops Being Love [B’z presents LIVE FRIENDS] [SOUND ONLY]
The day it stops being loveB'z

This song, included on the mini-album “FRIENDS” released in December 1992, is set by the winter seaside and portrays the moment when “liking” turns into “love,” along with the bittersweet feelings that come with the relationship changing again from there.

It conveys the swirl of unspoken emotions through a rich arrangement centered on guitar, strings, and piano.

How about singing a lyrical, adult romance for Christmas? Let it bring back memories of a bittersweet love from long ago.

BrotherhoodB’z

This song refers to the bond with their fans—whom they call “Brothers,” meaning fan club members and B’z fans—and it fully lives up to its reputation as a classic ballad.

When they performed it live on a TV program right after the Great East Japan Earthquake, they showcased the presence of a true monster band.

The emotional guitar solo is also a highlight.

[Popular Songs by B’z] Introducing Hit Tracks and Beloved Hidden Gems (31–40)

core; crux; heart (of the matter)B’z

A track whose distinctive guitar riff in the intro sticks in your ears.

It features a striking contrast: a heavy, slow-tempo, dark verse and pre-chorus give way to a refreshingly bright chorus, then drop back into weighty melodies again.

The way the guitar riff is used is highly effective, making it a potential model for composition.

Invisible PowerB’z

B’z / Invisible Power ~INVISIBLE ONE~
Invisible PowerB'z

It’s a heartwarming song that carries a message about people being connected by unseen forces.

Released by B’z in March 1996, it was used as the ending theme for the TV anime Hell Teacher Nube.

The blend of Mr.

Matsumoto’s striking guitar and Mr.

Inaba’s powerful vocals resonates deeply with listeners.

Though simple, the piece is known to be challenging to perform and is highly regarded both within and outside the band.

Celebrating the bonds between people and inner strength, this song is perfect for reflecting on memories with friends or for motivating yourself.

Sing it at karaoke, and it’s sure to become an unforgettable number.

Pleasure ’91 ~Life’s Pleasures~B’z

“Pleasure ’91” B’z Cover Band [PleasureParty] 2010.11.21 LIVE at Tsurumi TOP’s
Pleasure '91 ~Life's Pleasures~B'z

Included as the B-side of B’z’s eighth single “LADY NAVIGATION,” released on March 27, 1991.

Rock! That one word says it all—this is pure rock! Blazing momentum, powerful and beautiful guitar, vocals that unleash tremendous energy, and lyrics that rock too! It’s a track that stirs up so much power, you’ll feel like you’re about to burn out!

UtopiaB’z

It’s a hidden gem by B’z that sings of how, even if the world isn’t perfect, the imperfect present spent with someone precious is itself a utopia.

Koshi Inaba’s lyrics brilliantly portray the protagonist’s emotions as they waver between ideals and reality, gradually recognizing the happiness right beside them.

Responding to those feelings, Tak Matsumoto’s guitar tone resonates in a way that’s sure to make your heart swell.

After listening to this piece, you’ll find yourself wanting to treasure the everyday moments more than ever before.

Invisible Power ~invisible one~B’z

B’z / Invisible Power ~INVISIBLE ONE~
Invisible Power ~invisible one~B'z

Released as if to herald the beginning of B’z’s “golden era,” this track features a grand, expansive sound and soaring high-register vocals that seem like they could stretch on forever—quintessentially B’z.

It also served as the first ending theme for Hell Teacher Nūbē.