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Famous songs we’d like women in their 50s to sing (by age group)

Do you all go to karaoke often?

Maybe you always sing the same songs and it feels a bit stale, or you’re not too familiar with recent hits—there are lots of dilemmas, right?

For those in that situation, especially women in their 50s, we’ve picked out songs that men would love to hear you sing.

We’re mainly featuring the J-pop that was popular during your youth, while also mixing in some recent tracks.

You might find yourself thinking, “Oh right, I used to love this song!”

Feel free to use this as a reference!

[By Age Group] Famous Songs We’d Like Women in Their 50s to Sing (11–20)

May it be filled with kindnessJUJU

JUJU 'So That It Overflows with Kindness'
May it be filled with kindnessJUJU

This is the ninth single by JUJU, a female singer who moved to the U.S.

at 18 and earned high acclaim in Japan for her unique style—shaped by absorbing diverse music—and her street performances.

A rock ballad featured in multiple commercials, it’s one of her signature songs and is known to be especially meaningful to JUJU herself.

The lyrics, which evoke a sense of motherhood, combined with her emotional vocals, conjure an image of the grace and beauty of a mature woman.

It’s a number I’d recommend as a karaoke song for women in their 50s, and one that men will likely find soothing to hear at karaoke.

Hello, Again ~A Place That’s Been Around Since Long Ago~My Little Lover

My Little Lover "Hello, Again ~A Place That’s Been There Since Long Ago~
Hello, Again ~A Place That’s Been Around Since Long Ago~My Little Lover

A third single by MY LITTLE LOVER, the music unit that dominated the J-POP scene in the 1990s and now operates as vocalist akko’s solo project.

The song was used as the theme for the TV drama “Owaranai Natsu” and became a massive hit, selling over 1.8 million copies.

Every element that makes up the track is outstanding—the lyrical guitar in the intro, the catchy melody, and the striking key changes.

It’s a quintessential 1990s pop song, recognized by a wide range of J-POP fans, including women in their 50s who grew up with it.

Hold me…Matsuda Seiko

Hold Me... (new version) / Seiko Matsuda
Hold me...Matsuda Seiko

A song by Seiko Matsuda, a singer-songwriter who stands as an icon of idol singers in the J-pop scene and a legend who sparked social phenomena.

Included on her 15th album, Citron, this track was never released as a single yet remains highly popular among fans.

Its suggestive, sexy lyrics—uncharacteristic of a typical idol—might create an intriguing contrast even when sung at karaoke by a woman in her 50s, catching men off guard.

It’s a hidden gem among Showa-era idol songs, with cover versions released not only in Japan but overseas as well.

Blown by the wintry windKoizumi Kyoko

Kyoko Koizumi Embraced by the Wintry Wind
Blown by the wintry windKoizumi Kyoko

This is the 20th single by singer Kyoko Koizumi—affectionately known as Kyon Kyon—who has made her mark not only as an idol singer but also as an actress.

Chosen as the theme song for the film “Don’t Lay a Hand on My Woman,” in which she starred, the track features a poignantly melancholic melody and superb guitar orchestration in the interlude.

Its subtly oriental vibe makes it especially catchy, so it’s a great karaoke recommendation for women in their 50s—the generation that grew up with it.

Nostalgic yet timeless, it’s an enduring idol song that even men will want to request.

dogwood (flowering dogwood)Hitoto Yo

This is the fifth single by female singer Yo Hitoto, also known as the “most sung song of the Heisei era” in karaoke.

The song was written in response to the September 11 attacks in 2001, and it has been widely featured in films, TV dramas, and commercials, making it one of Hitoto’s signature tracks.

Its lyrics, which sing of a love greater than just romantic love, give listeners a warm sense of being enveloped by the maternal tenderness of a mature woman.

Paired with its solemn melody, it’s a heart-soothing karaoke staple—one that no man can resist requesting.