Vocaloid songs that Generation Z fell deeply into. Timeless masterpieces you should be listening to now.
The Vocaloid (Vocalo) scene continues to grow, especially among Gen Z.
Have you ever shared your favorite songs with someone or chatted about the latest trending tracks? With their unique worlds and charm, Vocaloid songs have become indispensable in today’s music landscape.
In this article, we’ll introduce Vocaloid tracks that resonate with Gen Z, like a curated playlist.
We’ve got a lineup of captivating songs you’ll want to share with friends—so be sure to read to the end!
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Vocaloid songs that Gen Z fell head over heels for: must-listen classics (11–20)
We! The Garbage Sorting SquadNEW!Katerazawa

It’s a Vocaloid song with irresistibly dark humor that will make you burst out laughing.
Released in January 2026 by Katerazawa, this piece features a lively back-and-forth between Kasane Teto and Zundamon, portraying a self-proclaimed justice group whose obsession with trash sorting goes way too far.
As their good intentions spiral out of control, the story is both fun and, in some ways, a reflection of modern society.
You can just laugh without thinking, or ponder the fragility of “justice”—either way works!
Noda Noda ☆ DADADANEW!Satapan-P

With its bouncing beat and the relentless chant of “noda,” this is an intense denpa song that will stick in your head.
Vocaloid producer Satapan-P’s track “Noda Noda☆DADADA” was released in January 2026.
Featuring Zundamon on vocals, the song’s excessive catchiness is its charm.
The accelerating rhythm and rapid-fire wordplay leave an unforgettable impact after just one listen.
It’s perfect when you want a boost of energy or to clear your mind.
LacatourismNEW!falsty

Before you know it, you’re swept away by a bewitching yet cheerful beat that could set skeletons dancing.
Created by Vocaloid producer Falsty, the track was released in January 2026.
It’s the ninth installment in the Project.ISΣ series, depicting a girl who gave a name to a monster.
v flower’s razor-edged vocals conjure an eerie sense of festivity.
Though it explores themes of life and death, it irresistibly makes you want to move your body—a Vocaloid song with a deliciously illicit allure.
Prayers for LoveNEW!Sasuke Haraguchi

Would you like to witness the ending of a story themed around magical girls? This piece, created by the multi-talented and widely noted Sasuké Haraguchi, was released in January 2026.
Featuring Yuka Satoishi on vocals, it serves as the finale to the compilation album “Re: Magical Girl.” It’s a powerful track that portrays a world where one reaches toward an uncertain future and finds the strength to choose their own path.
If you enjoy this song, be sure to explore the other tracks from the compilation as well.
Replicated Empty MemoryNEW!Kaede Mamiya

You’ll be overwhelmed by the vividness of the electronic tones.
The song “Memories of the Duplicated Sky” by Vocaloid producer Kaede Mamiya was released in January 2026.
Created as an entry for the “4th Proseka ULTIMATE,” it’s packed with rhythmical twists seemingly designed with gameplay in mind.
Set to glittering synths, it portrays a sci-fi world of fabricated memories and emotions—one of the work’s defining features.
Experience its creative energy for yourself.
See you next week.NEW!Ashu

Despite its lighthearted greeting, this piece grips the heart with the sorrow of an endless battle.
It’s a song by Vocaloid producer Ashu, released in January 2026.
Using the motif of a magical girl, it portrays the hidden, solitary wounds suffered behind everyday life.
The ballad-style arrangement exudes a sense of resignation that tightens the chest.
I think it especially resonates when you’re alone and overwhelmed by loneliness.
Vocaloid songs that Gen Z fell head over heels for: must-listen classics (21–30)
DirectedNEW!Yūnosuke

A stylish electronic tune that channels the suffocating feeling of being bound by rules and ratings into a powerful beat.
Created by the Vocaloid producer Yuunosuke, known for tracks like “PaⅢ.SENSATION,” the music video was released in January 2026.
Lyrics by Gyuuniku and tuning by Kou.
Its message—portraying discomfort and conflict within a controlled world—pairs perfectly with the weighty bass house sound.
When you’re feeling a bit worn out by society’s rules, give it a careful listen.
Included on the album “Void,” released in August 2025.





