RAG MusicDance Music
Recommended club and dance music

[BGM Selection] A Non-Ordinary Driving Experience Crafted by Eurobeat

A four-on-the-floor rhythm brimming with speed and powerful synths.

The sonic world of Eurobeat is like magic—music that can transform an ordinary drive into an extraordinary rush in an instant.

From the legendary Dead or Alive to the era-defining DA PUMP, it distills the timeless allure of Eurobeat loved across generations.

CHERRY’s soaring vocals and DJ NRG’s catchy melodies will turn your drive into a thrilling adventure.

Now, grab the wheel and set off on a special musical journey.

[BGM Selections] An Extraordinary Driving Experience Orchestrated by Eurobeat (31–40)

take me higherV6

V6 / TAKE ME HIGHER(YouTube Ver.)
take me higherV6

A song where a driving, high-velocity rhythm and powerful melody unite to elevate any drive scene.

V6’s fourth single, released in September 1996, captured the hearts of many viewers as the opening theme for the tokusatsu drama Ultraman Tiga.

Fusing J-pop with Eurobeat, the track topped the Oricon Weekly Singles Chart, marking V6’s third consecutive No.

1.

Its acrobatic dance performance is another highlight, showcasing the group’s formidable stage prowess.

It’s the perfect track when you want to grip the wheel and blaze down the highway, or when you need an energy boost.

With this music, your everyday drive will instantly transform into an extraordinary adventure.

BLOOD on FIREAAA

AAA / BLOOD on FIRE (short ver.)
BLOOD on FIREAAA

AAA’s debut single is a powerful track that captures the passion and determination of young people.

Featuring an energetic sound and heartfelt lyrics, it gives listeners courage and hope.

Released in September 2005, it reached No.

9 on the Oricon chart.

It was also performed at the premium event for the film Initial D, drawing significant attention.

This song is perfect for young people charging toward their dreams or anyone starting a new challenge.

Packed with AAA’s appeal as they dance to Eurobeat, it’s a track that’s sure to lift your spirits.

NagisaMelody.

The way the beat gradually comes in from the mellow intro really gets me hyped.

Avex is great at bringing out Eurobeat artists, aren’t they? With Eurobeat on the verge of a revival now, Nagisa’s “Melody” is definitely unmissable!

Over Drive (High Power Remix)m.o.v.e

M.O.V.E. – Over Drive (High Power Remix)
Over Drive (High Power Remix)m.o.v.e

m.o.v.e is an artist who brought a new kind of electronic music and Eurobeat to Japan—something that hadn’t existed there before.

They’re such a charismatic act that people often compare them alongside Tetsuya Komuro.

If you know the anime Initial D, you’ve probably heard their music at least once!

Survival dAnce – no no cry more- (EURO SURVIVAL MIX)TRF

TRF – Survival Dance (No No Cry More) (Eurobeat Mix)
Survival dAnce - no no cry more- (EURO SURVIVAL MIX)TRF

This Eurobeat-style remix track comes from TRF, the Japanese dance and vocal group that epitomized the ’90s.

Produced by Tetsuya Komuro, it carries a powerful message themed around survival.

The lyrics, which sing of courage and hope in the face of adversity, inspire listeners with strength.

Released in February 2000, the song was included on SUPER EUROBEAT VOL.103 and captured the hearts of dance music fans.

It’s a track that will surely give you energy when you need a boost or want to overcome difficulties.

[BGM Selections] An Extraordinary Driving Experience Crafted by Eurobeat (41–50)

Into The NightMichael Fortunati

michael fortunati – into the night
Into The NightMichael Fortunati

This is a track by Michael Fortunati, a musician who could be said to have led the Eurobeat scene in Italy during the 1980s.

It was released in 1986.

In Japan, Masaru Narita covered it in 1987.

The slightly laid-back vibe of the song is really cool—seems perfect for a night drive.

It was a pioneering Eurobeat sound and was initially called Italo disco.

TECHNO DRIVEpool bit boys

From the intro, it hits you with a powerful wave of sound—a track packed with a uniquely characterful sonic palette that’s like a massive traffic jam of audio.

It’s an incredibly busy piece; even though there are vocals, what really grabs your ears are the sounds—more like byooon and chiki-chiki—that cut through intensely.

It’s a number that draws you in with the sheer inventiveness of its era.