![B'z Popular Song Rankings [2026]](https://i.ytimg.com/vi/Ujb-ZeX7Mo8/sddefault.jpg)
B’z Popular Song Rankings [2026]
B’z is a rock band whose vocalist, Koshi Inaba, is said to have several times the lung capacity of an average person.
This time, we’ve put together a ranking of B’z’s most popular songs.
Enjoy their skill that spans everything from hard-hitting rock numbers to ballads!
B’z Popular Songs Ranking [2026] (1–10)
ultra soulB’z1rank/position
A powerful cheer song by B’z that fires you up to believe there are no limits! The inner conflicts everyone faces while chasing their dreams, and the frustration of not being able to enjoy the present out of fear of the outcome, resonate deeply with listeners.
Released in March 2001 as their 31st single, this track also gained popularity as the theme song for the World Aquatics Championships.
When you feel yourself growing timid before a big goal, it will surely give you the courage to say, “I can still do this!”
Someday Merry ChristmasB’z2rank/position
A signature Christmas ballad by B’z that beautifully portrays a bittersweet love story.
The overall vocal range is E3–A4, which is relatively calm for B’z and makes it easier to sing.
To score high at karaoke, the key points are dynamic contrast from the quiet verse into the chorus and stable control of the high notes.
When the chorus hits, the full band sound kicks in and the tempo tends to feel like it’s rushing, so it’s important to sing carefully.
There’s a brief pitch lift in the final chorus that’s crucial—don’t overthink it; just lightly match the pitch bar! Using your hand to gently flick upward as you sing may help you hit it cleanly.
On the hill where the moon is visible tonightB’z3rank/position
It was the theme song for the TBS drama “Beautiful Life: The Days We Spent Together,” and the CD jacket photo was apparently shot from a wheelchair’s perspective to match the show’s content.
It’s a dramatic slow rock number where Inaba’s poignancy and power coexist.
The song’s overall vocal range is G3–B4, and since the highest notes appear frequently in the chorus, stamina is essential—so it’s recommended for those who are good with high notes.
As the song progresses, you may find it harder to lock onto the pitch bar, but if you keep your eyebrows raised and project your voice far with energetic delivery, it should start to click!
As I love you selfishly, I won’t hurt anyone but you.B’z4rank/position
A landmark track by B’z where Koshi Inaba’s passionate vocals intertwine with Takahiro Matsumoto’s brilliant guitar riffs.
It’s an irresistible, glittering yet powerful sound that epitomizes Being, the label that dominated the music scene of the ’90s.
The famously long title “Ai no mama ni wagamama ni boku wa kimi dake wo kizutsukenai” is, as Inaba himself puts it, the very embodiment of “the ultimate selfish song.” It superbly portrays a single-minded love that is a hair’s breadth away from intense possessiveness.
The vow “I won’t hurt anyone but you”—or literally, “I won’t hurt only you”—carries the dangerous implication that “everything else can be sacrificed,” and many listeners were likely shaken by that contradictory expression of love.
LOVE PHANTOMB’z5rank/position
B’z, the monster unit that has continued to lead Japan’s rock scene and rack up multiple million-sellers.
Their 18th single, released in October 1995, was chosen as the ending theme for Season 1 of the overseas drama The X-Files.
From its majestic intro—over a minute and twenty seconds of orchestra and operatic vocals—straight into a sudden avalanche of hard guitar riffs and a soaring chorus, the structure stood out as highly distinctive in the J-pop scene of the time.
The lyrics, swirling with themes of intense dependency in love, self-denial, and the urge to let everything go, make for a dramatic love song that powerfully shakes the listener’s heart.
The single posted an initial week of roughly 950,000 copies and went on to become a massive hit with cumulative sales exceeding 1.86 million.
It’s a rock tune recommended for anyone who wants to experience the essence of B’z—also famous for their live shows featuring high-altitude stage dives.
ALONEB’z6rank/position
A smash-hit single released in 1991.
Its abundance of long tones, the way the melody sustains, and Inaba’s vocal phrasing all make it a perfect song for practicing vibrato.
Compared to other B’z tracks, there isn’t much shouting, so it seems easier to sing straightforwardly without over-imitating.
The chorus is full of long tones, but instead of adding vibrato right away, it pairs well with the song to hold the note straight for about two seconds, then gently introduce a breathy vibrato.
Since it’s rock, be mindful of the vibrato width, too.
If it’s too wide, it starts to sound like enka-style kobushi; a moderate width—not too small, not too big—is best.
All or NothingB’z7rank/position
It’s a pop-rock track with a refreshing feel.
While singing about the difficulties of love and human relationships, it delivers a striking message about how wonderful it is to love even just a part of someone.
Released as a single in August 2009, it was also used as the theme song for the Fuji TV drama “Buzzer Beat: Gakeppuchi no Hero.” It was B’z’s first theme song for a “Getsu9” drama.
The song topped the charts and became a million-selling hit.
It’s also easy to sing at karaoke, so why not give it a try? Mimicking Koshi Inaba’s expansive vocals might be challenging, but the medium tempo and singable melody are appealing, so you should be able to enjoy singing it without pressure.