[Karaoke] A roundup of songs that are easy for women to sing!

for a long timeKiroro

Kiroro - For a Long Time

This is the first major single released in 1998 by Kiroro, a female music duo.

The song itself was written and already performed during their indie days, and it was re-released to mark their major-label debut.

I recommend it because you can sing it without having to project a big voice.

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Araki Jakkan

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secret base ~What You Gave Me~ZONE

ZONE “secret base ~What You Gave Me~” MUSIC VIDEO

This is the third major-label single by the Japanese girls’ rock band ZONE, released in August 2001.

It was used as the theme song for the TBS daytime drama Kids War 3: “Don’t Mess With Me,” starring Mao Inoue, and became a big hit.

For ZONE, it was apparently their first-ever drama tie-in.

It’s a memorable mid-tempo classic with a nostalgic melody that carries a subtle “Japanese” flavor.

I think it’s also one of those songs that even women who aren’t confident singers will find easy to remember and sing.

However, for the tempo, the lyrics are a bit densely packed, so you might be unsure where to take breaths; it may be worth listening to the original track to study the breathing points.

Also, be careful not to rush the vocals in the parts where the lyrics are packed in.

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Kei Takahata

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Apply false eyelasheskyarī pamyu pamyu

Kyary Pamyu Pamyu – Put On False Eyelashes

This was Kyary Pamyu Pamyu’s first single, released in January 2012.

Since the original track, including the vocal processing, was produced in the so-called “Yasutaka sound,” some people might feel there’s a certain difficulty in having a real live human (?) sing it at karaoke.

But don’t worry—the melody itself is simple, and the vocal range used in the song is within a comfortable range for anyone to sing without strain! It’s fun to imitate Kyary’s style when you sing it, and on the flip side, I think it could also feel great if you lean fully into a natural, human-like delivery.

Try singing it in your own way and enjoy it!

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Kei Takahata

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Ninjari Ban Bankyarī pamyu pamyu

Kyary Pamyu Pamyu – Ninja Re Bang Bang

This is Kyary Pamyu Pamyu’s fifth single overall, released in March 2013.

It was used as the CM song for KDDI and Okinawa Cellular’s “au Turn surprise into common sense.

‘FULL CONTROL/REAL’” commercial.

Just listening to it puts you in a fun mood—it’s a slightly comical track! There’s no need for any difficult explanations to sing this cheerful song.

You can have fun by mimicking the slightly Vocaloid-style vocal production, or enjoy it as a group sing-along with everyone there.

In any case, ride the rhythm, raise your voice, and just enjoy singing!

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Kei Takahata

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Every Second （Japanese ver.）Mīna Okabe

MiiNA OKABE “Every Second (Japanese ver.)” Ending theme song for the TBS anime “A Condition Called Love” (Official Music Video)

Miina Okabe is a female singer-songwriter active in Copenhagen.

She’s half Danish and half Japanese, and while she’s primarily based in Copenhagen, she’s been appearing on the Japanese scene more and more lately.

Among her songs, the one I especially recommend as easy to sing is “Every Second (Japanese ver.).” It has a groovy feel, but it unfolds with a subdued vocal tone from start to finish, so it doesn’t require powerful projection or high notes.

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Ryo

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dogwood (flowering dogwood)Hitoto Yo

Hitoto Yo – Hanamizuki

Hitoto Yo’s hugely popular song “Hanamizuki.” This piece can be called a classic ballad.

With its steady melody and easy-to-catch rhythm, it’s a song that’s easy to sing.

It doesn’t include elements like shouts or screams, so you can sing it calmly.

The chorus requires resonant vocals, but as long as you project your voice properly, you should be able to sing it without trouble.

There’s a slight key change toward the latter half, but with practice it won’t be an issue—focus on the key points as you sing.

Girl ANakamori Akina

Akina Nakamori – Girl A

Akina Nakamori’s 2nd single, released in July 1982.

Since it came out nearly 40 years ago, listening to it with 2021 ears—as of the time of writing—you can definitely feel its era in the arrangement and vocal style.

That said, it’s a great song for people who aren’t confident singers—especially those who struggle with high notes—to sing at karaoke.

Because Nakamori’s voice is quite low for a female singer, the low register might actually be the tricky part for some.

It could be a good one to perform at karaoke when you’re with older folks.

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Kei Takahata

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