Karaoke songs sung by female artists recommended for Gen Z
Don’t you ever get stuck choosing songs at karaoke?
If it’s solo karaoke or with close friends, you can sing whatever you like, no problem.
But when it’s with people you don’t usually go with or coworkers, it’s totally relatable to not know what to sing, right?
So this time, we’re introducing karaoke songs by female artists that we recommend for Gen Z.
They’re all famous tracks that people of any generation have probably heard at least once, so feel free to use this as a reference!
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Karaoke Songs Sung by Female Artists Recommended for Gen Z (31–40)
A hundred flowers in full bloomIkuta Rira

Rira Ikuta, known as the vocalist of YOASOBI, is also active as a solo artist and has produced numerous classic songs to date.
Among her works, the one I especially recommend is Hyakka Ryoran.
It may seem like a high-pitched song, but for a Rira Ikuta track, its vocal range is relatively narrow, and there aren’t any high sections with continuous falsetto.
However, there are many key changes, so make sure to firmly grasp the melody in advance.
Oneway GenerationHonda Minako

Minako Honda, who made a dazzling transformation from idol singer to musical theater star.
Since her debut in 1985, she shone on the idol scene while also taking on classical music and musicals, showcasing activities that transcended genres.
She successfully held her first concert at the Nippon Budokan and, in 1988, formed the female rock band MINAKO with WILD CATS.
In her debut year, she won the Japan Record Awards’ Best New Artist, earning high acclaim for her talent.
Chosen from 12,000 candidates to play Kim in the musical Miss Saigon, she captivated audiences with her outstanding vocal ability and expressive power.
As a songstress who combines a powerful voice with graceful poise, she is highly recommended for those seeking music of the highest quality.
sympathyDAZBEE

DAZBEE is an artist from South Korea who energizes Japan’s utaite scene.
Her biggest appeal is, without a doubt, her vocal timbre.
She’s known for a clear, translucent, high voice.
Because of that, people with a narrower vocal range might naturally shy away from her songs.
That’s why I recommend Sympathy.
It may seem high at first, but since the vocal lines are concentrated in the higher range, lowering the key makes it perfectly singable even for those with a limited range.
NocturneYahagi Moeka

Moeka Yahagi, a former member of AKB48 who is now active as a singer-songwriter.
Most of her songs fall under J-pop, and she’s popular for her straightforward, unadorned melodies.
Among her tracks, one I especially recommend for its narrow vocal range is “Nocturne.” Because the song sits mostly in the mid to upper-mid range, it may give the impression of being high, but its limited range makes key adjustments easy—so consider adding it to your repertoire.
EdisonSuiyōbi no Campanella

Speaking of Wednesday Campanella since Shiina took over as vocalist, isn’t “Edison” the track that leaves the strongest impression? In this song, the highest note is a hi C#—but that only appears in a few falsetto phrases.
If we look at just the chest voice, it spans from mid2 B to hi A, which is relatively narrow for a female vocal piece.
Thanks to its addictive catchiness and singability striking just the right balance, it’s a song many women will likely want to add to their repertoire.
Karaoke songs sung by female artists recommended for Gen Z (41–50)
Song of SpringFujihara Sakura

Sakura Fujiwara is a female singer-songwriter popular for her country-inspired musical style.
Active since the 2010s, she has produced several hit numbers.
Among her songs, the one especially recommended for women with lower voices is Haru no Uta (Spring Song).
It’s frequently used on platforms like TikTok and YouTube Shorts, so many people may find it familiar.
The chorus has a calm feel, and the verses through the pre-chorus sit mostly in the low to low-mid range, making it very easy to sing for women with lower voices.
Linda feat. UtaCENT

Cent Chihiro Chitti, who was active as a member of BiSH, has transitioned to a solo artist after the group’s breakup, and thanks to her wide-ranging musicality, she’s been making waves second only to AiNA THE END among former BiSH members.
The work in which she co-stars with Ushiro, known from Wednesday Campanella, is this “jack quaid claudia doumit.” This stylish, downbeat track stands out for its narrow range and gently undulating vocal line.
If sung by a woman with a lower voice, it would likely sound even more sensual.


