Recommended karaoke songs that are easy for high school girls to sing
I think many people go to karaoke and always end up singing the same songs, or overlap with friends’ choices and don’t know what to sing.
Some people aren’t very confident at karaoke to begin with and struggle to choose songs that are easy to sing.
For those people, this article will introduce a variety of songs that are easy for high school girls to sing.
Of course, what counts as “easy to sing” varies from person to person, but I’ve selected songs that, overall, are easy to sing without straining your voice, are widely known, and are likely to get everyone excited.
I hope this helps anyone who’s unsure about what to pick at karaoke!
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Recommended for high school girls: Easy-to-sing karaoke songs (21–30)
HarukaYOASOBI
YOASOBI’s famous song “Haruka.” For female students living in the Reiwa era, this piece could be considered a staple graduation song.
True to YOASOBI’s style, it still features drastic pitch shifts, but since there are relatively few syllables set to the main melody, it can be considered easy to sing in terms of wordiness.
However, the vocal range is quite wide—from mid1 G to hi F#—and the highest notes are fairly high, so you need to sing with a clear focus on keeping the pitch accurate.
Double Double FIGHT!CANDY TUNE
CANDY TUNE is an idol group from ASOBISYSTEM, currently the hottest idol agency.
They specialize in pop and cute tunes, with releases from 2023.
Among their songs, the one I especially recommend is “Bai-Bai FIGHT!” It’s popular on TikTok, so I think many high schoolers are familiar with it.
While the track has a lot of spoken-style phrases that give it a rap-like element, it’s actually very easy to sing in terms of following the pitch.
The overall vibe is poppy, and the vocal range—mid1 G♯ to hi D—isn’t excessively wide, so as long as you can handle the talk-like delivery, you should be able to sing it without issues.
It’s fantastic for getting the crowd hyped, so definitely consider adding it to your repertoire.
omnidirectional beautynozomi
Noshi is a female singer-songwriter who has gained popularity for her music brimming with originality.
She has many comical songs, and their impact draws attention every time.
You could say her work is especially popular among subculture-inclined girls.
Among Noshi’s tracks, the one I particularly recommend is “Zen Hoko Bishoujo” (“All-Direction Beautiful Girl”).
Though it leaves a strong impression, its vocal range is not especially wide, spanning mid2A to hi C#.
If the falsetto parts are tough, it’s a good idea to lower the key with a focus on those sections.
Moody yet highly addictive, this song is sure to hype up any karaoke session.
Orihime and BABY feat. Shio Leilaneguse.
This is Neguse’s first duet, a bittersweet song that overlays the Tanabata tale of Orihime and Hikoboshi onto modern romance.
With a range of G#3 to D#5, it’s an easy key for a male-female duet, and it’s also great for two women to trade lines—highly recommended! It’s a heart-fluttering song to sing with someone you like.
In Reira Shio’s female part, the low notes are key.
Lower tones tend to get stuck in the throat and sound muffled, so make sure to let them resonate.
Try raising your eyebrows, take more air than you think you need, and sing as if you’re releasing the voice slowly right in front of your eyebrows.
That way, the resonance shifts from the throat to the head, making it easier to hear yourself and sing comfortably.
In general, when you sing, it helps to focus less on “producing sound” and more on “resonating through the body,” so keep that in mind!
I want to be lovedYumcha
The work “Aisaretai,” which gained popularity mainly among teenagers, is a piece by Yumcha that portrays the feelings of a girl who can’t let go of her love for her somewhat deadbeat boyfriend.
While the lyrics are negative, the melody is brimming with pop charm, resulting in an overall bright tone.
Although the song is on the higher side, the vocal range itself isn’t particularly wide.
With proper key adjustment, most women should be able to sing it without issue.
navel orangeNogizaka 46
It’s said to be a song released as a single in March 2025, with a double center featuring Kazu Inoue and Aruno Nakanishi.
The overall vocal range is A3–C#5, and since it’s mostly sung around E4, it’s a comfortable key for women.
Listening to the track, it isn’t the type where you belt; it’s sung in a calm, conversational tone.
Because the song flows smoothly, adding a bit of dynamic contrast can help give it definition.
In particular, it’s important to pay attention to the openings of melodic phrases and the accented parts.
Also, where the chorus shifts to head voice on the higher notes, aim for a light delivery and be careful not to add unnecessary tension.
Shadows of SummerMrs. GREEN APPLE
Mrs.
GREEN APPLE’s “Natsu no Kage” is popular across generations and has a calm, slightly bittersweet vibe.
It’s the kind of song you’d want to listen to through your earphones on the way home with friends.
Since the range is B2 to A4 and not too wide, those trademark ultra-high notes from Mrs.
GREEN APPLE barely appear.
It may feel a bit low for women, but it’s a relaxing number to sing.
The key points when singing are, of course, the low notes and the switch into falsetto.
The melody starts mostly in the low range and might be hard to produce, but try singing like Omori-san: raise your eyebrows and imagine sending a lot of breath forward toward your eyebrows.
When switching from chest voice to falsetto, you’ll want to keep the resonance in the same place.
Similarly, use plenty of breath and aim to resonate around your eyebrows and head—sing gently and softly with a floating feel, and the transition will be smoother.
Keep that in mind!