[2026] Easy-to-Sing Enka: From Timeless Classics to Recent Hits [Male Singers Edition]
If you’ve recently become interested in enka and want to try singing it at karaoke, or if you’re looking for enka songs beyond your usual repertoire, this article is for you! Articles like this often end up highlighting classic hits from the Showa era through the early Heisei period, but we also want you to discover great enka songs by the younger generation who debuted from the 2010s into the 2020s.
This time, we’ve put together a lineup of “easy-to-sing enka” ranging from timeless classics to recent hits and popular tracks—featuring male singers only! We’ve also published an article featuring female singers only, so be sure to check that out as well.
- [2026] Easy Enka Songs Recommended for Karaoke – Male Singers Edition
- [2026] Amazing If You Can Sing It! Classic Enka Masterpieces [Male Singers Edition]
- [For Beginners] Recommended Enka Masterpieces for Karaoke — Male Singers Edition
- 【2026】Recommended Enka by Male Singers with Captivating High Notes
- A roundup of male enka singers who represent the Showa era
- [2026] Enka Songs That Are Hard to Sing – Male Singers Edition
- [2026] Easy Enka Songs for Karaoke: Recommended Picks — Women Singers Edition
- [2026] Recommended for those who find high notes difficult! Enka by male singers that you can sing in a low register
- 【2026】Difficult Enka Songs to Sing — Women Singers Edition
- Enka songs that are easy for men to sing: a roundup of tracks to try at karaoke
- [2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Female Singers Edition]
- The Allure of Deep Vocals: A Collection of Yutaka Yamakawa’s Easy-to-Sing Songs [2026]
- [Enka First Year] A Collection of Easy-to-Sing Songs by Yoko Nagayama [2026]
[2026] Easy-to-Sing Enka: From Classic Masterpieces to Recent Hits [Male Singers Edition] (31–40)
AfterglowYamauchi Keisuke
It’s a moody masterpiece of kayōkyoku built on a 6/8 rhythm, with an impactful drum sound in the intro and an impressive slap bass line.
For Keisuke Yamauchi, it’s also a song commemorating his 20th debut anniversary, and it fully showcases the charm of his distinctive voice—powerful, sensual, and uniquely his.
He does use the characteristic kobushi of an enka singer, of course, but since the song leans more toward kayōkyoku, the kobushi itself is restrained, making it a great choice even for those not used to straight-up enka.
The A melody section is also good practice for singing low notes carefully, so try performing it while being mindful of the contrast with the soaring chorus!
Big brotherYamakawa Yutaka
A work that leaves a strong impression of masculinity and sincerity, “Aniki” honors an older brother and is known for its moving lyrics.
While the piece firmly inherits elements of enka, the vocal line is surprisingly understated, with none of the intricate kobushi runs typical of the genre.
If the presence of kobushi is used to define enka, this work would be classified as kayōkyoku, as every part features a simple vocal line.
As a result, even those who are not confident in their singing ability should be able to perform it without difficulty.
The Rumored TwoTakeshima Hiroshi
Following Koinmachi Counter—which also made waves for its choreography known as the “Koinmachi Dance”—Rumor Duo was released in 2019 as the second installment of the “irresistibly danceable kayōkyoku,” once again created with the golden duo of Goro Matsui and Takashi Toshimi.
You can also watch a performance video with the School Mates from a concert on the official YouTube channel, so be sure to check that out.
The song is packed with a Showa-era kayōkyoku vibe and has an up-tempo feel that’s perfect for karaoke, and its catchy melody is so easy to remember you’ll have it down after just one listen.
If possible, I’d love for you to aim for a complete copy, choreography and all!
The Bond Between Us Twotatsumi yūto
Released in 2022 as the coupling track to the historical enka song “Setsugekka,” themed around Okita Sōji of the Shinsengumi, “Futari no Kizuna” is, true to its title’s image, a quintessential “happy enka.” If you enjoy heartwarming enka brimming with love and happiness, you should definitely try singing it at karaoke.
Tatsumi’s performance avoids gimmicks and smoothly incorporates classic enka techniques like kobushi and vibrato, making it approachable even for beginners to enka.
Snow CountryYoshi Ikuzo
Yoshi Ikuzo’s classic “Yukiguni,” with its strikingly sorrowful tone, leaves a strong impression.
While the piece firmly inherits the elements of enka, its vocal line is characterized by a finish closer to mood kayō.
As a result, the use of kobushi is far less frequent than in typical enka, and the instances that do appear are relatively simple.
For those who struggle with the Tsugaru folk-style kobushi, this is a very singable song.
Consider adding it to your repertoire.
In conclusion
If you’re not all that familiar with enka and you looked over the songs featured in this article, you might have been surprised to discover, “So there are lots of new enka songs even in the Reiwa era!” We’re now in a time when there are even enka singers referred to as the “seventh generation.” So if you tend to think of enka as mostly old songs, by all means give the tracks by the young artists we introduced this time a try!