Recommendation of 8-bit: A collection of classic chiptune tracks
Have you heard of chiptune, a music genre with a rather cute-sounding name?
It’s a general term for music created using sound chips found in personal computers and home game consoles from the 1980s—like the Famicom (NES) and Game Boy—characterized by its bleepy, electronic tones.
That said, a wide range of music has emerged that employs chiptune techniques, making it a fascinating genre that defies easy categorization.
In this article, we’ll showcase classic tracks from representative chiptune artists from a variety of perspectives.
If you’ve only recently become interested in chiptune, be sure to check it out!
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Recommendation of 8-Bit: A Collection of Chiptune Masterpieces (31–40)
Children Of DOS777minus111
It’s a song I found myself playing before I knew it, drawn in by the title and the CG in the video.
It’s simple, but the way it slowly pulls you in is irresistible to me.
It’s not the kind of track that leaves a strong impression, but you might say it’s one you suddenly realize you’re completely absorbed in.
NautilusThe Depreciation Guild
If you ask whether it’s strictly a chiptune track, I’d have to say no.
It’s a song that incorporates elements like sine and square waves—timbres frequently used in chiptune—as part of its overall sound.
Personally, I’m not a big fan of expanding chiptune by bringing in live instruments and such (since I think the essence of chiptune is how far you can push expression within limited sounds), but I don’t dislike incorporating those timbres into a regular song.
So while it isn’t a pure chiptune track, it’s definitely worth a listen.
Out Of SpaceUoki-Toki
Rather than focusing on timbre, this piece feels like a track crafted by skillfully combining sound effects.
As a result, instead of evoking nostalgia, it gives the impression of listening to a sound-effect-based audio MAD.
Another notable point might be that, while most introduction pages are written in English, this one is in Russian.
MärgspikDorothy’s Magic Bag
It has an electronic chiptune sound with a somewhat noisy finish, but if you think of it as a track with the cluttered, gritty flavor of late-era Famicom music, it might start to feel appealing.
The other tracks also have a DJ-like style and are packed with the creator’s personality.
Rainy Day Inside GamesTwilight Electric
The title is Rainy Day, but instead of a dark, sorrowful rain, I felt a bright, gentle sprinkle like a blessing.
As for Inside Games, true to its name, it’s a track where the title and the tune match so well—like a snapshot of everyday life in a game—that I couldn’t help but be impressed.