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Even if you’re tone-deaf, it’s okay! Easy karaoke songs for men in their 40s

“There are great songs for karaoke, but I just can’t hit the notes…” “I’m tone-deaf, so I’m not confident about singing…” No need to worry! Even if you think you’re ‘tone-deaf,’ you can absolutely enjoy karaoke by choosing the right songs.

In this article, we’ve gathered songs with easy-to-sing melodies that don’t require a wide vocal range.

With simple rhythms and catchy phrases, these tracks let you savor the essence of karaoke to the fullest.

We hope to help every music lover find a song that feels great to sing.

[Even If You're Tone-Deaf, It's Okay!] Easy Karaoke Songs for Men in Their 40s (41–50)

Wine Red Heartanzenchitai

Wine Red no Kokoro, a signature song that could be called Anzen Chitai’s big breakthrough.

Lyrics by Yosui Inoue and music by Koji Tamaki—looking back, that’s quite a luxurious lineup.

While the chorus has some higher notes, it’s generally written in a range that’s comfortable for male singers.

The song has a mature vibe, so you’ll want to sing it coolly and smoothly.

When performing, switching between spoken-like delivery and full-on singing will make it more captivating.

And definitely belt the chorus! The vowels “i” and the m-row sounds can be tricky.

If you spread the “i” too wide horizontally, you’ll tense your throat and won’t be able to ascend in chest voice.

Recall the feeling of humming and let the sound resonate lightly in the head.

The m-row sounds are nasal; they’re easier to produce if you project the voice a bit more firmly.

Another SaturdayHamada Shogo

Another Saturday (We are still on the road.)
Another SaturdayHamada Shogo

It was released as a single on May 22, 1985, as the B-side to “LONELY – Ai to Iu Yakusokugoto,” and was later included on an album.

Considering the title and the lyrics, it’s a very heartrending song.

The tempo is relaxed, so you can sing it carefully, giving meaning to each phrase.

There are some higher notes, but as long as you use your breath properly rather than forcing it, you’ll be fine! Basically, it’s good to approach the high parts with a humming feel.

One thing to watch out for is not to strain your throat.

Engage your vocal cords, not your throat.

At first, hum gently at a volume only you can hear.

Once you get used to it, gradually focus on resonating in your head and then transition that into your singing voice.

You’ll be able to sing while staying relaxed!

Tearful KissSazan Ōrusutāzu

This was Southern All Stars’ 31st single, released in July 1992.

It was the theme song for the drama “Zutto Anata ga Suki Datta,” which became a huge talking point at the time, to the point of being called a social phenomenon due to the extreme behavior of the character Fuyuhiko.

If you’re in your 40s now, there’s a good chance you’ve heard it.

In contrast to the unsettling atmosphere in the drama, the theme song itself is a mid-tempo tune with a rather heartwarming melody, making it easy for anyone to hum along.

You might even have fun doing a little impression of Southern’s vocalist, Mr.

Kuwata, while you sing!

SAY YESCHAGE and ASKA

Known by the nickname “Chageasu,” CHAGE & ASKA is a musical duo whose exquisite harmonies captivate fans.

This is their 27th single, used as the theme song for the TV drama “The 101st Proposal,” which became a social phenomenon.

With its dreamy arrangement and catchy melody, the track became a million-selling hit.

The overall key is low and the melodic range is modest, making it easy to sing even for those who aren’t confident at karaoke.

For those in their 40s—the generation that grew up with it—it’s a ballad that symbolizes the trendy-drama boom of 1990, and we hope pairs will sing it together to recreate the harmonies.

Glass BoyKinKi Kids

KinKi Kids “Garasu no Shōnen” Music Video
Glass BoyKinKi Kids

This was KinKi Kids’ debut single, released in July 1997.

The composer was Tatsuro Yamashita.

It was a million-seller at the time and was chosen as the entrance march for the 70th National High School Baseball Invitational Tournament in the year following its release (1998).

As such a massive hit, most people in their 40s as of 2023, when this article is being written, have probably heard it at least once.

The melody, tinged with a wistful, slightly sentimental feel, is truly memorable.

There aren’t any particularly challenging parts to sing throughout the song, so it’s a recommended karaoke pick for anyone.

Enjoy it with its lively rhythm.

BoyhoodInoue Yosui

Yosui Inoue – Shonen Jidai (Live) NHK Hall 2014/5/22
BoyhoodInoue Yosui

This is Yosui Inoue’s 29th single, released in September 1990.

It’s also his biggest hit.

Inoue himself is a singer with an exceptionally high level of vocal ability, so it’s quite difficult for those who aren’t confident singers to perform it the way he does.

However, the song itself—if I may say so without causing misunderstanding—features a very wholesome, almost Ministry-of-Education-songbook-like melody and straightforward phrasing, making it easy for anyone to learn and sing.

I imagine that this kind of familiarity evokes a certain sense of nostalgia, which helped propel the song to hit status.

Just be mindful of the key you choose, and rather than obsessing over singing it too perfectly, focus on tracing the melody honestly—you’ll likely sing it quite nicely.

Let’s all sing it while thinking of our own “Shōnen Jidai,” our boyhood days.

A flower that blooms only hereKobukuro

Kobukuro “A Flower That Blooms Only Here”
A flower that blooms only hereKobukuro

This is Kobukuro’s 11th single, released in May 2005.

It was reportedly created as the theme song for the NTV drama “Ruri no Shima.” From the arrangement and sound of the backing track to the vocals by the two members of Kobukuro, it’s a beautiful ballad overflowing with a very gentle and soft atmosphere.

The vocal melody contains nothing flashy; it’s very straightforward and beautiful, making it extremely easy to remember and sing.

When you sing it, try to create a clear contrast between the parts that are sung powerfully—such as the chorus—and the other sections.