A Japanese female singer with excellent singing ability; an outstanding vocalist.
Even when we say someone is “a good singer,” that can mean many different things.
They might have astonishingly steady pitch, a superhuman vocal range, exquisite sense of rhythm, or a truly overwhelming voice.
This time, I’ve picked out female singers who are widely regarded as “great” from various angles like these, as well as female singers who, from my years of experience as a vocal producer and voice coach, make me think, “She’s outstanding!”
Of course, a singer’s appeal doesn’t necessarily lie only in technical skill.
But every now and then, isn’t it nice to listen with a focus on “skill”?
I hope this will be helpful for those who aspire to become singers as well.
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Great singers. Japanese female vocalists with high singing ability (81–90)
Child GodShimabukuro Hiroko
Released in July 2013, this is Hiroko Shimabukuro’s 15th single.
It is also her first single after changing her artist name from “hiro,” which she had used since SPEED’s debut, to her real name, Hiroko Shimabukuro.
Ever since debuting with SPEED at age 12, Shimabukuro has been widely praised for her vocal ability beyond her years, and on this track you can fully enjoy her growth into a truly “mature singer.” Warabigami (“Child of the Gods”) is a cover of a song by Okinawan singer Misako Koja, and Shimabukuro brings out the Okinawan flavor of the melody and lyrics—fitting, as she herself is from Okinawa—to the fullest.
Her vocal approach on the high notes, which likely draws on traditional Okinawan folk singing techniques, is particularly outstanding.
Gift ~You Are the Madonna~Toki Asako
The second single by female jazz singer Asako Toki, released in January 2011.
As the daughter of jazz saxophonist Hidefumi Toki, she likely grew up immersed in her father’s music, and it shows in her highly refined, truly professional-level vocal delivery.
Beyond her own releases, she has reportedly performed numerous commercial jingles as well—she’s every bit a pro singer.
What’s wonderful is that, even while fully displaying that professional polish, her singing never turns into a pushy showcase of her skills.
Precisely because of that approach, even slightly cute lyrics like those in this song come across to listeners with a sense of realism.
Blown by the yellow sandKudō Shizuka
Shizuka Kudo is a former member of Onyanko Club and made her solo debut in 1987.
“Kōsa ni Fukarete” was a single released in 1989 with lyrics written by Miyuki Nakajima.
It was used as a commercial song for Taiyo Yuden’s cassette tapes.
applausechiaki naomi
Naomi Chiaki’s “Kassai,” sung with the powerful vocals that defined the Showa era, continues to move and captivate listeners.
In particular, the warm, lower-register melodies draw the audience into the world of the song.
Its concise, memorable melodic lines also make it appealing and easy for singers to learn.
There are many cover versions arranged with consideration for vocal range and key, allowing people of all ages to enjoy the piece.
Through this simple yet dramatically unfolding masterpiece, why not take this moment to rediscover the brilliance of Showa-era kayōkyoku?
My lover is Santa ClausMatsutōya Yumi
Yumi Matsutoya, known as Yuming, is a singer sometimes called the “Queen of Love Songs.” “Koibito ga Santa Claus” (My Lover Is Santa Claus) is one of her signature songs and was included on the 1980 album SURF & SNOW.
It was used as an insert song in the film Take Me Out to the Snowland.
Grapefruit MoonTOMOO
Centered on piano-and-vocal performances, singer-songwriter TOMOO expands a richly emotional musical world.
While rooted in pop and ballads, her distinctive style transcends those boundaries.
She made her major debut in 2019 and drew attention with songs like “Present” and “Awai ni.” She also garnered buzz for crafting the ending theme of the drama “Zenryōiki Ijō Kaiketsushitsu.” Her live shows are highly acclaimed, with the June 2022 performance at LINE CUBE SHIBUYA still fresh in many minds.
At first listen her music may seem subdued, but the undulating rhythms born from her piano playing and her soulful vocals blend to create a one-of-a-kind groove.
Highly recommended for those who want to surrender themselves to the music and feel a gentle, satisfying sway.
Great singers. Japanese female vocalists with high singing ability (91–100)
Flower of loveaimyon
Rather than being a singer who boasts superhuman range or volume, Aimyon’s charm lies in her unadorned voice and songs.
Even so, her solid projection that doesn’t recede in the lower register, her way of feeling the rhythm across different song sections, and her nuanced use of timing in her singing all strongly convey her innate talent.
Because she has a simple, down-to-earth image, you might be tempted to listen casually, but try focusing on how she spaces phrases and how she handles rests.