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[2026] Easy-to-Sing Enka: From Timeless Classics to Recent Hits [Male Singers Edition]

If you’ve recently become interested in enka and want to try singing it at karaoke, or if you’re looking for enka songs beyond your usual repertoire, this article is for you! Articles like this often end up highlighting classic hits from the Showa era through the early Heisei period, but we also want you to discover great enka songs by the younger generation who debuted from the 2010s into the 2020s.

This time, we’ve put together a lineup of “easy-to-sing enka” ranging from timeless classics to recent hits and popular tracks—featuring male singers only! We’ve also published an article featuring female singers only, so be sure to check that out as well.

[2026] Easy-to-Sing Enka — From Classic Favorites to Recent Hits [Male Singers Edition] (21–30)

Elegy of a Port TownYoshi Ikuzo

Ikuzo Yoshi 'Minato-machi Banka' MV (Released January 27, 2021)
Elegy of a Port TownYoshi Ikuzo

Ikuzo Yoshi’s classic “Minato-machi Banka” is marked by a melancholy, lingering melody.

It’s a women’s song depicting a woman in a port town, beautifully expressing her feelings as she dotes on her husband who’s returned from fishing after a long time away.

Despite its powerful melody, the piece surprisingly features few advanced kobushi (melismatic turns).

They do appear, but when they do, the kobushi only span one or two scale steps, so the difficulty level as enka is quite low.

Consider adding it to your repertoire.

pinwheelYoshi Ikuzo

[Full MV] IKUZO YOSHI “Kazeguruma” [Official]
pinwheelYoshi Ikuzo

Kazuo Yoshii’s masterpiece “Kazeguruma,” released in 2024, opens with an electric guitar that’s very characteristic of enka.

From there, the voltage settles as it moves into the A-melody.

As you can hear, however, this piece reflects strong pop elements rather than being pure enka.

The chorus in particular evokes 1970s and ’80s folk rock.

Naturally, there are fewer instances of kobushi (ornamental vocal turns), making this one of the easiest songs to sing in Yoshii’s catalog.

[2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Male Singers Edition] (31–40)

Homeward Journey to the NorthKobayashi Akira

Hokkikō, a work that depicts the feelings of a man returning to his hometown.

This piece is characterized by a very gentle melody that perfectly matches its theme.

Above all, the tempo is extremely slow, allowing ample preparation before each entry in any part.

In addition, the vocal line itself is simple, and it does not feature the complex lines that often appeared in popular songs of that era using enka-style melismatic ornamentation.

With its narrow vocal range, it ranks among the easiest of Akira Kobayashi’s songs to sing.

Scarlet LipsYamauchi Keisuke

Keisuke Yamauchi “Scarlet Lips” Music Video
Scarlet LipsYamauchi Keisuke

Welcoming lyricist Goro Matsui, Keisuke Yamauchi’s 2019 single “Kuchibiru Scarlet” is, as the title suggests, packed with a classic Showa kayōkyoku flavor, and it was performed at that year’s NHK Kōhaku Uta Gassen—so many listeners will likely think, “Oh, that song,” as soon as they hear it.

If you like kayōkyoku, the melody will feel instantly familiar, and you’ll probably find it easy to sing at karaoke.

From around the B-melody, the lines flow with expansive melodies in succession, so try singing while minding your breathing points to avoid running out of breath.

AfterglowYamauchi Keisuke

Keisuke Yamauchi “Zansho” Music Video
AfterglowYamauchi Keisuke

It’s a moody masterpiece of kayōkyoku built on a 6/8 rhythm, with an impactful drum sound in the intro and an impressive slap bass line.

For Keisuke Yamauchi, it’s also a song commemorating his 20th debut anniversary, and it fully showcases the charm of his distinctive voice—powerful, sensual, and uniquely his.

He does use the characteristic kobushi of an enka singer, of course, but since the song leans more toward kayōkyoku, the kobushi itself is restrained, making it a great choice even for those not used to straight-up enka.

The A melody section is also good practice for singing low notes carefully, so try performing it while being mindful of the contrast with the soaring chorus!

Wharf of TransienceYamauchi Keisuke

Keisuke Yamauchi “Rutenn no Hatoba” Music Video
Wharf of TransienceYamauchi Keisuke

Released in 2016, “Ruten no Hatoba” was also performed at the 67th NHK Kohaku Uta Gassen, so many of you have probably heard it.

Although it’s an upbeat, refreshing enka in a major key, Yamauchi’s vocals bring out the fullest charm of its clumsy, stubborn protagonist tinged with a certain pathos.

While the song spans a wide range, the overall pitch sits on the lower side, which can be reassuring for those who struggle with high notes.

That said, naturally, some practice is required to master the quintessential enka techniques.

In particular, the final line of the chorus is easy to go off pitch, so be sure to sing it repeatedly until you get used to it.

Big brotherYamakawa Yutaka

Yutaka Yamakawa “Aniki” Music Video
Big brotherYamakawa Yutaka

A work that leaves a strong impression of masculinity and sincerity, “Aniki” honors an older brother and is known for its moving lyrics.

While the piece firmly inherits elements of enka, the vocal line is surprisingly understated, with none of the intricate kobushi runs typical of the genre.

If the presence of kobushi is used to define enka, this work would be classified as kayōkyoku, as every part features a simple vocal line.

As a result, even those who are not confident in their singing ability should be able to perform it without difficulty.