[Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
Have you ever felt like you “can’t sing it because the range is too high” at karaoke? For women with lower voices, songs with high keys aren’t just uncomfortable to sing—they also make choosing songs a challenge.
But don’t worry.
In this article, we introduce a wide variety of songs with comfortable ranges that you can sing without strain, even if your voice is on the lower side! From nostalgic classics to the latest hits, find the perfect song that matches your voice!
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[Calling all low-voiced women in their 40s!] Karaoke-friendly songs (11–20)
I’m glad I met you.Koizumi Kyoko

Kyoko Koizumi’s classic song “I’m Glad I Met You.” Although Kyoko Koizumi has solid vocal ability, she actually has a narrow vocal range, and most of her songs don’t feature long high notes.
Among her tracks, this one is especially recommended.
The key changes in the chorus, but just as the energy rises, the melody drops in pitch, making it a comfortable vocal line for women with lower voices or those who struggle with high notes.
Consider adding it to your repertoire.
Listening to OliviaAnri

Anri’s hit number “Listening to Olivia.” Thanks to the recent revival boom, it has gained some recognition among younger generations as well.
The song was released in 1978 and became a long-running hit with its distinctive musical style that blends New Music and kayōkyoku.
Its vocal range is somewhat narrow at mid1 G# to high C, and the pitch movement isn’t very drastic.
It’s slightly high for men and slightly low for women, making it highly recommended as a song that can be sung in the original key regardless of gender.
LOVE MachineMōningu Musume.

Morning Musume, the group that energized the early-2000s idol boom, is often surprisingly underestimated, but their songs are musically quite fascinating and incorporate underground influences from the time.
Among them, “LOVE Machine” is a remarkable work that distills funk and disco into techno and pop.
While rooted in Black music, the vocal lines retain a J-pop-style catchiness and are sung within a narrow range throughout.
Even women with lower voices should be able to sing it without issue.
rainMoritaka Chisato

Among Chisato Moritaka’s songs, the masterpiece “Ame” (“Rain”) is especially popular.
Moritaka is known for her strikingly high timbre, but in fact she isn’t an artist with a particularly wide vocal range.
This song is no exception; it stays within a narrow range.
As a result, even women with lower voices can sing it comfortably if they adjust to a suitable key.
However, because the tempo is very slow, you’ll need to be mindful of sustaining long phrases cleanly with controlled muting.
It’s one of the easiest songs to sing in Japanese pop, so consider adding it to your repertoire.
Azure RabbitNoriko Sakai

Noriko Sakai’s signature song “Aoi Usagi” (“Blue Rabbit”).
Although it’s classified as pop, the vocal lines are infused throughout with the essence of Showa-era kayōkyoku.
Because Noriko Sakai’s voice is so clear, people tend to assume it’s a high-pitched song, but the actual vocal range is quite narrow, so even women with lower voices can sing it without issue.
However, since many sections call for pronounced vibrato, be mindful of producing steady vibrato with solid support in the mid to lower-mid range.
Consider adding it to your repertoire.
La La LaDaikoku Maki

Maki Ohguro’s classic “La La La.” Among her works, this track especially harmonizes J-pop and pop rock, presenting an overall upbeat, powerful, yet refreshing melody.
In this song’s vocal lines, the pre-chorus (B section) is the most powerful, followed by the verse (A section), while the chorus is arranged with a lighter, more straightforward vocal line.
The tricky part is the pre-chorus, but it doesn’t require a wide vocal range; you just need to focus on crisp articulation at the start of the lines, so even women in their 40s with lower voices should be able to sing it without any problem.
[Calling all low-voiced women in their 40s!] Easy-to-sing karaoke songs (21–30)
vexing lipsTakahashi Mariko

Mariko Takahashi has remained popular since the 1970s.
She’s an exceptionally long-running artist who stayed at the forefront into the 1990s.
Because of that, I think even women in their 40s are quite familiar with her songs.
Among her works, the one I especially recommend is Hagayui Kuchibiru (“Frustrated Lips”).
It’s a striking piece featuring vocals influenced by Showa-era kayōkyoku and the distinctive synth sounds of the early ’90s.
In this song, the chorus reaches the highest notes, but it stays within the mid-to-high range overall, and the long sustained notes only appear in the lower register.
As a result, it’s a very singable tune for women with lower voices.



