RAG MusicJapanese Enka
Lovely enka

[2026] Easy Enka Songs for Karaoke: Recommended Picks — Women Singers Edition

This may seem sudden, but do you ever sing enka at karaoke?

As you know, enka is a uniquely Japanese genre that has enjoyed steadfast popularity since the Showa era, and it’s very popular at karaoke, too.

These days, enka is attracting attention not only from older listeners but also from younger audiences.

Still, many people may feel, “I want to try singing it at karaoke, but it seems difficult…”

In this article, we introduce classic enka songs by female singers that are relatively simple and easy to sing, even though many enka numbers are technically challenging.

We’ve also covered easy enka recommendations for male singers in another article, so be sure to check that out as well!

[2026] Easy Enka Songs Recommended for Karaoke — Female Singers (71–80)

To the Land of FireIshikawa Sayuri

For Sayuri Ishikawa, who hails from Kumamoto Prefecture, this is truly a classic local song that lets her triumphantly return home in glory! Released in 1978, “Hi no Kuni e” is a Kumamoto-themed song set against Mt.

Aso, and Ishikawa even performed it at that year’s Kohaku Uta Gassen.

It’s hard to believe she had just turned 20 at the time—her powerful vocals are truly compelling.

Of course, it’s also very popular for karaoke, but “Hi no Kuni e,” created by the golden duo of Yu Aku and Takashi Miki—icons of the Showa era—blends enka elements with a strong kayokyoku flavor, so you can approach it with a classic Showa pop sensibility.

Feel the so-called 8-beat swing (hachiroku) rhythm, and try singing with careful, crisp articulation of each syllable in the lyrics.

KOH-1
Report a problem

stage lightKouzai Kaori

Among famous enka singers, Kaori Kozai is particularly known for frequently performing pop songs.

She has many great pop numbers, but the one I especially recommend is Stage Light.

With a melody that follows the tradition of Showa-era ballads, its vocal line evokes artists like Machiko Watanabe and Chikaco Sawada.

Although the song features many long tones, there are no sustained notes in the high register, and the overall range is relatively narrow, making it undeniably easy to sing.

In the second bar of the chorus, there’s a brief appearance of a key-shifting vibrato that hints at a kobushi-like ornamentation.

If you find that part difficult, it’s perfectly fine to sing it with a regular vibrato instead, so feel free to use that as a reference.

Ryo
Report a problem

Love RegretKouzai Kaori

Kaori Kozai often uses a vocal technique called the hiccup style.

This technique involves briefly flipping the voice, and she frequently uses it to add kobushi-like ornamentation.

A classic song that makes extensive use of this distinctive kobushi is “Koi Miren.” Once you get used to hiccups, executing this kind of ornamentation is easy, and this piece also features a vocal line with gentle rises and falls in pitch.

Therefore, if you’re accustomed to the hiccup technique, you should be able to sing it without any trouble.

Ryo
Report a problem

Song of Wind and LoveKouzai Kaori

Kaori Kozai’s classic “Furenka,” released in 2008, is an orthodox enka song suffused with melancholy throughout.

It features a fair number of kobushi (melodic turns), including many that span more than three scale steps, but the overall vocal range is not wide, so its difficulty level as enka goes is not particularly high.

If you have a basic command of enka techniques, you should be able to sing it without much trouble.

The melody is catchy, too, so it goes over extremely well at karaoke.

Ryo
Report a problem

In conclusion

As I mentioned at the beginning, enka as a genre demands a high level of vocal skill, and its distinctive vocal inflections and word choices can be difficult if you’re not used to them.

Even so, the songs introduced here are relatively easy to sing and include many well-known hits, so I encourage even beginners who’ve never sung enka at karaoke to give them a try!