[2026] Songs sung by comedians: from the latest tracks to nostalgic classics

DBSTAR VISIONR Fujimoto

DBSTAR VISION

A song by the DB Comedians led by comedian R Fujimoto is creating a huge buzz.

Though it’s a parody of an existing track, the lyrics and rap brilliantly capture the world of Dragon Ball.

Released on YouTube, the piece had surpassed 4 million views as of August 2023.

Completed after over a year of production, it was finished with a single day of filming in Kabukicho and at the Yoshimoto Kogyo headquarters.

It’s recommended not only for Dragon Ball fans but also for lovers of parodies.

Enjoy the fusion of comedy and music in this work packed with R Fujimoto’s love for Vegeta.

Searching for youNepuchūn

Neptune / Searching for You (1998)

Released in November 1998, this track drew attention as the debut single of the comedy trio Neptune.

With lyrics and composition by Yuhi Komiyama, arrangement by Yohito Teraoka, and backing vocals by Yuzu, it boasted an all-star lineup.

It peaked at No.

16 on the Oricon weekly chart, proving its high level of craftsmanship beyond the realm of a mere “comedian’s novelty song.” The lyrics convey a straightforward, unwavering devotion to a loved one, while the driving band sound and beautiful choral work heighten the emotion.

Included on the album “Kimi to Ketsukacchin!,” it marked the starting point of their musical activities.

Its melody blends the freshness and bittersweetness characteristic of ’90s J-pop—nostalgic for those who remember the era, and invigorating for first-time listeners.

It’s a highly recommended number for anyone who wants to express sincere feelings through song or discover an unexpected side of these comedians.

Now RomanticKOJI1200

KOJI1200 – Neo Romantic

Here’s a unique work that earnestly brought the decadent aesthetic of ’80s UK new wave into the ’90s J-pop scene.

It’s a single released in December 1995 by comedian Koji Imada under the moniker KOJI 1200, with DJ/producer Towa Tei handling the sound in its entirety.

Centered on synthesizers yet featuring sharp-edged guitars and chord progressions that combine shimmer and shadow with a danceable drive, the track is crafted with a sophistication you wouldn’t expect from a novelty project.

The lyrics talk about romance while weaving in raw expressions, striking a deft blend of sweetness and bite.

In 1996, it was re-included in a different mix on the album “America Daisuki!” and peaked at No.

30 on the Oricon Weekly Chart.

The song was also used as the ending theme for the variety show “Imachan no ‘Jitsu wa…’.” It’s a one-of-a-kind pop tune where refined club music meets the humor of a comedian.

When I rolled up the wet hand towelAsagaya Shimai

When I rolled up the wet hand towel

There’s a song that revives the mood-chorus style steeped in the aroma of Showa-era kayōkyoku.

It’s the debut track released by the Asagaya Sisters in September 2015, with lyrics, composition, and arrangement by Jun Tablet.

Centered on the everyday item of a hot towel handed over the counter at a bar, this kayōkyoku number portrays the bittersweet loneliness and yearning that drift through the nighttime streets.

Though not flashy, its evocative scenes—hinting at tiny back-alley shops and the melancholy air just before the last train—are superbly drawn.

The solid harmonies, backed by Miho Kimura’s background in a music program, deepen the resonance of the wistful melody.

The song was also used as the ending theme for the “Asagaya Sisters’ Ii wa ne Shopping Street” segment within BS Nippon TV’s Traveling Wednesday.

It’s a track I’d love fans of classic Showa hits to hear when they want to sink into the quiet of the night.

Why the heck, geez!?Hamada Bamyubamyu

Hamada Bamyu Bamyu – Nandeyanen-nen [full ver.]

Among songs performed by comedians, this track stands out with a uniquely strong presence.

Sung by Masatoshi Hamada under the moniker “Hamada Bamyu Bamyu,” it was created as a parody of Kyary Pamyu Pamyu.

Produced by Yasutaka Nakata, the song humorously portrays Hamada’s stern expressions and demeanor while deftly expressing the inner conflict of yearning for cuteness.

Released in December 2015, the track originated from a segment on the TV show “Downtown no Gaki no Tsukai ya Arahende!!”.

With visual production by Sebastian Masuda, it successfully brought out a new side of Hamada.

Earning high acclaim—including reaching No.

2 on the Billboard Japan Hot 100 for the week—this song is highly recommended for anyone curious about the unexpected charm of Hamada, who usually wears a severe look.

TimingBurakku Bisukettsu

Black Biscuits - Timing

Many people were probably astonished by the remarkable polish—it hardly seems like a song from a comedy duo’s debut unit.

“Black Biscuits,” the unit featuring Kiyotaka Nanbara and others, delivered a signature pop tune that reframes the everyday feeling of “bad timing” in a positive light.

Released in April 1998, it was a massive hit, peaking at No.

2 on the Oricon charts and selling around two million copies, even earning them a spot on the NHK Kōhaku Uta Gassen.

It was an exceptional achievement for a TV-born unit.

While it includes elements of comedy, the track stands firmly on its musical merits.

Now, in the Reiwa era, its popularity has resurged via TikTok, making it a bona fide revival hit—a true classic among classics!

SUPER STAREXIT

EXIT「SUPER STAR」MUSIC VIDEO

EXIT, popular especially among younger generations for their “Neo-Shibuya-kei manzai,” have been making waves not only in stand-up and variety shows but also by fully launching their music career in 2021.

This track, included on their first mini-album GENESIS released in September 2021, is a pop tune marked by a danceable beat and a chorus bursting with a sense of liberation.

The lyrics portray the feeling of being crushed by others’ success stories and ideal images, yet carry a message that frees you from comparison and competition, reminding you that you are the protagonist of your own life.

The song was also selected as the ending theme for Nippon Broadcasting System’s Olympic-related program TOKYO SPORTS TODAY.

With MISIA joining on backing vocals, the chorus gains added richness and persuasiveness.

It’s a song we especially recommend to those who tend to lose confidence in daily life or want to regain a positive mindset.