Songs with titles starting with 'Fu': a unique and wide-ranging world of 'Fu'
From everyday words like “futari” (two of us) and “fuyu” (winter) to many katakana terms like “photo–” and “brother–,” there are plenty of titles that start with the sound fu.
What words come to mind? This article introduces popular songs and easy-to-use titles that begin with fu.
There’s a wide range to choose from, and it’s fairly easy to find unique titles too—so it might be fun to memorize them! Feel free to use this as a reference not only when you’re curious about songs that start with fu, but also as a prompt for picking songs, such as in karaoke shiritori where you connect titles by the last character.
- A collection of Vocaloid songs whose titles start with “Fu”
- A roundup of songs with titles that start with “pu.” Great for shiritori or picking songs!
- A roundup of songs with titles that start with “bu.” Handy for shiritori or playlist-making.
- Summary of Vocaloid songs with titles starting with 'Bu'
- A roundup of songs that start with “ku.” Perfect for shiritori or picking karaoke tracks!
- Songs with titles that start with 'yu'
- Songs with titles that start with “Go”
- A roundup of songs that start with “U.” Perfect for shiritori or picking tracks at karaoke!
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- Songs that start with 'Vu'. For shiritori, karaoke, and playlist selection.
- Songs with titles that start with “Ha.” Lots that evoke the seasons!
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
- Songs with titles that start with “Gu.” Great for your karaoke selection!
Songs with titles starting with 'Fu'. The unique and wide world of 'Fu' (471–480)
Phone NumberIwatatakanori
A soulful track by Takanori Iwata that elevates the ache of heartbreak into a mature love song.
From the viewpoint of a protagonist wandering neon-lit streets, it delicately portrays a fleeting goodbye and lingering regret.
Marking a new chapter in his solo career, the work features refined, soul- and funk-based production that showcases unprecedented expressiveness and allure.
Ahead of its February 2025 release, a teaser video dropped late last year, stoking anticipation.
It has also been performed on the arena tour “ARTLESS,” drawing a huge response.
Highly recommended for anyone who wants to savor the sweet, bittersweet atmosphere of the night alongside an urban sound.
It’s a song with adult charm that makes you want to stroll through the city after dark, lost in memories of a broken heart.
Two-person sakekawanaka miyuki
Miyuki Kawanaka’s classic “Futari Sake” is distinguished by its warm, memorable melody.
It’s an orthodox enka piece imbued with a sense of melancholy.
As with typical enka, the challenging kobushi ornament appears multiple times; however, roughly a third of these are not pitch-bending turns so much as kobushi that apply vibrato.
Because this type of kobushi is far easier than the regular kind, the song can definitely be considered an easy one.
Do add it to your repertoire.
Friend ShipHoshino Gen
This is a gentle song that tenderly embraces the warm feelings of parting from and reuniting with someone important, and the hope of meeting again.
Gen Hoshino’s heartfelt vocals and the warm melody evoke the beauty of precious memories and bonds with friends.
Included on the album “YELLOW DANCER,” the track was written as the theme song for the film “Moriyamachu Driving School” and was also used in NTT Docomo’s “Docomo no Long Gakuwari” commercial.
During the “Continues” tour in September 2017, it was performed with passion at Saitama Super Arena.
It’s a heartwarming piece to listen to when you’re thinking of a dear friend you’ve been separated from, or when you’ve made plans to see each other again after a long time.
Windblume HarborHattori Hiroko
Among Hiroko Hattori’s songs—she’s known for her powerful vocal style—the one I especially recommend is Kazahana Minato.
The first half is calm yet dignified in its phrasing, gradually building in intensity, and the chorus unfolds with a richly forceful vocal line.
While the vocal range is fairly wide, it doesn’t employ the shouty, strained technique often heard in songs of this type, and the kobushi ornamentation is kept orthodox.
Overall, it can be considered a relatively easy song to sing.
Songs with titles starting with “Fu.” The unique and wide world of “Fu” (481–490)
Two of us in OsakaMatsuura Aya
A classic song set in Osaka that sings of a bittersweet love.
The lyrics, woven with regional dialect, stir a sense of nostalgia.
The feelings of a woman reflecting on memories with a former lover are expressed through a warm, heartfelt vocal.
Released in December 2011, the track is included on Aya Matsuura’s best-of album “Aya Matsuura 10TH ANNIVERSARY BEST,” commemorating the 10th anniversary of her career.
It was also used as the theme song for the ABC Asahi Broadcasting drama “Sakura to Satsuki,” which aired in April of the same year.
It’s a perfect song not only for those from the Kansai region, but for anyone who cherishes memories with someone special.
Drinks for twoAzusa Michiyo
A bittersweet yet forward-looking breakup song about a couple choosing to end a cherished love.
Set to a gentle melody, it portrays the emotions of lovers who have resolved to part.
Released in March 1974, the song features lyrics by Michio Yamagami and music by Masayuki Hirao, and became a major hit, reaching No.
11 on the Oricon weekly chart.
Their promise to meet again and share drinks when they feel lonely conveys both gratitude for the memories they’ve built and hope for the future.
It’s a song that stays by your side when you want to overcome the pain of heartbreak and find a sense of calm.
WonderlandHikawa Kiyoshi
The masterpiece “Wonderland” leaves a strong impression with its rock sound.
The song channels elements of visual-kei rock—also part of Kiyoshi Hikawa’s roots—and its melody carries a BUCK-TICK-like vibe.
Despite being authentic rock, the piece keeps the vocal range relatively narrow throughout.
Aside from the interlude’s non-vocal sections, there are virtually no long sustained notes, and neither kobushi-style ornamentation nor shouts appear, so complex vocal techniques aren’t required.
Consider adding it to your repertoire.