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Sviatoslav Richter: Treasured piano pieces loved by the legendary pianist

When people hear the phrase “poet of the piano,” many likely think of Frédéric Chopin, a quintessential composer of the Romantic era.

However, there was in fact another musician whose great achievements in the world of classical music earned him the same epithet as Chopin: the “poet of the piano.”

That musician is Samson François, a pianist who rose to prominence as one of the leading composers in post–World War II France.

He graduated at the top of his class from the Paris Conservatory in 1940, won first prize at the inaugural Long–Thibaud International Competition, and went on to enchant audiences around the globe with his performances.

In this article, we’ve carefully selected some of François’s finest recordings.

Please enjoy the captivating performances left to us by this remarkable artist, who passed away much too soon at the age of 46.

[Samson François] Exquisite Piano Pieces Loved by the Legendary Pianist (11–20)

Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”Ludwig van Beethoven

Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: III. Allegro ma non troppo – Presto
Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”Ludwig van Beethoven

One of Ludwig van Beethoven’s signature works, Piano Sonata No.

23 in F minor, Op.

57—affectionately known as the “Appassionata”—was composed between 1804 and 1806 and stands as a masterpiece of his middle period.

Passionate and dramatic in character, it deeply reflects Beethoven’s inner anguish and emotions.

Samson François’s renowned performance captures a stunning contrast between ferocity and stillness; in particular, his evocation of a stormy night at sea is breathtaking and profoundly moving.

This imperishable masterpiece and performance come highly recommended for anyone wishing to become more familiar with classical music.

In conclusion

Samson François was known for excelling in the works of Chopin, Ravel, and Debussy. Although his performances were sometimes criticized for “not following the score” or for “uneven touch,” his distinctive interpretations carry an indescribable charm. In addition to the examples introduced here, many of Samson François’s outstanding performances survive in audio and video, so be sure to check them out.