[Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
Have you ever felt like you “can’t sing it because the range is too high” at karaoke? For women with lower voices, songs with high keys aren’t just uncomfortable to sing—they also make choosing songs a challenge.
But don’t worry.
In this article, we introduce a wide variety of songs with comfortable ranges that you can sing without strain, even if your voice is on the lower side! From nostalgic classics to the latest hits, find the perfect song that matches your voice!
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[Calling all low-voiced women in their 40s!] Easy-to-sing karaoke songs (1–10)
SWEET 19 BLUESAmuro Namie
This song was released in 1996 as the theme for the film “That’s Cunning! Shijō Saidai no Sakusen?” with lyrics and composition by Tetsuya Komuro.
It’s also popular among fans for its great balance with Namie Amuro.
The overall vocal range is fairly wide, from F3 to E5, but instead of a forceful, belted style, it suits a lighter, resonant delivery using mostly head voice.
The key point is humming.
Lift your facial muscles and try a gentle, buoyant “hm-hm,” resonating not in the throat but around the brow/forehead area.
If the throat resonates, your singing voice will sound throaty and strained.
Use steady breath support and aim the resonance lightly upward from the eyebrows for the best effect!
Come, spring.Matsutōya Yumi
This is the theme song of the 1994 NHK morning drama series “Haru yo, Koi.” The lyrics and music were written by Yumi Matsutoya, and I think the intro of this song is truly wonderful.
It has an intro that evokes a sense of poignancy when you listen to it, doesn’t it? The overall vocal range is relatively calm at F3–G#4, so it should be quite comfortable for lower-voiced female singers.
The tempo is also relaxed, so you should have plenty of room to breathe.
When you take a breath, be careful not to let your shoulders rise.
Keep your shoulders relaxed at all times and let the air fill your abdomen.
Also, I think the chorus phrases become easier to sing if you articulate them clearly!
wailing in griefKudō Shizuka
Shizuka Kudo’s classic song “Dōkoku.” While Shizuka Kudo sometimes showcases an intense vocal style depending on the song, she is actually an artist with a very limited vocal range.
Among her works, this piece in particular has a notably narrow range.
Even the highest notes sit around the boundary between the middle and upper-middle register, and they appear only briefly.
In addition, the melodic movement is very gentle, so for women with lower voices, it’s actually an easy song to sing.
It’s also a big hit at karaoke, so consider adding it to your repertoire.
[Calling all low-voiced women in their 40s!] Karaoke-friendly songs (11–20)
StoryAI
The AI with the famously husky voice.
While there are some high notes in the song, it’s mostly sung in a natural mid-range chest voice, so “Story” should be quite easy to sing! The tricky part of this song is definitely the high notes in the bridge.
My students practiced that same spot over and over.
If you sing it with the same feel as the chorus, you’ll run out of breath and your voice won’t carry.
It’s crucial to prepare before hitting the high notes! Since the song flows straight into the bridge after the end of the second verse, it can move on before you’ve had time to prepare… Take a quick breath right before the bridge and project your voice powerfully as if aiming into the distance! For the vowel “i,” it’s easy to spread the mouth sideways and tense up, so it’s easier to produce if you create space inside your mouth while pronouncing it.
First LoveUtada Hikaru
A signature ballad by Hikaru Utada that offers a rewarding challenge for low-voiced women in their 40s.
The range spans E3–F5, with plenty of high notes, but it captivates with a conversational verse and expressive emotion.
Many people will know this song.
Because it’s sung with a whispery tone, it likely brings to mind a kind of head-voice feel.
Basically, head voice requires steady breath support.
If you tense up when taking a breath, you’ll end up chest breathing and won’t inhale enough air.
Diaphragmatic (abdominal) breathing is crucial.
Also, since the song builds up a lot toward the end, be mindful of balancing your volume.
For the English parts, try singing fluidly along the melodic line to lock into the rhythm.
beetle (specifically, a rhinoceros beetle)aiko
Aiko’s signature love song “Kabutomushi.” The overall vocal range is quite wide, from F3 to F5, but it’s very easy to sing if you switch between chest voice and falsetto.
The A and B sections sit firmly in a lower range, and while the chorus climbs higher than you might expect, it may help to switch decisively to a falsetto base from there.
To switch smoothly between registers, stable pitch is essential.
If you keep your eyebrows raised or make a surprised face, you can maintain accurate pitch centered between your eyebrows without letting it drop into your throat.
Also, when singing high notes, if you hold back and produce the sound halfway, it will definitely be harder to hit, so try projecting your voice solidly!
Dancing HeroOginome Yōko
An upbeat disco-style track you can belt out on vibe and momentum.
The range runs from A3 to C#5, with a higher section at the end, but once you lock into the rhythm, it feels great to sing.
It’s also perfect for getting the crowd going at karaoke! When you sing it, it’s best to articulate the first beat clearly.
If you project your voice solidly at the start, the rest will come out smoothly and it should feel comfortable to sing.
If you’ve got bandwidth while singing, try learning a few light dance moves—falling into the groove makes it even easier to keep the rhythm and feel even better performing it!