[Beginner] Also great for piano recitals! Classical pieces that look cool when you can play them
Many people who want to learn to play the piano probably think that those admired classical pieces are impossible until you can already play to some extent.
For those people, we’ve picked out beginner-friendly classical pieces that will look cool when you can play them! While flashy and dynamic piano works often demand advanced technique, the pieces we’re introducing here are all masterpieces within easy reach for beginners, letting you enjoy short yet impressive phrases.
We’re also including famous pieces arranged for beginners, so whether you’re looking for a recital piece for your child or you’ve started learning piano as an adult, be sure to check them out!
- [For Elementary School Students] Brilliant, Showy Masterpieces That Sound Impressive at Piano Recitals
- [For Piano Recitals] Simple yet Cool Classical Pieces
- For Beginners: Easy to Play and Sounds Impressive! Pieces That Shine at Piano Recitals
- Beginner to Intermediate: Chopin pieces with relatively low difficulty. Recommended works by Chopin.
- Piano Masterpieces: Surprisingly Easy Despite Sounding Difficult!? A Curated Selection Perfect for Recitals
- [Beginner] Recommended Piano Pieces to Play at a Recital
- [Beginner] Recommended for adult piano beginners! Beautiful & stylish piano pieces
- [For 6-year-olds] A curated selection of standout pieces for piano recitals!
- [Piano Recital] Recommended for Boys! A Curated Selection of Cool, Impressive, and Popular Pieces
- [Intermediate Level] Cool Piano Pieces You Can Play [Great for Recitals Too]
- [Classical Music] All pieces under 3 minutes! A collection of short and cool piano pieces
- [Piano Recital] Carefully Selected Classical Pieces Recommended for Upper Elementary School Students
- [Piano Pieces] Easy for Children to Play! A Roundup of Simple Classical Works
[Beginner] Also great for piano recitals! Cool classical pieces to impress if you can play them (21–30)
To the Wild RoseEdward MacDowell
One piece from American composer Edward MacDowell’s 1896 collection Forest Sketches, Op.
51.
It is a work noted for its gentle, cleansingly beautiful melody.
Although there aren’t many notes overall, the melodic line is scattered between the right and left hands, so it’s important to play while constantly being aware of where the melody is and balancing it with the accompaniment and dynamics.
If you color the melodic passages in the score to distinguish them visually, it will be even easier to keep the melody in mind.
French Suite No. 5 in G major, BWV 816: GavotteJ.S.Bach
In studying polyphonic music, many piano learners tackle a classic piece: Johann Sebastian Bach’s French Suite No.
5 in G major, BWV 816, “Gavotte.” Although it was composed with performance on instruments like the harpsichord in mind, before the piano existed, it is now cherished as a piano work.
Combining courtly elegance with a charming quality that evokes an innocent child, this piece is recommended for a wide range of players, from adults to children.
While maintaining precise rhythm, perform it so as not to lose its lightness and sense of optimism.
25 Etudes, Op. 100 No. 20 “Tarantella”Johann Burgmüller
Burgmüller’s 25 Etudes is a famous collection that every pianist inevitably encounters in their studies.
For beginners, it condenses essential techniques to learn.
This time, I’d like to introduce one of the more difficult pieces from the set: Op.
100, No.
20, “Tarantella.” It’s an intense dance primarily in 6/8 or 3/8 time.
Notably, the eighth rest between the two eighth notes starting at measure 17 requires a perfect sense of balance—neither too long nor too short.
It’s an extremely useful piece for learning nuanced, delicate performance.
Invention No. 8, BWV 779J.S.Bach
This piece in F major, set in 3/4 time, begins with ascending broken chords brimming with the lively energy of a fanfare and exudes a bright, spirited atmosphere.
The distinctive rhythm created by the interplay of upper and lower voices, chasing each other with a one-measure delay, is pleasing and makes the listener’s heart dance.
Although composed for educational purposes, the work’s musical appeal captivates audiences.
The left-hand passages using the 3rd, 4th, and 5th fingers are somewhat challenging, but with practice, it’s a wonderful piece that allows you to feel tangible improvement in two-hand technique.
With its bright, festive character and a well-balanced technical challenge, it’s an ideal choice for a recital.
AllegrettoAnton Diabelli
This Allegretto is a piano piece by Anton Diabelli, an Austrian-born composer who studied under Franz Joseph Haydn.
Those well-versed in classical music will know that Anton Diabelli played a key role in the circumstances surrounding the publication of works such as Beethoven’s Diabelli Variations.
Diabelli’s Allegretto, though short, offers a clear taste of the Classical style, so it might be a good entry point into the world of Classicism.
For the staccato, keep it crisp and pay close attention to dynamics, aiming to recreate the feeling of an orchestra for a powerful performance.
Passacaglia Harpsichord Suite No. 7 (HWV 432)Georg Friedrich Händel
This piece encapsulates the charm of Baroque music.
Built on a four-bar theme, it unfolds through 15 variations in which rhythm, melody, and harmony are artfully transformed.
Amid its majestic atmosphere, a rich musicality shines through, gripping the listener’s heart.
It is also popular as a keyboard study piece and is recommended for those who have just begun learning the piano.
As you savor the process by which complex music emerges from a simple theme, you can experience the profound depth of Baroque music.
It is a work that conveys the timeless appeal of Handel’s music.
Waltz EtudeWilliam Gillock
A captivating classical piece with a beautiful triple meter, it enchants the audience from the opening with a lively and dazzling waltz rhythm.
Beginning in G major, the middle section modulates to E-flat major, where the tempo relaxes and settles, lending the entire work a profound expressiveness.
Demanding both delicate touch and powerful expression, this piece—released in 1972—fully showcases the piano’s expressive range.
Its blend of graceful melody and brilliance makes it an ideal choice for recital performance.
With inventive technical features throughout, it is a superb work that rewards practice by deepening musicality.
Offering the chance to experience the waltz’s rhythmic character and the color changes brought by modulation, it is perfectly suited for upper elementary school recital programs.